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William Walsham How

1823 - 1897 Author of "Alleluia! Alleluia! Alleluia!" in Services for Congregational Worship. The New Hymn and Tune Book William W. How (b. Shrewsbury, Shropshire, England, 1823; d. Leenane, County Mayo, Ireland, 1897) studied at Wadham College, Oxford, and Durham University and was ordained in the Church of England in 1847. He served various congregations and became Suffragan Bishop in east London in 1879 and Bishop of Wakefield in 1888. Called both the "poor man's bishop" and "the children's bishop," How was known for his work among the destitute in the London slums and among the factory workers in west Yorkshire. He wrote a number of theological works about controversies surrounding the Oxford Movement and attempted to reconcile biblical creation with the theory of evolution. He was joint editor of Psalms and Hymns (1854) and Church Hymns (1871). While rector in Whittington, How wrote some sixty hymns, including many for children. His collected Poems and Hymns were published in 1886. Bert Polman =============== How, William Walsham, D.D., son of William Wybergh How, Solicitor, Shrewsbury, was born Dec. 13, 1823, at Shrewsbury, and educated at Shrewsbury School and Wadham College, Oxford (B.A. 1845). Taking Holy Orders in 1846, he became successively Curate of St. George's, Kidderminster, 1846; and of Holy Cross, Shrewsbury, 1848. In 1851 he was preferred to the Rectory of Whittington, Diocese of St. Asaph, becoming Rural Dean in 1853, and Hon. Canon of the Cathedral in 1860. In 1879 he was appointed Rector of St. Andrew's Undershaft, London, and was consecrated Suffragan Bishop for East London, under the title of the Bishop of Bedford, and in 1888 Bishop of Wakefield. Bishop How is the author of the Society for Promoting Christian Knowledge Commentary on the Four Gospels; Plain Words , Four Series; Plain Words for Children; Pastor in Parochia; Lectures on Pastoral Work; Three All Saints Summers, and Other Poems , and numerous Sermons , &c. In 1854 was published Psalms and Hymns, Compiled by the Rev. Thomas Baker Morrell, M.A., . . . and the Rev. William Walsham How, M.A. This was republished in an enlarged form in 1864, and to it was added a Supplement in 1867. To this collection Bishop How contributed several hymns, and also to the S. P. C. K. Church Hymns , of which he was joint editor, in 1871. The Bishop's hymns in common use amount in all to nearly sixty. Combining pure rhythm with great directness and simplicity, Bishop How's compositions arrest attention more through a comprehensive grasp of the subject and the unexpected light thrown upon and warmth infused into facia and details usually shunned by the poet, than through glowing imagery and impassioned rhetoric. He has painted lovely images woven with tender thoughts, but these are few, and found in his least appreciated work. Those compositions which have laid the firmest hold upon the Church, are simple, unadorned, but enthusiastically practical hymns, the most popular of which, "O Jesu, Thou art standing"; "For all the Saints who from their labours rest," and "We give Thee but Thine own," have attained to a foremost rank. His adaptations from other writers as in the case from Bishop Ken, "Behold, the Master passeth by," are good, and his Children's hymns are useful and popular. Without any claims to rank as a poet, in the sense in which Cowper and Montgomery were poets, he has sung us songs which will probably outlive all his other literary works. The more important of Bishop How's hymns, including those already named, and "Lord, Thy children guide and keep"; "O Word of God Incarnate"; "This day at Thy creating word"; "Who is this so weak and helpless"; and others which have some special history or feature of interest, are annotated under their respective first lines. The following are also in common use:— i. From Psalms & Hymns, 1854. 1. Before Thine awful presence, Lord. Confirmation. 2. Jesus, Name of wondrous love [priceless worth]. Circumcision. The Name Jesus . 3. Lord Jesus, when we stand afar. Passiontide. 4. O blessing rich, for sons of men. Members of Christ. 5. 0 Lord of Hosts, the earth is Thine. In time of War. 6. O Lord, Who in Thy wondrous love. Advent. ii. From Psalms & Hymns, enlarged, 1864. 7. Lord, this day Thy children meet. Sunday School Anniversary. iii. From Supplement to the Psalms & Hymns, 1867. 8. Hope of hopes and joy of joys. Resurrection. 9. 0 daughters blest of Galilee. For Associations of Women. 10. O happy feet that tread. Public Worship. 11. With trembling awe the chosen three. Transfiguration. iv. From Parish Magazine, 1871, and Church Hymns, 1871. 12. O Jesu, crucified for man. Friday. 13. Yesterday, with worship blest. Monday. v. From the S. P. C. K. Church Hymns. 1871. 14. Bowed low in supplication. For the Parish. 15. Great Gabriel sped on wings of light. Annunciation, of the Blessed Virgin Mary. 16. O blest was he, whose earlier skill. St. Luke. 17. O God, enshrined in dazzling light. Omnipresence. Divine Worship . 18. O heavenly Fount of Light and Love. Witsuntide. 19. O Lord, it is a blessed thing. Weekdays. 20. 0 One with God the Father. Epiphany. 21. O Thou through suffering perfect made. Hospitals. 22. Rejoice, ye sons of men. Purification of the B. V. M. 23. Summer suns are glowing. Summer. 24. The year is swiftly waning. Autumn. 25. Thou art the Christ, O Lord. St. Peter. 26. To Thee our God we fly. National Hymn. 27. Upon the holy Mount they stood. Transfiguration and Church Guilds. 28. We praise Thy grace, 0 Saviour. St. Mark. vi. From the S. P. C. K. Children's Hymns, 1872. 29. Behold a little child. Jesus the Child's Example. 30. Come, praise your Lord and Saviour. Children's Praises. 31. It is a thing most wonderful. Sunday School Anniversary. 32. On wings of living light. Easter. Bishop How's hymns and sacred and secular pieces were collected and published as Poems and Hymns, 1886. The Hymns, 54 in all, are also published separately. He d. Aug. 10, 1897. --John Julian, Dictionary of Hymnology (1907) =================== How, W. W., p. 540, i. He died Aug. 10, 1897. His Memoir, by F. D. How, was published in 1898. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Jean Tisserand

