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Philipp Friedrich Hiller

1699 - 1769 Person Name: Hiller Hymnal Number: 194 Author of "My God, to Thee I now commend" in Chorale Book for England, The Hiller, Philipp Friedrich, son of Johann Jakob Hiller, pastor at Mühlhausen on the the Enz, Württemberg, was born at Mühlhausen, Jan. 6, 1699. He was educated at the clergy training schools at Denkendorf (under J. A. Bengel) and Maulbronn, and the University of Tübingen (M.A. 1720). His first clerical appointment was as assistant at Brettach, near Neckarsulm, 1724-27. He afterwards held similar posts at Hessigheim and elsewhere, and was also, from 1729-31, a private tutor at Nürnberg. He was then, on St. Bartholomew's Day, 1732, instituted as pastor of Neckargröningen, on the Neckar, near Marbach. In 1736 he became pastor of his native place, and in 1748 pastor at Steinheim, near Heidenheim. In his third year of residence at Steinheim he lost his voice, and had to employ an assistant to preach. He died at Steinheim, April 24, 1769. (Koch, v. 107-126; Allgemeine Deutsche Biographie, xii. 425-426, &c.) Of Hiller’s hymns the best appeared in:— (1) Arndt's Paradiss-Gartlein…..in teutsche Lieder, Nürnberg, N.D. [the copy in Berlin has a frontispiece dated 1730]. This was written during the time he was tutor at Nürnberg. P. Gerhardt had founded the fine hymn "O Jesu Christ, mein schönstes Licht," (q.v.) on one of the prayers in the volume of devotions which Johann Arndt had published, 1612, under the title of Paradies-Gärtlein; and Gerhardt's example led Hiller to think of turning the whole of these prayers into hymns. The book is in four parts, and contains 301 hymns, 297 being founded on Arndt and four original. (2) Geistliches Liederkästlein, Stuttgart, 1762, and a second series, Stuttgart, 1767. Each series contains 366 short hymns, one for each day of the year. A complete reprint of these and the other hymns of Hiller (1075 in all) wased. by C. C. E. Ehmann in 1844 (2nd ed. 1858). Hiller is the most productive and most important of the earlier hymnwriters of Württemberg; and is the poetical exponent of the practical theology of his friend J. A. Bengel. The hymns of his Paradiss-Gärtlein, while clear and Scriptural, are decidedly spun out (see No. xii. below). His Liederkästlein, contains the hymns of his riper years, and reveals a depth of spiritual wisdom, an almost proverbial conciseness, an adaptation to console and direct in the most diverse events of life, and the most varied experiences of the soul, a suitability as a manual for daily devotion, and a simple popularity of style that speedily endeared it to the pious in Southern Germany. It has passed through many editions in Germany, while colonists (especially from Württemberg) have carried it from thence wherever they went. It is said, e.g., that when a German colony in the Caucasus was attacked by a hostile Circassian tribe some fifty years ago the parents cut up their copies of the Liederkästlein and divided the leaves among their children as they were being torn from them into slavery. The use of Hiller's hymns in Germany has principally been in the hymnbooks of Württemberg, and, through J. J. Bambach's Haus Gesang-Buch, 1735, in Hannover. The following have passed into English:— I. Hymns in English common use: i. Herr über Leben und der Tod. Cross and Consolation. 1730, pt. iii. p. 332, founded on Arndt's Prayer, 26 (28) of Class iii. The part translated is stanzas viii.-xiv., "Herr, meine Burg, Herr Zebaoth," which is founded on the fourth part of the third section of Arndt's Prayer. The text is in Ehmann's Hiller, Nos. 885, 886. Translated as:— 0 God of Hosts! 