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This Is My Father's World
Author: Maltbie D. Babcock; Mary Babcock Crawford Meter: 6.6.8.6 D Appears in 318 hymnals Topics: The Church in the World Lyrics: 1 This is my Father's world,
and to my listening ears
all nature sings and round me rings
the music of the spheres.
This is my Father's world;
I rest me in the thought
of rocks and trees, of skies and seas
his hand the wonders wrought.
3 This is my Father's world:
he shines in all that's fair;
in rustling grass I hear him pass
he speaks to me everywhere.
This is my Father's world:
why should my heart be sad?
The Lord is King, let heaven ring!
God reigns; let earth be glad.
Used With Tune: TERRA BEATA
This Is My Father's World
Oh, for a Thousand Tongues to Sing
Author: Charles Wesley Meter: 8.6.8.6 Appears in 1,736 hymnals Topics: The Church in the World Lyrics: 1 Oh, for a thousand tongues to sing
my great Redeemer's praise,
the glories of my God and King,
the triumphs of his grace!
2 My gracious Master and my God,
assist me to proclaim,
to spread through all the earth abroad
the honors of your name.
3 The name of Jesus charms our fears
and bids our sorrows cease;
'tis music in the sinner's ears,
'tis life and health and peace.
4 He breaks the power of canceled sin,
he sets the prisoner free;
his blood can make the foulest clean;
his blood avails for me.
5 He speaks, and, listening to his voice,
new life the dead receive;
the mournful, broken hearts rejoice;
the humble poor believe.
6 Hear him, you deaf; you voiceless ones,
your loosened tongues employ;
you blind, behold your Savior come;
and leap, you lame, for joy!
7 To God all glory, praise, and love
be now and ever given
by saints below and saints above,
the church in earth and heaven.
Used With Tune: AZMON
Oh, for a Thousand Tongues to Sing
Onward, Christian Soldiers
Author: Sabine Baring-Gould Meter: 6.5.6.5 D with refrain Appears in 1,798 hymnals Topics: The Church in the World Lyrics: Onward, Christian soldiers, marching as to war,
with the cross of Jesus going on before.
Christ, the royal master, leads against the foe;
forward into battle see his banners go!
Refrain:
Onward, Christian soldiers, marching as to war,
with the cross of Jesus going on before.
2 Like a mighty army moves the church of God;
let us boldly follow where the saints have trod.
We are not divided; all one body we
one in hope and doctrine, one in charity. [Refrain]
3 Crowns and thrones may perish, kingdoms rise and wane,
but the church of Jesus constant will remain;
gates of hell can never 'gainst that church prevail.
We have Christ's own promise, and that cannot fail. [Refrain]
4 Onward, then, O people, join our happy throng:
blend with ours your voices in the triumph song.
Glory, laud, and honor unto Christ the King,
we through countless ages with the angels sing. [Refrain]
Used With Tune: ST. GERTRUDE
Onward, Christian Soldiers
VICAR
Meter: 11.10.11.10 Appears in 17 hymnals Composer and/or Arranger: V. Earle Copes Topics: The Grace of Jesus Christ In Praise of Christ; The Book of the Church : Holy Scripture; Discipleship and Service; Guidance; Hope; Jesus Christ; Jesus Christ Example; Jesus Christ Lordship; Peace, World Tune Key: E Flat Major Incipit: 13456 54312 33456 Used With Text: Hope of the World
VICAR
We Are the Church
Author: Richard Avery; Donald Marsh Hymnal: Sing With Me #246 (2006) Topics: Show Being the Church in the World First Line: The church is not a building Refrain First Line: I am the church! Lyrics: Refrain:
I am the church! You are the church!
We are the church together!
All who follow Jesus, all around the world,
yes, we're the church together!
1 The church is not a building,
the church is not a steeple,
the church is not a resting place;
the church is a people! (Refrain)
2 We're many kinds of people
with many kinds of faces,
all colors and all ages too,
from all times and places. (Refrain)
3 And when the people gather,
there's singing and there's praying;
there's laughing and there's crying
sometimes, all of it saying. (Refrain)
4 At Pentecost some people
received the Holy Spirit
and told the good news through the world
to all who would hear it. (Refrain)
Scripture: Acts 2:1-4 Languages: English Tune Title: We Are the Church
We Are the Church
Built on the Rock
Author: Nikolai F. S. Grundtvig; Carl Döving Hymnal: With Heart and Voice #133 (1989) Meter: 8.8.8.8.8.8.8 Topics: The Church in the World First Line: Built on the Rock, the church shall stand Lyrics: 1 Built on the Rock, the church shall stand
even when steeples are falling;
Christ builds his church in every land;
bells still are chiming and calling,
calling the young and old to rest,
calling the souls of those distressed,
longing for life everlasting.