? - 1494 Author of "O sons and daughters, let us sing!" in The Hymnary of the United Church of Canada Died: 1494, Paris, France. A Franciscan monk, Tisserand founded an order for penitent women. He is also said to have written a worship service commemorating Franciscans martyred in Morocco in 1220. Lyrics: O FILII ET FILIAE, Rex coelestis, Rex gloriae O Sons and Daughters, Let Us Sing! Young Men and Maids, Rejoice and Sing www.hymntime.com/tch

Juan Bautista Cabrera Ivars

1837 - 1916 Person Name: Juan Bautista Cabrera, 1837-1916 Translator (Spanish) of "The Strife Is O'er (La ruda Lucha Terminó)" in Oramos Cantando = We Pray In Song Juan Bautista Cabrera Ivars was born in Benisa, Spain, April 23, 1837. He attended seminary in Valencia, studying Hebrew and Greek, and was ordained as a priest. He fled to Gibraltar in 1863 due to religious persecution where he abandoned Catholicism. He worked as a teacher and as a translator. One of the works he translated was E.H. Brown's work on the thirty-nine articles of the Anglican Church, which was his introduction to Protestantism. He was a leader of a Spanish Reformed Church in Gibraltar. He continued as a leader in this church when he returned to Spain after the government of Isabel II fell, but continued to face legal difficulties. He then organized the Spanish Reformed Episcopal Church and was consecrated as bishop in 1894. He recognized the influence of music and literature on evangelism which led him to write and translate hymns. Dianne Shapiro, from Real Academia de la Historia (https://dbe.rah.es/biografias/39825/juan-bautista-cabrera-ivars) and Himnos Cristanos (https://www.himnos-cristianos.com/biografia-juan-bautista-cabrera/) (accessed 7/30/2021)

