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Tune Identifier:"^crusaders_hymn_111271$"

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ST. ELIZABETH

Meter: 5.6.8.5.5.8 Appears in 552 hymnals Composer and/or Arranger: Richard Storrs Willis Tune Sources: Schlesische Volkslieder, 1842 Tune Key: E Flat Major Incipit: 11127 13333 42351 Used With Text: Fairest Lord Jesus

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Beautiful Saviour

Author: J. A. Seiss Meter: 5.5.7.5.5.8 Appears in 141 hymnals First Line: Beautiful Savior Topics: Praise To God, Jesus Christ; Sufficiency Of Christ; Son Of God, Christ The ; Beauty Of God, Of Christ; Humanity of Christ Used With Tune: CRUSADERS' HYMN Text Sources: Münster Gesangbuch, 1677
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Schönster Herr Jesu (Beautiful Savior)

Author: Heinrich A. H. von Fallersleben Meter: 5.6.7.5.5.8 irregular Appears in 54 hymnals Lyrics: 1 Schönster Herr Jesu, Herrscher aller Enden, Gottes und Marien Sohn! Dich will ich lieben, dich will ich ehren, du meiner Seelen Freud und Kron. 2 Schön sind die Wälder, schöner sind die Felder in der schönen Frühlingszeit. Jesus ist schöner, Jesus ist reiner, der unser traurig Herz erfreut. 3 Schön leucht die Sonne, schöner leucht der Monde und die Sternlein allzumal; Jesus leucht schöner, Jesus leucht reiner als alle Eng’l im Himmelssaal. 1 Beautiful Savior, ruler of all nature, O thou of God and Mary’s son, thee will I cherish, thee will I honor, thou, my soul’s glory, joy, and crown. 2 Fair are the meadows, fairer still the woodlands, robed in the blooming garb of spring. Jesus is fairer, Jesus is purer, who makes the woeful heart to sing. 3 Fair is the sunshine, fairer still the moonlight, and all the twinkling starry host. Jesus shines brighter, Jesus shines purer than all the angels heav’n can boast. Topics: Creation Beauty of; Jesus Christ Images and Names of; Reign of Christ Scripture: Philippians 2:9-11 Used With Tune: CRUSADERS’ HYMN Text Sources: stanzas 1, 3 Gesangbuch (present-day Germany), 1677; stanza 2 Heinrich A. H. von Fallersleben (Germany), Schlesische Volkslieder 1842; trans. anon., Church Chorals and Choir Studies (USA), 1850, alt.
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Fairest Lord Jesus

Author: Joseph Augustus Seiss Meter: Irregular Appears in 594 hymnals Topics: Creator; Praise, Adoration, Worship, Exaltation of Jesus Used With Tune: CRUSADER'S HYMN (ST. ELIZABETH) Text Sources: Anonymous German Hymn; Münster Gesangbuch (st. 1, 3); Tr. source unknown

Instances

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Published text-tune combinations (hymns) from specific hymnals

Fairest Lord Jesus

Hymnal: The Chapbook #68 (1959) Languages: English Tune Title: CRUSADERS' HYMN (111271)
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Crusaders' Hymn

Author: Unknown Hymnal: Imperial Songs #92 (1894) First Line: Beautiful Saviour! King of Creation! Languages: English Tune Title: [Beautiful Saviour! King of Creation!]
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Crusaders' Hymn

Hymnal: Songs for Christ and the Church #106 (1892) First Line: Fairest Lord Jesus! Languages: English Tune Title: [Fairest Lord Jesus!]

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Anonymous

Person Name: Unknown Author of "Crusaders' Hymn" in Imperial Songs In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Joseph A. Seiss

1823 - 1904 Translator (st. 4) of "Fairest Lord Jesus" in The Celebration Hymnal Joseph A. Seiss was born and raised in a Moravian home with the original family name of Seuss. After studying at Pennsylvania College in Gettysburg and completing his theological education with tutors and through private study, Seiss became a Lutheran pastor in 1842. He served several Lutheran congregations in Virginia and Maryland and then became pastor of St. John's Lutheran Church (1858-1874) and the Church of the Holy Communion (1874-1904), both in Philadelphia. Known as an eloquent and popular preacher, Seiss was also a prolific author and editor of some eighty volumes, which include The Last Times (1856), The Evangelical Psalmist (1859), Ecclesia Lutherana (1868), Lectures on the Gospels (1868-1872), and Lectures on the Epistles (1885). He contributed to and compiled several hymnals. Bert Polman