2 Not in a temple made with hands
God the Almighty is dwelling;
high in the heavens his temple stands,
all earthly temples excelling.
Yet he who dwells in heaven above
chooses to live with us in love,
making our bodies his temple.
3 We are God's house of living stones,
built for his own habitation;
he fills our hearts, his humble thrones,
granting us life and salvation.
Yet to this place, an earthly frame,
we come with thanks to praise his name;
God grants his people true blessing.
Languages: English Tune Title: KIRKEN
Built on the Rock
This Is My Father's World
Author: Maltbie D. Babcock; Mary Babcock Crawford Hymnal: With Heart and Voice #114 (1989) Meter: 6.6.8.6 D Topics: The Church in the World Lyrics: 1 This is my Father's world,
and to my listening ears
all nature sings and round me rings
the music of the spheres.
This is my Father's world;
I rest me in the thought
of rocks and trees, of skies and seas
his hand the wonders wrought.
3 This is my Father's world:
he shines in all that's fair;
in rustling grass I hear him pass
he speaks to me everywhere.
This is my Father's world:
why should my heart be sad?
The Lord is King, let heaven ring!
God reigns; let earth be glad.
Languages: English Tune Title: TERRA BEATA
This Is My Father's World
Catherine Winkworth
1827 - 1878 Topics: The Church in the World Translator of "Now Thank We All Our God" in With Heart and Voice Catherine Winkworth (b. Holborn, London, England, 1827; d. Monnetier, Savoy, France, 1878) is well known for her English translations of German hymns; her translations were polished and yet remained close to the original. Educated initially by her mother, she lived with relatives in Dresden, Germany, in 1845, where she acquired her knowledge of German and interest in German hymnody. After residing near Manchester until 1862, she moved to Clifton, near Bristol. A pioneer in promoting women's rights, Winkworth put much of her energy into the encouragement of higher education for women. She translated a large number of German hymn texts from hymnals owned by a friend, Baron Bunsen. Though often altered, these translations continue to be used in many modern hymnals. Her work was published in two series of Lyra Germanica (1855, 1858) and in The Chorale Book for England (1863), which included the appropriate German tune with each text as provided by Sterndale Bennett and Otto Goldschmidt. Winkworth also translated biographies of German Christians who promoted ministries to the poor and sick and compiled a handbook of biographies of German hymn authors, Christian Singers of Germany (1869).
Bert Polman
========================
Winkworth, Catherine, daughter of Henry Winkworth, of Alderley Edge, Cheshire, was born in London, Sep. 13, 1829. Most of her early life was spent in the neighbourhood of Manchester. Subsequently she removed with the family to Clifton, near Bristol. She died suddenly of heart disease, at Monnetier, in Savoy, in July, 1878. Miss Winkworth published:—
Translations from the German of the Life of Pastor Fliedner, the Founder of the Sisterhood of Protestant Deaconesses at Kaiserworth, 1861; and of the Life of Amelia Sieveking, 1863.
Her sympathy with practical efforts for the benefit of women, and with a pure devotional life, as seen in these translations, received from her the most practical illustration possible in the deep and active interest which she took in educational work in connection with the Clifton Association for the Higher Education of Women, and kindred societies there and elsewhere. Our interest, however, is mainly centred in her hymnological work as embodied in her:—
(1) Lyra Germanica, 1st Ser., 1855. (2) Lyra Germanica, 2nd Ser., 1858. (3) The Chorale Book for England (containing translations from the German, together with music), 1863; and (4) her charming biographical work, the Christian Singers of Germany, 1869.
In a sympathetic article on Miss Winkworth in the Inquirer of July 20, 1878, Dr. Martineau says:—
"The translations contained in these volumes are invariably faithful, and for the most part both terse and delicate; and an admirable art is applied to the management of complex and difficult versification. They have not quite the fire of John Wesley's versions of Moravian hymns, or the wonderful fusion and reproduction of thought which may be found in Coleridge. But if less flowing they are more conscientious than either, and attain a result as poetical as severe exactitude admits, being only a little short of ‘native music'"
Dr. Percival, then Principal of Clifton College, also wrote concerning her (in the Bristol Times and Mirror), in July, 1878:—
"She was a person of remarkable intellectual and social gifts, and very unusual attainments; but what specially distinguished her was her combination of rare ability and great knowledge with a certain tender and sympathetic refinement which constitutes the special charm of the true womanly character."