John Greenleaf Whittier

1807 - 1892 Person Name: John Greenleaf Whittier, 1807-1892 Author of "Thy Grace Impart" in A Hymnal for Friends Whittier, John Greenleaf, the American Quaker poet, was born at Haverhill, Massachusetts, Dec. 17, 1807. He began life as a farm-boy and shoemaker, and subsequently became a successful journalist, editor and poet. In 1828 he became editor of the American Manufacturer (Boston), in 1830 of the New England Review, and an 1836 (on becoming Secretary to the American Anti-Slavery Society) of the Pennsylvania Freeman. He was also for some time, beginning with 1847, the corresponding editor of the National Era. In 1840 he removed to Amesbury, Massachusetts, where most of his later works have been written. At the present time [1890] he lives alternately at Amesbury and Boston. His first poetical piece was printed in the Newburyport Free Press in 1824. Since then his publications have been numerous, including:— Voices of Freedom, 1833; Songs of Labour, and other Poems, 1850; Ballads and other Poems, London, 1844; The Panorama, and other Poems, 1856; In War Time, 1863; Occasional Poems, 1865; Poetical Works, 1869; Complete Poetical Works, 1876; The Bay of the Seven Islands, and other Poems, 1883, &c. From his numerous poems the following hymns have been compiled, and have come into common use, more especially amongst the American Unitarians:— 1. All as God wills, Who wisely heeds. Trust. This begins with stanza xi. of Whittier's poem, "My Psalm." in his workThe Panorama, and other Poems, 1856 (Complete Poetical Works, Boston, 1876, p. 179), and is given in Lyra Sacra Americana , 1868; Border's Congregational Hymns, 1884, &c. 2. All things are Thine: no gift have we. Opening of a Place of Worship. Written for the Opening of Plymouth Church, Minnesota, 1872 ( Complete Poetical Works , p. 281). In Horder's Congregational Hymns, 1884. 3. Another hand is beckoning us. Bereavement. From his poem " Gone," written in 1845 (Complete Poetical Works, p. 106). In Horder's Congregational Hymns, 1884. 4. Dear Lord and Father of mankind. Calmness in God desired. From his poem “The Brewing of Soma," beginning with stanza xii. (Complete Poetical Works p. 266). In Horder's Congregational Hymns, 1884. 5. God giveth quietness at last. Death and Burial. This begins with stanza xvii. of his poem, “The Singer," written in 1871 (Author's MS.), and included in the Complete Poetical Works, 1876, p. 265. In Martineau's Hymns, 1875. 6. Hast thou, 'midst life's empty noises. The Purpose of Life. Written in 1842. It is in Longfellow and Johnson's Unitarian Book of Hymns, Boston, 1846, and several other later American collections. Also in Lyra Sacra Americana, 1864. 7. I ask not now for gold to gild. Resignation. From his poem "The Wish of To-Day." Written in 1848 (Author's MS.). In Hedge and Huntingdon's Unitarian Hymns for the Church of Christ, Boston, 1853; the Laudes Domini, 1884, and other collections. 8. Immortal love, for ever full. The Love of Jesus. This poem, entitled “Our Master," appeared in Whittier's work, The Panorama, and other Poems, 1856, in 35 stanzas of 4 lines; in Schaff’s Christ in Song, 1869-70, p. 117; and in the Complete Poetical Works, 1876, p. 231, and others. From this poem the following centos have come into common use:— (1) Immortal love for ever full. In the 1890 edition of the Hymnal Companion and others. (2) 0 Lord and Master of us all. Begins with stanza xvi. (3) 0 Love! O Life! our faith and sight. Begins with stanza xxiv. In several American hymnals, including the Unitarian Hymn [and Tune Book ], Boston, 1868, and others. (4) Our Friend, our Brother, and our Lord. Begins with stanza xxxiv. In Horder's Congregational Hymns, 1884, &c. (5) We faintly hear, we dimly see. Begins with stanza xxvi. In Barrett's Congregational Church Hymnal, 1887. (6) We may not climb the heavenly steeps. Begins with stanza v. In Laudes Domini, 1884; the Primitive Methodist Hymnal, 1887, &c. The use of these centos shows that the hymnic element in the original poem is of a high and enduring order. 9. It may not be our lot to wield. Duty and its Reward. This begins with stanza iv. of his poem "Seedtime and Harvest." Written circa 1850 (Author's MS.). Given in his Complete Poetical Works, p. 114. The hymn is in Laudes Domini, 1884, and other American collections. 10. May freedom speed onward, wherever the blood. Freedom. In the 1848 Supplement to the Boston Book of Hymns, Boston, No. 582, Hymns of the Spirit, 1864, and other collections. In Whittier's Poetical Works, Boston, 1869, p. 68, it is given as, “Right onward, O speed it! Wherever the blood”. 11. Now is the seed-time; God alone. Self-Sacrifice. In the Boston Hymns of the Spirit, 1864, No. 683. 12. 0 backward-looking son of time. New and Old. This begins with stanza xix. of his poem "The Reformer," and is given in this form in the Boston Hymns for the Church of Christ, Boston, 1853, No. 835, and again in later collections. In full in the Complete Poetical Works, p. 78. 13. 0 beauty, old yet ever new. The Law of Love. This in the Boston Hymns of the Spirit, 1864, begins with stanza xxi. of his poem on “The Shadow and the Light,” given in full in the Complete Poetical Works , p. 173. 14. 0 fairest-born of love and light. American National Hymn. This is from his poem "Democracy," which is dated "Election Day, 1843," and is in his Ballads and other Poems, London, 1844, p. 214, and his Complete Poetical Works, p. 82. 15. 0, he whom Jesus loves has truly spoken. True Worship. This in the 1848 Supplement to the Boston Book of Hymns, 1848, No. 578, begins with stanza xi. of his poem on “Worship," given in full in his Complete Poetical Works, p. 96. The poem is dated by the Author, 1848 (Author's MS.). 