0 mighty Lord, a translation of stanzas viii., xiii., xiv., signed "F. C. C.," as No. 162 in Dr. Pagenstecher's Collection, 1864. ii. Mein Gott in deine Hände. For the Dying. Liederkästlein, pt. ii., 1767, for August 3, in 9 stanzas of 4 lines, founded on Ps. xxxi. 6. In Ehmann, No. 986, and in Knapp's Evangelischer Lieder-Schatz, 1837 and 1865. Translated as:— My God, to Thee I now commend, a good translation of stanzas i., iii., iv., vi., viii., ix., by Miss Winkworth, in her Lyra Germanica, 1st Ser., 1855, p. 245. In her 2nd ed., 1856, she substituted a translation of st. vii. for that of stanza vi. The text of 1856 is in her Chorale Book for England, 1863, No. 194, and in the Ohio Evangelical Lutheran Hymnal, 1880; and the text of 1855 in the Pennsylvania Lutheran Church Book, 1868. Another translation is: "My God, within Thy hand," by Miss Warner, 1858, p. 480. iii. Mein Hers, du mustt im Himmel sein. Eternal Life. Liederkästlein, p. ii., 1767, for Jan. 26, in 4 stanzas of 7 lines, founded on St. Matt. vi. 21. In Ehmann, No. 639, and Knapp's Evangelischer Lieder-Schatz, 1837. Translated as :— Aspire, my heart, on high to live, in full, by Dr. H. Mills, in his Horae Germanicae, 1845 (1856, p. 86), repeated, omitting stanzas iv., as No. 220 in the American Lutheran General Synod's Collection, 1850-52. iv. Wir warten dein, o Gottes Sehn. Second Advent. Liederkästlein, pt. ii., 1767, for Jan. 24, in 4 stanzas of 8 lines, founded on 1 Thess. i. 9, 10. In Ehmann, No. 1041, and the Württemberg Gesang-Buch, 1842, No. 640. Translated as:-— We wait for Thee, all glorious One, a good and full translation by J. D. Burns, in the Family Treasury, 1859, pt. ii. p. 111, and his Remains, 1869, p. 264. Included in the Christian Hymn Book, Cincinnati, 1865, and in H. L. Hastings's Songs of Pilgrimage, 1886. Another translation is: "We wait for Thee, O Son of God," in the British Herald, April, 1866, p. 252, and Reid's Praise Book, 1872. This follows the altered form in C. B. Garve's Christliche Gesänge, 1825. II. Hymns not in English common use: v. Abgrund wesentlicher Liebe. Love of God. 1730, pt. ii. p. 25, founded on Prayer 4 in Class II. of Arndt, which is "Thanksgiving for the Love of God, and prayer for it." Translated as, "Thou fathomless Abyss of Love," by Miss Winkworth, 1869, p. 281. vi. Angenehmes Krankenbette. For the Sick. Liederkästlein, 1762, p. 338, for Dec. 3, in 3 stanzas, founded on St. Luke v. 18. Translated as, "Bed of Sickness! thou art sweet," by Miss Winkworth, 1869, p. 283. vii. Betet an, verlorne Sünder. Lent. Liederkästlein, 1762, p. 43, for Feb. 18, in 3 stanzas, founded on St. Matt, xviii. 14. Translated as, "Sinners, pray! for mercy pleading," by Dr. H. Mills, 1856, p. 50. viii. Das Lamm, am Kreuzesstamme. For the Dying. Liederkästlein, pt. ii., 1767, for Feb. 12, in 8 stanzas, founded on Acts vii. 59. In the Württemberg Gesang-Buch, 1842, No. 609, altered to “Der Hirt, am Kreuz gestorben." This form is translated as, "The Shepherd by His passion," by J. D. Burns, in the Family Treasury, 1859, pt. ii. p. 61, and his Remains, 1869, p. 266. ix. Die Liebe darf wohl weinen. Burial of the Dead. Liederkästlein, 1762, p. 286, for Oct. 12, in 7 stanzas, founded on l Thess. iv. 13. Translated as, "Love over the departed," by J. D. Burns in his Remains, 1869, p. 253. x. Die Welt kommt einst zusammen. Second Advent. Liederkästlein, pt. ii., 1767, for Jan. 2, in 5 stanzas, founded on 2 Cor. v. 10. Translated as, "The world shall yet be cited," by J. D. Burns in the Family Treasury, 1859, pt. ii. P. 111, and his Remains, 1869, p. 263. xi. Herr, meine Leibeshütte. For the Dying. Liederkästlein, pt. ii., 1767, for Feb. 18, in 8 stanzas, founded on 2 Peter, i. 14. The translations are: (l) "Lord, my house of clay," by Miss Warner, 1858, p. 605. (2) "My fleshly house is sinking now," by Dr. G. Walker, 1860, p. 102. xii. Mein Jesus sitzt zur rechten Hand. Ascensiontide. 