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THE STAFF OF FAITH
Meter: 8.6.8.6.8.8.8.6 Appears in 21 hymnals Tune Sources: Swiss folk melody; Fellowship Hymn Book, 1910 Tune Key: E Flat Major Incipit: 51132 24351 65434 Used With Text: My Faith, It Is an Oaken Staff
THE STAFF OF FAITH
With Steady Pace
Appears in 13 hymnals First Line: With steady pace the pilgrim moves Refrain First Line: "'Tis better on before" Lyrics: 1 With steady pace the pilgrim moves
On tow’rds the blissful shore,
And sings with cheerful heart and voice,
“’Tis better on before.”
Hi passage thro’ the desert lies,
Where furious lions roar,
He takes his staff, and, smiling, cries,
“’Tis better on before.”
2 When tempted to forsake his God,
And give the contest o’er,
He hears a voice which says, “Look up,
‘Tis better on before.”
When stern afflictions clouds his cheek,
And death stands at the door,
Hope cheers him with her happiest note
“’Tis better on before.”
3 And when on Jordan’s bank he stands,
And views the radiant shore,
Bright angels whisper, “Come away!
‘Tis better on before.”
And so it is, for high in heav’n
They never suffer more;
Eternal calm succeeds the storm–
“’Tis better on before.” Used With Tune: [With steady pace the pilgrim moves]
With Steady Pace
My Faith it Is An Oaken Staff
Author: Thomas T. Lynch Appears in 22 hymnals Topics: Courage, Faith, Loyalty; Guidance Used With Tune: MUSWELL HILL
My Faith it Is An Oaken Staff
Happy Children's Day
Author: Charles H. Richards Appears in 3 hymnals First Line: We praise our dear Lord on this happy Children's Day Used With Tune: [We praise our dear Lord on this happy Children's Day]
Happy Children's Day
My Faith, it is an Oaken Staff
Author: T. T. Lynch Hymnal: The Stirling Three Hundred #217 (1950) Languages: English Tune Title: [My faith, it is an oaken staff]
My Faith, it is an Oaken Staff
My faith, it is an oaken staff
Author: Thomas T. Lynch Hymnal: Hymns and Psalms #682 (1983) Languages: English Tune Title: STAFF OF FAITH
My faith, it is an oaken staff
My Faith It Is an Oaken Staff
Author: Thomas T. Lynch, 1818-1871 Hymnal: A Hymnal for Friends #65 (1942) Languages: English Tune Title: MUSWELL HILL I
My Faith It Is an Oaken Staff
Anonymous
Composer of "THE STAFF OF FAITH" in The Cyber Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
Chas. H. Gabriel
1856 - 1932 Person Name: C. H. G. Arranger of "[With steady pace the pilgrim moves]" in Progressive Sunday School Songs Pseudonyms: C. D. Emerson, Charlotte G. Homer, S. B. Jackson, A. W. Lawrence, Jennie Ree
=============
For the first seventeen years of his life Charles Hutchinson Gabriel (b. Wilton, IA, 1856; d. Los Angeles, CA, 1932) lived on an Iowa farm, where friends and neighbors often gathered to sing. Gabriel accompanied them on the family reed organ he had taught himself to play. At the age of sixteen he began teaching singing in schools (following in his father's footsteps) and soon was acclaimed as a fine teacher and composer. He moved to California in 1887 and served as Sunday school music director at the Grace Methodist Church in San Francisco. After moving to Chicago in 1892, Gabriel edited numerous collections of anthems, cantatas, and a large number of songbooks for the Homer Rodeheaver, Hope, and E. O. Excell publishing companies. He composed hundreds of tunes and texts, at times using pseudonyms such as Charlotte G. Homer. The total number of his compositions is estimated at about seven thousand. Gabriel's gospel songs became widely circulated through the Billy Sunday-Homer Rodeheaver urban crusades.