16. 0 holy Father, just and true. Freedom. "Lines written for the Celebration of the third Anniversary of British Emancipation at the Broadway Tabernacle, N. Y., First of August, 1837." (Complete Poetical Works, p. 47.) It was included in the Unitarian Christian Hymns, Boston, 1844, and has been repeated in later collections. 17. 0 Maker of the Fruits and Flowers. Flower Services. This begins with stanza iv. of his "Lines for the Agricultural and Horticultural Exhibition at Amesbury and Salisbury, Sep. 28, 1858," as given in his Complete Poetical Works , p. 183. It is in the Boston Hymns of the Spirit, 1864, and as "O Painter of the fruits and flowers," in Horder's Congregational Hymns, 1884. 18. O not alone with outward sign. Divine Invitation. This begins with stanza ii. of his poem, "The Call of the Christian," given in his Ballads and other Poems, London, 1844, p. 185, and his Complete Poetical Works, p. 73. The hymn appeared in the Boston Book of Hymns, 1846, and again in later collections. 19. O pure Reformers, not in vain. Freedom. This begins with stanza xii. of his poem "To the Reformers of England," as given in his Complete Poetical Works, p. 77. The hymn was included in the Boston Book of Hymns, 1846, and has been repeated in later collections. 20. O sometimes gleams upon our sight. Old and New. This is taken from his poem "The Chapel of the Hermits," 1852 (in 94 stanzas of 4 lines), and begins with stanza xi. (Comp. Poetical Works, p. 115.) The cento was given in the Boston Hymns of the Spirit, 1864, and repeated in later collections. 21. O Thou, at Whose rebuke the grave. Mercy. This was given in the Boston Book of Hymns, 1848, No. 44l. 22. O [God] Thou, Whose presence went before. National Hymn. This hymn is dated by the author 1834 (Author's MS.), and was written for the Anti-slavery Meeting at Chatham Street Chapel, New York, "on the 4th of the 7th month, 1831." It is No. 750 in the Unitarian Christian Hymns, 1844. It is sometimes given as “0 God, whose presence went before." 23. 0, what though our feet may not tread where Christ trod. Presence of Christ's Spirit. The author dates this 1837 (Author's MS.). It is No. 150 in the Boston Book of Hymns, 1846. In their Hymns of the Spirit, 1864, No. 652, it begins: "0, wherefore the dream of the earthly abode." Both centos are from his poem “Poledom." 24. Shall we grow weary in our watch? Patience, or Resignation. This begins with stanza x. of his poem "The Cypress-Tree of Ceylon." (Complete Poetical Works, p. 84.) This form of the text was given in the Boston Book of Hymns, 1846, No. 278, in 7 stanzas of 4 lines, and again in Horder's Congregational Hymns, 1884, in 3 stanzas. 25. Sport of the changeful multitude. Persecution. This begins with line 6 of stanza x. of his poem "Ezekiel," and was given in the Boston Hymns of the Spirit, 1864, No. 65lines In full in Complete Poetical Works, p. 67. 26. The green earth sends its incense up. Worship of Nature. The author dates this 1845 (Author's MS.). It is from his poem “The Worship of Nature," and was given in this form in the Boston Hymns for the Church of Christ, 1853, No. 193. The cento "The harp at Nature's advent strung," in the Unitarian Hymn [and Tune] Book, Boston, 1868, No. 195, is from the same poem. The cento No. 321 in the Boston Hymns of the Spirit, 1864, is also (altered) from this poem. 27. The path of life we walk today. The Shadowing Rock. This in the Boston Hys. of the Spirit, 1864, begins with stanza i. of his poem on "The Rock in El Gh'or," which the author dates 1859 (Author's MS.). In full in Complete Poetical Works, p. 180. 28. Thine are all the gifts, 0 God. Children's Missions, or Ragged Schools. Written for the Anniversary of the Children's Mission, Boston, 1878. It is given in Horder's Congregational Hymns, 1884. 29. Thou hast fallen in thine armour. Death. From his poem "To the memory of Charles B. Storrs, late President of Western Reserve College," published in his Ballads and other Poems, London, 1844, p. 84. Dated by the author 1835 (Author's MS.). Abridged form in the Hymns of the Spirit, 1864. 30. To-day, beneath Thy chastening eye. Seeking Rest. This begins with stanza iv. of his poem, "The Wish of To-Day," dated by the author 1847 (Author's MS.), and given in full in his Complete Poetical Works, p. 114. The cento is in Martineau's Hymns, 1873, and others. 31. We see not, know not; all our way. Resignation. "Written at the opening of the Civil War, 1861" (Author's MS.), and included in his In War Time, 1863, and his Complete Poetical Works, p. 190. In full in the Prim. Methodist Hymnal, 1887. 32. When on my day of life the night is falling. Old Age. Written in 1882 (Author's MS.), and included in his work The Bay of the Seven Islands, and other Poems, 1883. In Horder's Congregational Hymns, 1884. 33. With silence only as their benediction. Death. 