1730, pt iii. p. 408, as stanzas 118-125 of the hymn on Arndt's prayer 27 (29) in Class III. This prayer is a long paraphrase of the Apostles' Creed. Translated as, "Our Jesus now at God's right hand," by Dr. H. Mills, 1845 (1856, p. 330). xiii. Singet Gott, denn Gott ist liebe. The Love of God. Liederkästlein, 1762, p. 51, for Feb. 20, in 3 stanzas, founded on 1 John iv. 16. The translations are: (1) "God is love—-then sing His praises," by Dr. H. Mills, 1845 (1856, p. 16). (2) "God is love, sing loud before Him," by J. D. Burns in his Remains, 1869, p. 231. xiv. Singt doch unserm König. Ascensiontide. Liederkästlein, 1762, p. 328, for Nov. 23, in 3 stanzas, founded on Ps. xcvi. 10. Translated as, “Laud your King and Saviour," by J. Sheppard in bis Foreign Sacred Lyre. 1857, p. 94. xv. Untheilbare Dreifaltigkeit. Trinity Sunday. 1730, pt. ii. p. 226, founded on Arndt’s prayer 25 in Class II., entitled “Thanksgiving for the revelation of the Holy Trinity." The translation is from the recast of st. vi.-xii. made by J. S. Diterich for the Berlin Gesang-Buch, 1765, No. 51, and beginning "Lob, Ehre, Preis und Dank sel dir." Translated as, "Love, honour, thanks, to Thee we raise," by Dr. H. Mills, 1845 (1856, p. 110). xvi. Was freut mich noch wenn du's nicht bist. Joy in God. Liederkästlein, 1762, for June 20, in 2 stanzas, founded on Ps. xliii. 4. Translated as, "What earthly joy can fill my heart," by R. Massie in the British Herald, Nov. 1865, p. 175. xvii. Wer ausharrt bis ans Ende. Cross and Consolation. Liederkästlein, pt. ii., 1767, for May 19, in 4 stanzas, founded on St. Matt. xxiv. 13. Translated as,"He who to death maintaineth," by J. D. Burns in his Remains, 1869, p. 261. xviii. Wer kann dein Thun begreifen. God's Power. Liederkästlein, 1762, p. 18, for Jan. 18, in 3 stanzas, founded on Is. xlv. 7. Translated as, "Who, Lord, Thy deeds can measure," by Dr. H. Mills, 1845 (1856, p. 15). [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907) =============================== Hiller, Philipp F., p. 524, ii. His hymn "Gottes Sohn, in Fleisch gekleidet" (Christmas), from his Liederkastlein, 1762, is translation by Dr. Loy, in the Ohio Lutheran Hymnal, 1880, as "God in human flesh appearing." --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Samuel Marot

1770 - 1865 Person Name: Marot Hymnal Number: 91 Author of "From Thy heav'nly home" in Chorale Book for England, The Marot, Samuel, D.D., was born at Magdeburg, Dec. 11,1770, and studied at the University of Frankfurt a. Oder. On July 1, 1798, he was ordained as preacher to the Orphanage (Friedrichs-Waisenhaus) at Berlin. In 1808 he was appointed preacher at the Neue Kirche; in 1816 superintendent of the Reformed Churches in Berlin; and also became Consistorialrath in 1830, and Oberconsistorialrath in 1846 (D.D. from University of Berlin, 1846). He died at Berlin, Oct. 12, 1865 (Allgemeine Deutsche Biographie, xx. 404, &c). He was one of the Committee which compiled the Berlin Gesang-Buch, 1829. The only hymn known by him is:— Vondes Himmels Thron. Confirmation. Contributed to the Berlin Gesang-Buch, 1829, as No. 350, in 5 st. of 61. Its excellence and simplicity have gained it a place in many recent German collections, as the Berlin Geistliche Lieder, &c., ed. 1863, No. 1614. Translated as:— From Thy heav'nly throne . A good and full translation by Miss Winkworth as No. 91 in her Chorale Book for England, 1863; repeated in the Parish Hymn Book, 1875. [Rev. James Mearns] -- John Julian, Dictionary of Hymnology (1907)

Christian Gregor

1723 - 1801 Person Name: Chr. Gregor Hymnal Number: 99 Author of "Christ will gather in His own" in Chorale Book for England, The Gregor, Christian, son of Georg Gregor, a peasant living in the Silesian village of Dirsdorf, near Peilau, was born at Dirsdorf, Jan. 1, 1723. In 1742 he went to Herrnhut, where he was at first employed in tuition. He became leader of the music in the [Moravian] Brethren's congregation at Herrnhaag, in 1748, and in 1749 at Zeist; but in 1753 he returned to Herrnhut as cashier of the Brethren's Board of Direction. He was, in 1756, ordained diaconus, in 1767 presbyter, and in 1789 bishop of the Brethren's Church. On Nov. 6,1801, he attended a meeting, held at Herrnhut, of the Board of Direction of which he had been a member from 1764. Just as he entered his house at Berthelsdorf, near