Catherine Winkworth

1827 - 1878 Translator of "Fairest Lord Jesus" in Hymnal for Colleges and Schools Catherine Winkworth (b. Holborn, London, England, 1827; d. Monnetier, Savoy, France, 1878) is well known for her English translations of German hymns; her translations were polished and yet remained close to the original. Educated initially by her mother, she lived with relatives in Dresden, Germany, in 1845, where she acquired her knowledge of German and interest in German hymnody. After residing near Manchester until 1862, she moved to Clifton, near Bristol. A pioneer in promoting women's rights, Winkworth put much of her energy into the encouragement of higher education for women. She translated a large number of German hymn texts from hymnals owned by a friend, Baron Bunsen. Though often altered, these translations continue to be used in many modern hymnals. Her work was published in two series of Lyra Germanica (1855, 1858) and in The Chorale Book for England (1863), which included the appropriate German tune with each text as provided by Sterndale Bennett and Otto Goldschmidt. Winkworth also translated biographies of German Christians who promoted ministries to the poor and sick and compiled a handbook of biographies of German hymn authors, Christian Singers of Germany (1869). Bert Polman ======================== Winkworth, Catherine, daughter of Henry Winkworth, of Alderley Edge, Cheshire, was born in London, Sep. 13, 1829. Most of her early life was spent in the neighbourhood of Manchester. Subsequently she removed with the family to Clifton, near Bristol. She died suddenly of heart disease, at Monnetier, in Savoy, in July, 1878. Miss Winkworth published:— Translations from the German of the Life of Pastor Fliedner, the Founder of the Sisterhood of Protestant Deaconesses at Kaiserworth, 1861; and of the Life of Amelia Sieveking, 1863. Her sympathy with practical efforts for the benefit of women, and with a pure devotional life, as seen in these translations, received from her the most practical illustration possible in the deep and active interest which she took in educational work in connection with the Clifton Association for the Higher Education of Women, and kindred societies there and elsewhere. Our interest, however, is mainly centred in her hymnological work as embodied in her:— (1) Lyra Germanica, 1st Ser., 1855. (2) Lyra Germanica, 2nd Ser., 1858. (3) The Chorale Book for England (containing translations from the German, together with music), 1863; and (4) her charming biographical work, the Christian Singers of Germany, 1869. In a sympathetic article on Miss Winkworth in the Inquirer of July 20, 1878, Dr. Martineau says:— "The translations contained in these volumes are invariably faithful, and for the most part both terse and delicate; and an admirable art is applied to the management of complex and difficult versification. They have not quite the fire of John Wesley's versions of Moravian hymns, or the wonderful fusion and reproduction of thought which may be found in Coleridge. But if less flowing they are more conscientious than either, and attain a result as poetical as severe exactitude admits, being only a little short of ‘native music'" Dr. Percival, then Principal of Clifton College, also wrote concerning her (in the Bristol Times and Mirror), in July, 1878:— "She was a person of remarkable intellectual and social gifts, and very unusual attainments; but what specially distinguished her was her combination of rare ability and great knowledge with a certain tender and sympathetic refinement which constitutes the special charm of the true womanly character." Dr. Martineau (as above) says her religious life afforded "a happy example of the piety which the Church of England discipline may implant.....The fast hold she retained of her discipleship of Christ was no example of ‘feminine simplicity,' carrying on the childish mind into maturer years, but the clear allegiance of a firm mind, familiar with the pretensions of non-Christian schools, well able to test them, and undiverted by them from her first love." Miss Winkworth, although not the earliest of modern translators from the German into English, is certainly the foremost in rank and popularity. Her translations are the most widely used of any from that language, and have had more to do with the modern revival of the English use of German hymns than the versions of any other writer. -- John Julian, Dictionary of Hymnology (1907) ============================ See also in: Hymn Writers of the Church

Hymnals

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Published hymn books and other collections

Christian Classics Ethereal Hymnary

Publication Date: 2007 Publisher: Grand Rapids, MI: Christian Classics Ethereal Library

Small Church Music

Editors: Isaac Watts Description: History The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid 1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano with organ versions. About the Recordings All recordings are in MP3 format. Churches all around the world use the recordings, with downloads averaging over 60,000 per month. The recordings normally have an introduction, several verses and a slowdown on the last verse. Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) to adjust the MP3 number of verses, tempo and pitch to suit their local needs. Mobile App We have partnered with the developer of the popular NetTracks mobile app to offer the Small Church Music collection as a convenient mobile app. Experience the beloved Small Church Music collection through this iOS app featuring nearly 10,000 high-quality hymn recordings that can be organized into custom setlists and downloaded for offline use—ideal for worship services without musicians, congregational practice, and personal devotion. The app requires a small fee to cover maintenance costs. Please note: While Hymnary.org hosts this music collection, technical support for the app is provided exclusively by the app developer, not by Hymnary.org staff. LicensingCopyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org. Home/Music(smallchurchmusic.com) List SongsAlphabetically List Songsby Meter List Songs byTune Name About  
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