1845. "Written on the death of Sophia Sturge, sister of Joseph Sturge, of Birmingham, England" (Author's MS.). It is in several collections, including Martineau's Hymns, &c, 1873; Horder's Congregational Hymns, 1884, and others. Notwithstanding this extensive use of portions of Mr. Whittier's poems as hymns for congregational use, he modestly says concerning himself: "I am really not a hymn-writer, for the good reason that I know nothing of music. Only a very few of my pieces were written for singing. A good hymn is the best use to which poetry can be devoted, but I do not claim that I have succeeded in composing one." (Author's MS.) We must add, however, that these pieces are characterized by rich poetic beauty, sweet tenderness, and deep sympathy with human kind. -- John Julian, Dictionary of Hymnology (1907) ======================== Whittier, J. G, p. 1277, i. In addition to the large number of this author's hymns already annotated from his own manuscript, the following have also come into use, mainly in the form of centos from his poems, during the past ten years:— i. From Poems, 1850:— 1. O brother man! Fold to thy heart thy brother. [Brotherly Love.] From his poem, “Worship." Written in 1848, and published in Poems, 1850. ii. From Songs of Labour, and Other Poems, 1850;— 2. Bowed down in lowliness of min. [Resignation.] From the poem “The Wish of To-day." iii. From The Chapel of the Hermits, and Other Poems, 1853:— 3. O, sometimes glimpses on our sight. [Light in Darkness.] First published in The National Era, 1851, and again as above, 1853. In The Pilgrim Hymnal, N.Y. 1904, it begins " 0 sometimes gleams upon our sight," and in Hymns of the Ages, 1904, "Yet sometimes glimpses on my sight"; see p. 1277, ii. 20. iv. From The Panorama, and Other Poems, 1856:— 4. Thou, 0 most compassionate. [Divine Compassion.] This cento is from the poem "My Dream," and is dated 1855. v. From Home Ballads and Poems, 1860:— 5. I mourn no more my vanished years. [Life's Review.] A cento from "My Psalm," dated 1859, opening with st. i. 6. No longer forward nor behind. This begins with st. iii. of "My Psalm." 7. O hearts of love, O souls that turn. [Life from, Christ.] A cento from the poem, "The Overheart." 8. O Love Divine, Whose constant beam. [Divine Love Universal.] From the poem, "The Shadow and the Light." The form in which it is given in The Pilgrim Hymnal, 1904, first appeared in The Independent, Nov. 1860. 9. Once more the liberal year laughs out. [Autumn.] From his "For an Autumn Festival," 1859. vi. From In War Time, and Other Poems, 1864:— 10. I can only urge the plea. [Cry for Mercy.] A cento from “Andrew Rykman’s Prayer,” dated 1863. 11. What Thou wilt, O Father, give. Also from “Andrew Kykman's Prayer." vii. From The Tent on the Beach, and Other Poems, 1867:— 12. I bow my forehead to [in] the dust. St. ix., &c. 13. I know not what the future hath. St. xvi., &c. 14. I long for household voices gone. St. xv., &c. 15. I see the wrong that round me lies. St. x., &c. 16. Who fathoms the Eternal Thought. St. iv., &c. 17. Yet, in the maddening maze of things. St. xi., &c. These centos are taken from the poem, "The Eternal Goodness," which is dated 1865. viii. From Among the Hills, and Other Poems, 1869:— 18. For ever round the mercy-seat. [God's Love and Man's Unfaithfulness.] From the poem, “The Answer." ix. From The Pennsylvania Pilgrim, and Other Poems, 1873:— 19. Best for the weary hands is good. [Daily Renewal.] This is from "My Birthday," which appeared in the Atlantic Monthly, 1871, and again as above, 1873. x. From Hazel Blossoms, 1875:— 20. All things [gifts] are Thine, p. 1277, i. 2. The church for which this was written, in 1873, was Plymouth Church, St. Paul, Minn. The hymn was included in Hazel Blossoms, 1875. 21. We need love's tender lessons taught. [Love.] From Child-Songs," in Hazel Blossoms, opening with st. ix. xi. From The Bay of the Seven Islands, 1883:— 22. As from the lighted hearths behind me. [Anticipation of the Future.] This begins with st. iii. of the poem, "What the Traveller said at Sunset." xii. Additional Notes:— 23. Lord, for the things we see. [Public Gatherings.] This hymn is from "Poledom," 1837. 24. Not always as the whirlwind's rush. [Call to the Ministry.] Published in The Poetical Writings, 1857, Vol. i., p. 254, and again in the Oxford edition of his Poetical Works, 1904, p. 455. It is dated 1833. 25. Sound over all waters, [The Coming Kingdom.) This, in Horder's Worship Song, 1905, is from Whittier's Complete Poetical Works, Boston, 1876, p. 280, where it is dated 1873. 26. Take courage, Temperance workers. [Temperance.] Mr. Pickard, Whittier's literary executor, cannot trace this hymn in any of the author's writings, and we also are at fault. 27. The harp at Nature's advent strung. [Nature's acknowledgement of God.] Dr. Charles L. Noyes, one of the editors of The Pilgrim Hymnal, 1904, writes us concerning this hymn: "It was first published in its present form [as in the American hymn-books] in 1867 in The Tent on the Beach." But a hymn almost identical was written when Whittier was in his teens, and published in the Haverhill Gazette, October 5, 1827. The same poem appeared in The Palladium, 1829. It was revised for The Tent on the Beach, 1867 (p. 1278, i. 26). 28. We see not, know not; all our way, p. 1278, i. 31. This hymn, written in 1861, first appeared in the Atlantic Monthly, 1862, vol. 10, p. 235. 29. Wherever through the ages rise. [Love is universal.] Opens with line 1 of a section in the poem "Miriam," in Miriam, and Other Poems, 1871, p. 13. 30. Who calls Thy glorious service hard? [Duty.] This begins with st. iii. of his poem "Seedtime and Harvest," noted on p. 1277, ii. 9. 31. O Lord and Father of mankind. This is a slightly altered form of "Dear Lord and Father of mankind." p. 1277, i. 4. The poem, “Our Master," stated on p. 1277, i., No. 8, as having appeared in The Panorama, 1856, in error, was given in The Tent on the Beach, and Other Poems, Boston, 1867, pp. 143-152. In compiling the foregoing, we have been materially assisted by Mr. Pickard, the poet's literary executor, and the Rev. Dr. Charles L. Noyes, of Somerville, Mass. Whittier died at Hampton Falls, New Hampshire, Sep. 7, 1892. --John Julian, Dictionary of Hymnology, New Supplement (1907) ======================= See also in: Hymn Writers of the Church