Herrnhut, he was struck with paralysis, and died that same day. (Koch, vi. 436; Allgemeine Deutsche Biographie, ix. 630.) He was a man greatly beloved and respected, simple of heart, loving, earnest and hardworking; and was entrusted with many important missions and visitations. His hymns are characterised by childlike fervour of devotion to his crucified Lord. A number appeared in Des kleinen Brüder-Gesangbuchs dritter Theil, Barby, 1767; but they were mostly contributed to the Gesang-buch zum Gebrauch der evangelischen Brüder Gemeinen, Barby, 1778, of which he was the principal editor. He was also an excellent organist, and edited, in 1784, a collection of accompanying tunes for the hymnbook of 1778, contributing thereto various melodies by himself. A little volume entitled Historische Nachrteht vom Brüder-Gesangbuche des Jahres 1778, und von dessen Lieder-Verfassern, Gnadau, 1835 (2nd ed., 1851), occasionally referred to in these pages, is based on materials collected by Gregor. His hymns in English common use are:— i. Bis dereinst mein Stündlein schlägt. [Love to Christ.] 1778, No. 640, in 5 st. of 4 1. Translated as:— Till permitted hence to go, of st. i., ii., iv., as No. 563 in the Moravian Hymn Book, 1801 (1886, No. 1228). In 1826 an original st.anza by T. Bird was added, beginning, " Till the day when I shall tread." Repeated thus in 1886, No. 1228, and in J. A. Latrobe's Collection, 1841, No. 484. ii. Die Gottes Cherubim. [The Angels.] Appeared as No. 1877 in Appendix xii. c, 1746, to the Herrnhut Gesang-Buch of 1735, thus :— "Die Gottes Cherubim Erheben ihre Stimm, (Funkelnd von Blitz und Strahl,) Ihr Lied ist, wenn ichs sagen darf, Dazu spielt mehr als eine Harf: Ehre dem Seitenmaal!" In 1778 it is included as No. 1600, beginning, "Die Gottes Seraphim," and expanded to three stanzas; i. of the Angels; ii. of the Redeemed; iii. of the Church on Earth. Here the song, "Ehre dem Seitenmaal," is given to the Church on Earth, and a paraphrase of Is. vi. 3, to the Angels. The only translation in common use is :— The Seraphim of God, in full from the 1778, by J. Miller and F. W. Foster, as No. 792 in the Moravian Hymn Book, 1789 (1886, No. 1220), repeated in J. A. Latrobe's Collection, 1841, No. 424. Another translation is The Cherubims of God," from the original form, as No. 93 in pt. iii. of the Moravian Hymn Book, 1748. iii. Heiliger, heiliger, heiliger, Herr Zebaoth. [Public Worship.] The introductory hymn in 1778, in 4 st. of 81, as on "The Word of God." The only translation is:— Holy Lord, Holy lord, Holy and Almighty Lord, by F. W. Foster, C. G. Clemens, and J. Swertner, as No. 1 in the Moravian Hymn Book, 1789 (1886, No. 1). Included from the text of 1801, as No. 217 in Dr. Pagenstecher's Collection, 1864. iv. Nach tausendfachen Plagen. [Passiontide.] 1778, No. 128, in 8 1. It is translated as :— Behold, my soul, Thy Saviour, by P. H. Molther, as No. 352 in the Moravian Hymn Book, 1789. See No. vi. v. 0 angenehme Augenblicke. [Eternal Life.] Written in 1766. In 1778, No. 1749, in 2 st. of 8 1. The translations are :— 1. What heavenly joy and consolation, by P. H, Molther, of st. i., as No. 886 in the Moravian Hymn Book, 1789 (1886, No. 1314, st. iii.). Included as st. iii. of No. 403 in the Irish Church Hymnal, 1873. 2. 0 what joy, 0 what joy awaiteth me. No. 988 in the Moravian Hymn Book, 1801. In the 1886 edition it is marked as a translation of No. v. as above. It bears more resemblance, however, to "O wie wallt mein Herz," which is No. 268 in the 1806 Appendix to the Brüder Gesang-Buchof 1778. vi. 0 süsse Seelenweide. [Passiontide.] 1778, No. 167, in 11 st. of 8 1. St. i., ii. are ascribed to Gregor; iii., iv., xi. to Johann Prätorius ; and v.-x. to C. B. von Zinzendorf (taken from Nos. 40 and 41 of the collected edition of his hymns, 1754). The translation is:— How is my soul delighted, a translation of st. i., ii., iv., v., vii., x. by F. W. Foster, and J. Miller, as No. 360 in the Moravian Hymn Book, 1789. In the 1801 and later editions (1886, No. 407), Molther's translation of No. iv. was prefixed as st. i., new trranslations of st. viii., x. given, and the rest altered. In the Book of Common Praise, ed. 1872, No. 86, is st. i., ii., 11. 