Bert Polman
Chas. H. Gabriel
Thomas T. Lynch
1818 - 1871 Author of "My faith, it is an oaken staff" in Hymns and Psalms Lynch, Thomas Toke, was born at Dunmow, Essex, July 5, 1818, and educated at a school at Islington, in which he was afterwards an usher. For a few months he was a student at the Highbury Independent College; but withdrew, partly on account of failing health, and partly because his spirit was too free to submit to the routine of College life. From 1847 to 1849 he was Minister of a small charge at Highgate, and from 1849 to 1852 of a congregation in Mortimer Street, which subsequently migrated to Grafton Street, Fitzroy Square. From 1856 to 1859 he was laid aside by illness. In 1860 he resumed his ministry with his old congregation, in a room in Gower Street, where he remained until the opening of his new place of worship, in 1862, (Mornington Church), in Hampstead Road, London. He ministered there till his death, on the 9th of May, 1871.
The influence of Lynch's ministry was great, and reached far beyond his own congregation (which was never large), since it included many students from the Theological Colleges of London, and thoughtful men from other churches, who were attracted to him by the freshness and spirituality of his preaching. His prose works were numerous, beginning with Thoughts on a Day, 1844, and concluding with The Mornington Lecture, 1870. Several of his works were published after his death. His Memoir, by W. White, was published in 1874.
Lynch's hymns were published in:—
The Rivulet: a Contribution to Sacred Song, London., Longman, 1855, 2nd ed., 1856. This was enlarged by an addition of 67 hymns in 1868.
From the first edition of The Rivulet, 1855, the following hymns have come into common use:—
1. All faded is the glowing light. Second Advent.
2. Be Thy word with power fraught. Before Sermon.
3. Christ in His word draws near. Holy Scripture.
4. Dismiss me not Thy service, Lord. Work for Christ.
5. Gracious Spirit, dwell with me. Holy Spirit's presence desired.
6. How calmly the evening once more is descending. Evening. Sometimes "How calmly once more the night is descending."
7. I give myself to prayer. Prayer in Trouble.
8. Lord, on Thy returning day. Public Worship.
9. Lord, when in silent hours I muse. Resignation.
10. Love me, O Lord, forgivingly. Resignation.
11. Mountains by the darkness hidden. Resignation.
12. Now have we met that we may ask. Public Worship.
13. O, break my heart; but break it as a field. Penitence desired.
14. O Lord, Thou art not fickle. Sympathy.
15. O where is He that trod the sea. Christ Walking on the Sea.
16. Oft when of God we ask. Trust in Trial.
17. Rise, He calleth thee, arise. Blind Bartimaeus.
18. Say not, my soul, from whence. Resignation.
19. Where is thy God, my soul? Resignation and Hope.
There are also from the 1856 and 1868 eds. the following:—
20. A thousand years have come and gone. Christmas.
21. Lift up your heads, rejoice; (1856.) Advent.
22. Praying by the river side. Holy Baptism.
23. The Lord is rich and merciful. Have Faith in God.
24. There is purpose in this waste. Easter.
Lynch's hymns are marked by intense individuality, gracefulness and felicity of diction, picturesqueness, spiritual freshness, and the sadness of a powerful soul struggling with a weak and emaciated body. Although The Rivulet was published for use by his own congregation as a supplement to Watts, more than one half of the hymns were designed for private use only, but were not so distinguished in the work. Its publication caused one of the most bitter hymnological controversies known in the annals of modern Congregationalism. Time, however, and a criticism, broader and more just, have declared emphatically in favour of his hymns as valuable contributions to cultured sacred song. [Rev. W. Garrett Horder]
--John Julian, Dictionary of Hymnology (1907)
==================
Lynch, T. T., p. 705, ii. Other hymns by him in recent books are:—
1. My faith it is an oaken staff. Faith in Christ. In the Rivulet, 1855, p. 78.
2. Together for our country now we pray. National, In the Rivulet, 1868, p. 170. [Rev. James Mearns, M.A.]
--John Julian, Dictionary of Hymnology, New Supplement (1907)
Thomas T. Lynch
Small Church Music
Editors: Thomas T. Lynch Description:
The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling
to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid
1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of
this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset
of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano
with organ versions. All recordings are in MP3 format.
Churches all around the world use the recordings, with downloads averaging over 60,000 per
month.
The recordings normally have an introduction, several verses and a slowdown on the last verse.
Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) (see http://scm-audacity.weebly.com for more information) to adjust the MP3 number of verses, tempo
and pitch to suit their local needs.
Copyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org.
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