Francis Pott

1832 - 1909 Person Name: Rev. Francis Pott Translator of "The Strife is O'er the Battle Done" in Psalter Hymnal (Red) Francis Pott studied at Brasenose College, Oxford, where he graduated B.A. in 1854, and M.A. in 1857. He was ordained Deacon in 1856, and Priest in 1857. He was Curate of Bishopsworth, Bristol, 1856; of Ardingley, Sussex, 1858; was appointed to Ticehurst in 1861; and is now incumbent of Northill, Bedfordshire. Mr. Pott has made many acceptable translations, and has edited "Hymns Fitted to the Order of Common Prayer, etc.;" a compilation of real merit. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872 ============ Pott, Francis, M.A., was born Dec. 29, 1832, and educated at Brasenose, College, Oxford, B.A. 1854; M.A. 1857. Taking Holy Orders in 1856 he was curate of Bishopsworth, Gloucestershire, 1856-8; Ardingly, Berks, 1858-61; Ticehurst, Sussex, 1861-66; and Rector of Norhill, Ely, 1866. His Hymns fitted to the Order of Common Prayer, and Administration of the Sacraments, and other Rites and Ceremonies of the Church, According to the Use of the Church of England, To which are added Hymns for Certain Local Festivals, was published in 1861, and reprinted from time to time with a few additions. Mr. Pott contributed translations from the Latin and Syriac, and original hymns, including “Angel voices ever singing" (p. 68, ii.), and "Lift up your heads, eternal gates" (Ascension). These original hymns, together with his translations, have been received with much favour and are widely used. In several.…works, several translations from the Latin, and other hymnological work, are attributed to Archdeacon Alfred Pott. We are authorized to state that this ascription of authorship is an error. --John Julian, Dictionary of Hymnology (1907)