5-8, and iii., by Gregor; and iv., 11. 5-8, by Prätorius, beginning, "Behold, my soul, thy Saviour." vii. 0 Tage wahrer Seligkeit. [Joy of Forgiveness.] 1778, No. 398, in 6 st. of 8 1., included in the Berlin Geistliche Lieder S. , ed. 1863. Translated as:— O days of solid happiness in full as No. 340 in the Moravian Hymn Book, 1801 (1886, No. 386). Two centos from the text of 1849 are in common use :— 1. "What days of solid happiness," st. i.-iv., as No. 433 in the edition of 1857 of Mercer's The Church Psalter & Hymnbook. 2. "Whene'er we contemplate the grace," st. iv.-vi. as No. 396 in the Irish Church Hymnal, 1873. viii. Wenn schlägt die angenehme Stunde. [Ascension.] Written for Aug. 17, 1765, and included as No. 113 in 1767, as above, in 8 1. Translated as :— When, O when shall I have the favour, by P. H. Molther, c. 1774, included as No. 839 in the Moravian Hymnbook, 1789, repeated as st. ii. of No, 403, in the Irish Church Hymnal, 1873. In the 1886 ed. of the Moravian Hymnbook, No. 1314, it begins, "O when shall I have that great favour." ix. Wie wifd mir einst dooh sein. [Eternal Life.] 1778, No. 1743, in 10 st. of 6 1. In the Historische Nachricht thereto, st. i.-iii. are marked as by Gregor, and st. iv.-x. as by N. L. von Zinzendorf. St. iv.-x. are recast from a hymn beginning, "Die Bäume blühen ab," writ¬ten in the autumn of 1721, and included as No. 1245 in the 3rd edition, 1731, of his Sammlung geistund lieblicher Lieder, in 46 st. of 4 1., the stanza of the original used being in order 39, 42, 34, 18, 22, 29, 45. The only translation in common use is:— What shall I feel, when I, in full from the 1778, by J. A. Latrobe, as No. 885 in the Moravian Hymnbook, 1789 (1886, No. 1301). Two centos are in use:- 1. "How shall the joy be told"; st. i.-iv., vi., viii. altered in J. A. Latrobe's Collection, 1841, No. 498. 2. "I hear the enraptured song"; st. 2, 6, 9, 10, as No. 582 in the App. of 1873 to Mercer's The ChurchPsalter & Hymnbook. Hymns not in English common use:— x. Ach mein Heir Jesu! dein Nahesein. Communion with Christ. 1767, as above, No. 432, in 10 st. In the Berlin Geistliche Lieder S.,, ed. 1863, No. 925. Justly characterised by Dr. Schaff in his Christ in Song, 1869, p. 496, as "One of the sweetest hymns from the holy of holies of the believer's personal communion with his Saviour, and very characteristic of Moravian piety in its best form." The trsanslations are (1) "What peace divine, what perfect happiness," by P. H. Molther, as No. 278 in the Moravian Hymn Book, 1789 (1849, No. 362). In the 1886 ed. of the Moravian Hymn Book, No. 359, it begins with the translation of st. v., "Gracious Redeemer, grant to us while here." (2) "Jesus, our Lord, when Thou art near," by Dr. H. Mills, 1845 (1856, p. 122). (3) "Ah dearest Lord! to feel that Thou art near," by Miss Winkworth, 1858, p. 168. (4) "Ah, Jesus, Lord, Thou art near to me," in the British Herald, Dec, 1866, p. 372, and as No. 304 in Reid's Praise Book, 1872. (5) "Jesus, my Lord, Thy nearness does impart," by E. Reynolds for Schaff’s Christ in Song, 1869, p. 496. xi. Hallelujah! der Heiland lebt. Easter. 1778, No. 203, in 17 st. (st. xiv. being by Matthaus Stach, and first published as st. ii. of No. 109, in 1767). Translated as "Sing Hallelujah, Christ doth live," as No. 131 in the Moravian Hymn Book, 1801 (1886, No. 142), repeated in Bishop Ryle's Collection, 1860, No. 131. Beginning with the translation of st. ix., “The God of Peace, to guilty man," 6 st. were included as No. 90 in Reid's Praise Book, 1872. [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology (1907)

Friedrich von Canitz