Dr. Martineau (as above) says her religious life afforded "a happy example of the piety which the Church of England discipline may implant.....The fast hold she retained of her discipleship of Christ was no example of ‘feminine simplicity,' carrying on the childish mind into maturer years, but the clear allegiance of a firm mind, familiar with the pretensions of non-Christian schools, well able to test them, and undiverted by them from her first love."
Miss Winkworth, although not the earliest of modern translators from the German into English, is certainly the foremost in rank and popularity. Her translations are the most widely used of any from that language, and have had more to do with the modern revival of the English use of German hymns than the versions of any other writer.
-- John Julian, Dictionary of Hymnology (1907)
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See also in:
Hymn Writers of the Church
Catherine Winkworth
Maltbie D. Babcock
1858 - 1901 Topics: The Church in the World Author of "This Is My Father's World" in With Heart and Voice Maltbie D. Babcock (b. Syracuse, NY, 1858; d. Naples, Italy, 1901) graduated from Syracuse University, New York, and Auburn Theological Seminary (now associated with Union Theological Seminary in New York) and became a Presbyterian minister. He served the Brown Memorial Presbyterian Church in Baltimore, Maryland, and the Brick Presbyterian Church in New York City. In Baltimore he was especially popular with students from Johns Hopkins University, but he ministered to people from all walks of life. Babcock wrote hymn texts and devotional, poems, some of which were published in The School Hymnal (1899).
Bert Polman
===================
Babcock, Maltbie Davenport, D.D., was born at Syracuse, N.Y., Aug. 3, 1858. Graduating from Syracuse University, he was ordained to the Presbyterian Ministry and was pastor of churches in Lockport, N.Y., Baltimore, and N.Y. City. He died at Naples, Italy, May 18th, 1901. He was richly gifted, and his short career was memorable for the extraordinary influence of his personality and his preaching. Extracts from his sermons and poems were published in 1901 as Thoughts for Every Day Living; and his Biography by Dr. C. E. Robinson in 1904. He contributed to the Presbyterian School Hymnal, 1899, the following hymns:—
1. Gaily the bells are ringing. Faster.
2. O blessed Saviour, Lord of love. Unto Me.
3. Shining Sun, shining sun. Child's Hymn.
The tunes to these hymns were of his own composing. In The Pilgrim Hymnal, 1904, there is:—
4. Rest in the Lord, my soul. Trust and Peace and in the American Methodist Hymnal, 1905:—
5. Be strong: we are not here to play. Activity in God's Service.
Nos. 4 and 5 are from Thoughts for Every Day Living, 1901; but undated. [Rev. L. F. Benson, D.D.]
--John Julian, Dictionary of Hymnology, New Supplement (1907)
Maltbie D. Babcock
Lowell Mason
1792 - 1872 Topics: The Church in the World Adapter of "AZMON" in With Heart and Voice Dr. Lowell Mason (the degree was conferred by the University of New York) is justly called the father of American church music; and by his labors were founded the germinating principles of national musical intelligence and knowledge, which afforded a soil upon which all higher musical culture has been founded. To him we owe some of our best ideas in religious church music, elementary musical education, music in the schools, the popularization of classical chorus singing, and the art of teaching music upon the Inductive or Pestalozzian plan. More than that, we owe him no small share of the respect which the profession of music enjoys at the present time as contrasted with the contempt in which it was held a century or more ago. In fact, the entire art of music, as now understood and practiced in America, has derived advantage from the work of this great man.
Lowell Mason was born in Medfield, Mass., January 8, 1792. From childhood he had manifested an intense love for music, and had devoted all his spare time and effort to improving himself according to such opportunities as were available to him. At the age of twenty he found himself filling a clerkship in a banking house in Savannah, Ga. Here he lost no opportunity of gratifying his passion for musical advancement, and was fortunate to meet for the first time a thoroughly qualified instructor, in the person of F. L. Abel. Applying his spare hours assiduously to the cultivation of the pursuit to which his passion inclined him, he soon acquired a proficiency that enabled him to enter the field of original composition, and his first work of this kind was embodied in the compilation of a collection of church music, which contained many of his own compositions. The manuscript was offered unavailingly to publishers in Philadelphia and in Boston. Fortunately for our musical advancement it finally secured the attention of the Boston Handel and Haydn Society, and by its committee was submitted to Dr. G. K. Jackson, the severest critic in Boston. Dr. Jackson approved most heartily of the work, and added a few of his own compositions to it. Thus enlarged, it was finally published in 1822 as The Handel and Haydn Society Collection of Church Music. Mason's name was omitted from the publication at his own request, which he thus explains, "I was then a bank officer in Savannah, and did not wish to be known as a musical man, as I had not the least thought of ever making music a profession." President Winchester, of the Handel and Haydn Society, sold the copyright for the young man. Mr. Mason went back to Savannah with probably $500 in his pocket as the preliminary result of his Boston visit.