Frederick Lucian Hosmer

1840 - 1929 Person Name: Frederick L. Hosmer, 1840-1929 Author of "O Lord of Life, Where'er They Be" in The Mennonite Hymnary, published by the Board of Publication of the General Conference of the Mennonite Church of North America Hosmer, Frederick Lucian, B.A., was born at Framingham, Mass., in 1840, and educated at Harvard, where he graduated B.A. in 1869. Entering the Unitarian Ministry in 1872 he has held charges in Quincy, Ill., 1872-77; Cleveland, Ohio, 1878-92; St. Louis, 1894-99; and since 1899, at Berkeley, Cal. His Way of Life, 1877, was a compilation of Prayers and Responsive Services for Sunday Schools. Of Unity Hymns and Carols, 1880, he was joint editor with W. C. Gannett and J. V. Blake. His hymns were published jointly by him and W. C. Gannett (q.v.), as The Thought of God in Hymns and Poems (Boston: Little, Brown & Co.), 1st Series, 1885; 2nd Series, 1894. Of his 56 hymns in this work the following have come into common use, for the most part during the past ten years:— 1. Father, to Thee we look in all our sorrow. [Trust in God.] Written in 1881 upon the death of a member of the author's congregation, and published in The Thought of God, 1st Series, 1885. 2. From age to age how grandly rise. [Unity.] Written for the annual festival of the Free Religious Assoc, Boston, June 2, 1899, and first published in Souvenir Festival Hymns, 1899. Subsequently altered by the author to "From age to age the prophet's vision." 3. From age to age they gather, all the brave of heart and strong. [Victory of Truth.] "Written in 1891 for the Dedication of Unity Church, Decorah, Iowa, and published in The Thought of God, 2nd Series, 1894. 4. From many ways and wide apart. [College or School Reunion.] Dated in The Thought of God, 2nd Series, 1894, as having been written in 1890. 5. Go not, my soul, in search of Him. [God Within.] Written in 1879, printed in the Boston Christian Register, May 31, 1879, and included in The Thought of God, 1st Series, 1885, with the title, "The Indwelling God." 6. I cannot think of them as dead. [Eternal Life.] Written in 1882, and first published in The Thought of God, 1st Series, 1885, and entitled "My Dead." in the English collections it is usually given as "We cannot think of them as dead." 7. I little see, I little know. [Trust.] "A Psalm of Trust," written in 1883, first appeared in the Boston Christian Register, and again in The Thought of God, 1st Series, 1885. 8. Immortal by their deed and word. [The Spirit of Jesus.] Written in 1880, and first published in Unity Hymns and Carols, Chicago, Ill., 1880, and then in The Thought of God, 1st Series, 1885. 9. Many things in life there are. [Mystery in all Things.] Written in 1885, and first published in The Thought of God, 1st Series, 1885, with the title "Passing Understanding," and the quotation "The Peace of God which passeth all understanding." 10. Not always on the mount may we. [On the Mount.] This lesson from the Transfiguration was written in 1882, and published in the Chicago Unity, April 1, 1884. After revision by the author, it was included in the 1st Series of The Thought of God, 1885. 11. Not when, with self dissatisfied. [Lent.] Written in 1891, and given in The Thought of God, 2nd series, 1894, p. 33. It is in The Public School Hymn Book, 1903, and others. 12. O beautiful, my country. [National Hymn.] As “Our Country," written in 1884, and published in the Chicago Unity Festivals, 1884; and again in The Thought of God, 1885. 13. O Light, from age to age the same. [Dedication Anniversary.] Written in 1890 for the fiftieth anniversary of the Second Congregational Church (Unitarian), Quincy, 111. Included in The Thought of God, 2nd Series, 1894, and entitled "From Generation to Generation." 14. O Lord of Life, where'er they be. [Life in God.] "Written in 1888 for Easter service in Author's own church," and first published in the Chicago Unit, and again in The Thought of God, 2nd Series, 1894. The "Alleluia!" refrain, which is added in some collections to each verse, is appended, in the original, to the last verse only. 15. O Name, all other names above. [Trust in God.] Under the title "Found. 'They that know Thy name will put their trust in Thee!’ this hymn, written in 1878, was given in The Thought of God, 1st Series, 1885. 16. O Prophet souls of all the years. [Unity.] “Written in 1893 for, and sung at, the Unitarian gathering in connection with The World's Parliament of Religions (World's Fair), Chicago, Sep., 1893," and included in The Thought of God, 2nd Series, 1894, and entitled "One Law, One Life, one Love." 17. O Thou, in all Thy might so far. [God All in All.] This hymn, given in The Thought of God, 1st Series, 1885, with the title "The Mystery of God," was written in 1876, and first published in the New York Inquirer. 18. O thou in lonely vigil led. This encouragement for lonely workers was written for the "Emerson Commemoration, W. U. C, 1888," and included in The Thought of God, 2nd Series, 1894. 19. O Thou, Who art of all that is. [Divine Guidance.] Under the title "Through unknown paths," this hymn was included in The Thought of God, 1st Series, 1885. It was written in 1877. 20. O Thou, Whose Spirit witness bears. [Dedication of a Place of Worship.] Written for the Dedication of First Unitarian Church, Omaha, Feb. 6, 1891, and published in The Thought of God, 2nd Series, 1894, with the title "The Inward Witness," and the subscription "For T. K., Omaha, 1801." 21. On eyes that watch through sorrow's night. [Easter] A Carol for Easter Morn, written in 1890 for the author's congregation, and published in The Thought of God, 2nd Series, 1894. 22. One thought I have, my ample creed. [The Thought of God.] This is the initial hymn to the collection The Thought of God, 1st Series, 1885, and supplies the title to the work. It was written in 1880, and first published in the Chicago Unity Hymns and Carols, 1880, and then in The Thought of God, 1885. 23. The rose is queen among the flowers. [Flower Service.] "Written in 1875, first published in The Sunnyside, a song book for Sunday Schools, and again in The Thought of God, 1st Series, 1885, under the title "Flower Sunday." 24. Thy kingdom come, — on bended knee. [Missions.] "Written in 1891 for the Commencement of the Meadville Theological School (Meadville, Pa.), June 12, 1891, and published in The Thought of God, 2nd Series, 1894," under the title "The Day of God," and the subscription, "M. T. S., June 12, 1891." 25. We pray no more, made lowly wise, For miracle and sign. [Greater Faith Desired.] Written in 1879, and first published in The Christian Register (Boston), Mar. 22 of that year, under the title 'The Larger Faith.'" Included under the same title in The Thought of God, 1st Series, 1885. Sometimes given as "Made lowly wise, we pray no more." 26. When courage fails, and faith burns low. [Victory of Truth.] Under the title "Loyalty," this hymn was given in The Thought of God, 1st Series, 1885. It was written in 1881. 27. Where men on mounts of vision Have passed the veil within. [Dedication of a Place of Worship.] "Written in 1891 for the Dedication of First Unitarian Church, Oakland, California." Included in The Thought of God, 2nd Series, 1894, entitled "Holy Places," and subscribed " For C. W. W., Oakland, Cal., 1891." These annotations are from manuscript notes supplied to us by the author. Of these hymns all are in common use in America, and more than one half in Great Britain, mainly by Unitarians and Congregationalists. Amongst Unitarian hymn-writers of the last twenty years Mr. Hosmer is the most powerful and original known to us. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Michael Bruce

