Search Results

Topics:coming+of+christ

Planning worship? Check out our sister site, ZeteoSearch.org, for 20+ additional resources related to your search.

Texts

text icon
Text authorities
Page scansFlexScoreFlexPresent

I Know Whom I have Believed

Author: El Nathan Appears in 284 hymnals Topics: Coming of Christ First Line: I know not why God's wondrous grace Used With Tune: [I know not why God's wondrous grace]
Page scans

Is it the crowning day?

Author: George Walker Whitcomb Appears in 138 hymnals Topics: Coming of Christ First Line: Jesus may come today Refrain First Line: Glad day, glad day, is it the crowning day Used With Tune: [Jesus may come today]
FlexScoreFlexPresent

Jesus shall reign where'er the sun

Author: Isaac Watts, 1674-1748 Meter: 8.8.8.8 Appears in 1,805 hymnals Topics: God The Lord Jesus Christ - His Advent and Nativity; God The Lord Jesus Christ - His Coming in Glory; The Church of God Missions Scripture: Psalm 72 Used With Tune: DUKE STREET

Tunes

tune icon
Tune authorities
FlexScoreAudio

HOW GREAT THOU ART

Appears in 147 hymnals Composer and/or Arranger: Stuart K. Hine Topics: Creation; Eternal Life; God as Creator; God's Greatness; God's Majesty; Jesus Christ Atonement; Jesus Christ Blood of; Jesus Christ Confidence in; Jesus Christ Second Coming; Jesus Christ Son of God; Music and Singing; Praise of God; Elements of Worship Praise and Adoration Tune Key: B Flat Major Incipit: 55535 55664 66665 Used With Text: How Great Thou Art
Page scansFlexScoreAudio

SOLID ROCK

Appears in 499 hymnals Composer and/or Arranger: William B. Bradbury, 1816-1868 Topics: Darkness; Eternal Life; Hope; Jesus Christ Blood of; Jesus Christ Second Coming; Jesus Christ Solid Rock; Testimony/Witness; Trust in God; Unity and Fellowship; Elements of Worship Profession of Faith Tune Key: F Major Incipit: 51353 32234 44217 Used With Text: My Hope Is Built on Nothing Less
Audio

AR HYD Y NOS

Meter: 8.5.8.5.8.8.8.5 Appears in 289 hymnals Composer and/or Arranger: Luther Orlando Emerson Topics: Promised Coming of Christ Tune Sources: Traditional Welsh melody Tune Key: F Major Incipit: 17612 17567 71176 Used With Text: View the Present through the Promise

Instances

instance icon
Published text-tune combinations (hymns) from specific hymnals
Page scan

Joy to the World

Author: Isaac Watts Hymnal: The Majestic Hymnal, number two #178 (1959) Topics: Christ Second Coming of Christ; Christ Second Coming of Christ First Line: Joy to the world, the Lord is come! Languages: English
Page scan

We'll Work Till Jesus Comes

Author: Elizabeth Mills Hymnal: The Majestic Hymnal, number two #382 (1959) Topics: Christ Second Coming of Christ; Christ Second Coming of Christ; Christ Second Coming of Christ First Line: O land of rest, of Thee I sigh! Refrain First Line: We'll work, till Jesus comes Languages: English

He Is Coming Again

Author: Austin Taylor Hymnal: The Majestic Hymnal, number two #395 (1959) Topics: Christ Second Coming of Christ; Christ Second Coming of Christ First Line: We are looking t'ward the sky with a hoping, trusting eye Refrain First Line: He is coming, He is coming Languages: English

People

person icon
Authors, composers, editors, etc.

Grant Colfax Tullar

1869 - 1950 Topics: Christ Second Coming of Christ; Christ Second Coming of Christ Composer of "[Face to face with Christ my Savior]" in The Majestic Hymnal, number two Grant Colfax Tullar was born August 5, 1869, in Bolton, Connecticut. He was named after the American President Ulysses S. Grant and Vice President Schuyler Colfax. After the American Civil War, his father was disabled and unable to work, having been wounded in the Battle of Antietam. Tullar's mother died when he was just two years old so Grant had no settled home life until he became an adult. Yet from a life of sorrow and hardship he went on to bring joy to millions of Americans with his songs and poetry. As a child, he received virtually no education or religious training. He worked in a woolen mill and as a shoe clerk. The last Methodist camp meeting in Bolton was in 1847. Tullar became a Methodist at age 19 at a camp meeting near Waterbury in 1888. He then attended the Hackettstown Academy in New Jersey. He became an ordained Methodist minister and pastored for a short time in Dover, Delaware. For 10 years he was the song leader for evangelist Major George A. Hilton. Even so, in 1893 he also helped found the well-known Tullar-Meredith Publishing Company in New York, which produced church and Sunday school music. Tullar composed many popular hymns and hymnals. His works include: Sunday School Hymns No. 1 (Chicago, Illinois: Tullar Meredith Co., 1903) and The Bible School Hymnal (New York: Tullar Meredith Co., 1907). One of Grant Tullar's most quoted poems is "The Weaver": My Life is but a weaving Between my Lord and me; I cannot choose the colors He worketh steadily. Oft times He weaveth sorrow And I, in foolish pride, Forget He sees the upper, And I the under side. Not til the loom is silent And the shuttles cease to fly, Shall God unroll the canvas And explain the reason why. The dark threads are as needful In the Weaver's skillful hand, As the threads of gold and silver In the pattern He has planned. He knows, He loves, He cares, Nothing this truth can dim. He gives His very best to those Who chose to walk with Him. Grant Tullar --http://www.boltoncthistory.org/granttullar.html, from Bolton Community News, August 2006.

William B. Bradbury

1816 - 1868 Person Name: W. B. Bradbury Topics: The Coming of Christ Composer of "[Watchman, tell me, does the morning]" in Sacred Songs and Solos William Bachelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life. John Perry

E. J. Hopkins

1818 - 1901 Person Name: E. J. Hopkins, 1818—1901 Topics: Second Coming of Christ Composer of "[O'er the distant mountains breaking]" in The Lutheran Hymnary Dr Edward John Hopkins MusDoc United Kingdom 1818-1901. Born at Westminster, England, the son of a clarinetist with the Royal Opera House orchestra, he became an organist (as did two of his brothers) and a composer. In 1826 he became a chorister of the Chapel Royal and sang at the coronation of King William IV in Westminster Abbey. He also sang in the choir of St. Paul’s Cathedral, a double schedule requiring skill and dexterity. On Sunday evenings he would play the outgoing voluntary at St. Martin’s in-the-field. He left Chapel Royal in 1834 and started studying organ construction at two organ factories. He took an appointment at Mitcham Church as organist at age 16, winning an audition against other organists. Four years later he became organist at the Church of St. Peter, Islington. In 1841 he became organist at St. Luke’s, Berwick St., Soho. Two Years later he was organist at Temple Church, which had a historic organ (built in 1683). He held this position for 55 years. In 1845 he married Sarah Lovett, and they had four sons and five daughters. He was closely associated with the Bach Society and was organist for the first English performances of Bach’s St. Matthew Passion. In 1855 he collaborated with Edward Rimbault publishing “The organ, its history and construction” (3 editions 1855-70-77). In 1864 he was one of the founders of the “College of organists”. In 1882 he received an honorary Doctorate of Music from the Archbishop of Canterbury. He composed 30+ hymn tunes and some psalm chants, used by the Church of England. He died in London, England. John Perry