The book soon sprang into universal popularity, being at once adopted by the singing schools of New England, and through this means entering into the church choirs, to whom it opened up a higher field of harmonic beauty. Its career of success ran through some seventeen editions. On realizing this success, Mason determined to accept an invitation to come to Boston and enter upon a musical career. This was in 1826. He was made an honorary member of the Handel and Haydn Society, but declined to accept this, and entered the ranks as an active member. He had been invited to come to Boston by President Winchester and other musical friends and was guaranteed an income of $2,000 a year. He was also appointed, by the influence of these friends, director of music at the Hanover, Green, and Park Street churches, to alternate six months with each congregation. Finally he made a permanent arrangement with the Bowdoin Street Church, and gave up the guarantee, but again friendly influence stepped in and procured for him the position of teller at the American Bank.
In 1827 Lowell Mason became president and conductor of the Handel and Haydn Society. It was the beginning of a career that was to win for him as has been already stated the title of "The Father of American Church Music." Although this may seem rather a bold claim it is not too much under the circumstances. Mr. Mason might have been in the average ranks of musicianship had he lived in Europe; in America he was well in advance of his surroundings. It was not too high praise (in spite of Mason's very simple style) when Dr. Jackson wrote of his song collection: "It is much the best book I have seen published in this country, and I do not hesitate to give it my most decided approbation," or that the great contrapuntist, Hauptmann, should say the harmonies of the tunes were dignified and churchlike and that the counterpoint was good, plain, singable and melodious.
Charles C. Perkins gives a few of the reasons why Lowell Mason was the very man to lead American music as it then existed. He says, "First and foremost, he was not so very much superior to the members as to be unreasonably impatient at their shortcomings. Second, he was a born teacher, who, by hard work, had fitted himself to give instruction in singing. Third, he was one of themselves, a plain, self-made man, who could understand them and be understood of them."
The personality of Dr. Mason was of great use to the art and appreciation of music in this country. He was of strong mind, dignified manners, sensitive, yet sweet and engaging.
Prof. Horace Mann, one of the great educators of that day, said he would walk fifty miles to see and hear Mr. Mason teach if he could not otherwise have that advantage.
Dr. Mason visited a number of the music schools in Europe, studied their methods, and incorporated the best things in his own work. He founded the Boston Academy of Music. The aim of this institution was to reach the masses and introduce music into the public schools. Dr. Mason resided in Boston from 1826 to 1851, when he removed to New York. Not only Boston benefited directly by this enthusiastic teacher's instruction, but he was constantly traveling to other societies in distant cities and helping their work. He had a notable class at North Reading, Mass., and he went in his later years as far as Rochester, where he trained a chorus of five hundred voices, many of them teachers, and some of them coming long distances to study under him. Before 1810 he had developed his idea of "Teachers' Conventions," and, as in these he had representatives from different states, he made musical missionaries for almost the entire country. He left behind him no less than fifty volumes of musical collections, instruction books, and manuals.
As a composer of solid, enduring church music. Dr. Mason was one of the most successful this country has introduced. He was a deeply pious man, and was a communicant of the Presbyterian Church. Dr. Mason in 1817 married Miss Abigail Gregory, of Leesborough, Mass. The family consisted of four sons, Daniel Gregory, Lowell, William and Henry. The two former founded the publishing house of Mason Bros., dissolved by the death of the former in 1869. Lowell and Henry were the founders of the great organ manufacturer of Mason & Hamlin. Dr. William Mason was one of the most eminent musicians that America has yet produced.
Dr. Lowell Mason died at "Silverspring," a beautiful residence on the side of Orange Mountain, New Jersey, August 11, 1872, bequeathing his great musical library, much of which had been collected abroad, to Yale College.
--Hall, J. H. (c1914). Biography of Gospel Song and Hymn Writers. New York: Fleming H. Revell Company.
Lowell Mason