1746 - 1767 Author of "Behold the Mountain of the Lord" in New Manual of Praise Bruce, Michael, son of a Scottish weaver, was born at Kinnesswood, Portmoak, Kinrossshire, Scotland, March 27,1746, and educated at the village school, Edinburgh University (where he first became acquainted with John Logan), and the Theological Hall of the Associate Synod, held at Kinross, under the Rev. John Swanston, intending ultimately to enter the ministry, a hope which was frustrated by his untimely death. To assist in procuring University fees and maintenance he for some time conducted a school, during the recess, at Gairney Bridge, and subsequently at Forrest Mill, near Tillicoultry. Whilst yet a student he died at Kinnesswood, July 5th, 1767. [Also, see Logan, John] The names of Michael Bruce and John Logan are brought together because of the painful controversy which has long prevailed concerning the authorship of certain Hymns and Paraphrases of Holy Scripture which are in extensive use in the Christian Church both at home and abroad. During the latter years of Bruce's short life he wrote various Poems, and also Hymns for a singing class at Kinnesswood, which were well known to his family and neighbours, and were eventually copied out by Bruce himself in a quarto MS. book, with the hope that some day he might see them in print. Immediately upon his death, in 1767, Logan called upon his father and requested the loan of this book that he might publish the contents for the benefit of the family. This was granted. Not till three years afterwards did a certain work, containing seventeen poems, and entitled Poems on Several Occasions , by Michael Bruce, 1770, appear, with a Preface in which it was stated that some of the Poems were by others than Bruce. -- John Julian, Dictionary of Hymnology (1907)

Federico J. Pagura

1923 - 2016 Person Name: Federico J. Pagura, 1923-2016 Translator (Spanish, vss. 1, 2, 4) of "The Strife Is O'er (Ya la battalla terminó)" in Santo, Santo, Santo Federico José Pagura was an Argentine Methodist bishop and author and translator of hymns. Leland Bryant Ross

Ernesto Barocio

1876 - 1948 Tr. (castellano) of "¡Aleluya! ¡Aleluya! ¡Aleluya! " in Toda La Iglesia Canta Ernesto Barocio Ondarza. Baptist minister born in Mexico. Dianne Shapiro