1654 - 1699 Person Name: V. Canitz, d. 1699 Hymnal Number: 162 Author of "Come, my soul, awake, 'tis morning" in Chorale Book for England, The Friedrich Rudolph Ludwig von Canitz, German poet and diplomant, was born at Berlin, November 27, 1654. He studied at the universities of Leyden and of Leipzig. After extensive travels in Europe, he was appointed groom of the bedchamber to the elector Frederick William of Brandenburg. In 1680, he became councilor of legation, then privy councilor, and was finally created a baron of the empire. He died in Berlin on August 11, 1699. His poems, which did not appear until after his death, are for the most part dry and stilted, based upon Latin and Greek models, but they were, nevertheless, a healthy influence and counterbalance to the coarseness of contemporary poetry. The spiritual poems, 24 in number, are his best work. They were first published anonymously after his death, edited by Joachim Lange as Nebenstunden unterschiedener Gedichte, 1700. --The Hymnal 1940 Companion ===================== Canitz, Friedrich Rudolph Ludwig, Freiherr von, son of Ludwig v. Canitz, privy and legal counsellor at Berlin; was born at Berlin, Nov. 27,1654, a few months after his father's death. After studying at the Universities of Leyden and Leipzig, he made in 1675-77 a tour in Italy, France, England, and Holland. In 1677 he was chosen gentleman of the bedchamber by the Elector Friedrich Wilhelm, and accompanied him in his campaigns in Pomerania, &c. He was then, in 1680, appointed chief magistrate of the district of Zossen and Trebbin, in the Mittelmark, and in 1681 counsellor of the Court and Legation. After a successful embassy to Frankfurt, 1682, he was appointed in 1683 chief magistrate of Miihlenhoff and Muhlenbeck. He executed many important missions under Friedrich Wilhelm and his successor Friedrich III., was a privy counsellor, and received in 1698 the dignity of Baron from the Emperor Leopold I. He died at Berlin, Aug. 11, 1699 (Koch, iv. 238-248; Allg. Deutsche Biographie, iii. 756, the latter dating his death Aug. 1). His hymns were first published posthumously, and without his name. They were edited by Dr. Joachim Lange, Rector of the Berlin Gymnasium, as Nebenstunden unterschiedener Gedichte, Berlin, 1700. Of the 24 religious poems, only 2 have continued in German common use, viz.:— i. Gott, du lässest mich erreichen. Evening. 1700, as above, p. 6, in 6 stanzas. Translated as: "Father! hear me humbly praying" (beginning with st. ii. "Neige dich zu meinen Bitten "), by H. J. Buckoll, 1842, p. 99. ii.. Seele du musst munter werden. Morning. This beautiful hymn, the mirror of his life, was first published 1700 as above, p. 3, in 14 stanzas of 6 lines. Included as No. 795 in Freylinghausen's Neues geistreiches Gesang-Buch, 1714, and as No. 471 in the Unverfälschter Leider 1851. The translations in common use are:— 1. Come, my soul, thou must be waking. A very good translation by H. J. Buckoll, omitting stanzas ii., iv., viii., given in a note at p. 456 of Dr. Arnold's Christian Life: its Cause, its Hindrances, and its Helps. London, 1841. The note is to a passage in Sermon vi., on Col. iii. 3, dated March, 1840, in which Dr. Arnold says:— ”Some may know the story of that German nobleman [v. Canitz] whose life had been distinguished alike by genius and worldly distinctions, and by Christian holiness; and who, in the last morning of his life, when the dawn broke into his sick chamber, prayed that he might be supported to the window, and might look once again upon the rising sun. After looking steadily at it for some time, he cried out, "Oh! if the appearance of this earthly and created thing is so beautiful and quickening, how much more shall I be enraptured at the sight of the unspeakable glory of the Creator Himself." That was the feeling of a man whose sense of earthly beauty bad all the keenness of a poet's enthusiasm, but who, withal, had in his greatest health and vigour preserved the consciousness that his life was hid with Christ in God; that the things seen, how beautiful soever, were as nothing to the things which are not seen (p. 61). Of the translation Dr. Arnold says, "For the greatest part I am indebted to the kindness of a friend," which means that portions (viz. st. i., 11. 1-3, and one or two expressions) are taken from the anonymous version of 1838 (see below). In 1842 Buckoll included it in his Hymns from the German, p. 36, altering stanza iii. 1. 3, xii. line 1. 1-3, and xiii. It is the text in Dr. Arnold's sermons which has passed into common use in the following forms, the references being to the translation of the German stanzas. (1) St. i., v.-vii., ix.-xi., American Episcopal Hymns for Church and Home, 1860, altered. (2) St. i., vi., vii., ix.-xii., in the Salisbury Hymn Book, 1857, and Kennedy, 1863. The Anglican Hymn Book., 1871, and the Evangelical Hymnal, N. Y., 1880, omit st. xii. (3) St. i., vi., vii., ix.,xi., xii., considerably altered and with an added doxology in Sarum, 1868. This text in full, or abridged, is found in Church Hymns, 1871; Hymnary, 1872; Stevenson's Hymns for Church and Home, 1873; Baptist Hymnal, 1879, and others; and in America in the Episcopal Hymnal, 1871; Laudes Domini, 1884. (4) St. i., vi., vii., ix.-xii., xiv., in Harrow School Hymn Book., 1855,1866; Marlborough College, 1869, &c. (5) St. i., vii., ix., xi., with an added stanza in Book of Common Praise, 1863; and in G. S. Jellicoe's Collection, 1867. 2. Come, my soul, awake, 'tis morning. A good translation, omitting stanzas ii., iv., viii., by Miss Winkworth in her Lyra Germanica, 1855, 1st series, p. 210, and thence, retaining only the translations of stanzas i., vi., vii., xi.-xiii., in her Choral Book for England, 1863. Another translation is:— "Come, my soul! thou must be waking," in the British Magazine, July, 1838, p. 21. From this, st. i., 11. 1-3, and one or two expressions were adopted by Buckoll. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

St. Ambrose

340 - 397 Person Name: St. Ambrose Hymnal Number: 23 Author of "Redeemer of the nations, come!" in Chorale Book for England, The Ambrose (b. Treves, Germany, 340; d. Milan, Italy, 397), one of the great Latin church fathers, is remembered best for his preaching, his struggle against the Arian heresy, and his introduction of metrical and antiphonal singing into the Western church. Ambrose was trained in legal studies and distinguished himself in a civic career, becoming a consul in Northern Italy. When the bishop of Milan, an Arian, died in 374, the people demanded that Ambrose, who was not ordained or even baptized, become the bishop. He was promptly baptized and ordained, and he remained bishop of Milan until his death. Ambrose successfully resisted the Arian heresy and the attempts of the Roman emperors to dominate the church. His most famous convert and disciple was Augustine. Of the many hymns sometimes attributed to Ambrose, only a handful are thought to be authentic. Bert Polman ===================== Ambrosius (St. Ambrose), second son and third child of Ambrosius, Prefect of the Gauls, was born at Lyons, Aries, or Treves--probably the last--in 340 A.D. On the death of his father in 353 his mother removed to Rome with her three children. Ambrose went through the usual course of education, attaining considerable proficiency in Greek; and then entered the profession which his elder brother Satyrus had chosen, that of the law. In this he so distinguished himself that, after practising in the court of Probus, the Praetorian Prefect of Italy, he was, in 374, appointed Consular of Liguria and Aemilia. This office necessitated his residence in Milan. Not many months after, Auxentius, bishop of Milan, who had joined the Arian party, died; and much was felt to depend upon the person appointed as his successor. The church in which the election was held was so filled with excited people that the Consular found it necessary to take steps fur preserving the peace, and himself exhorted them to peace and order: when a voice suddenly exclaimed, "Ambrose is Bishop," and the cry was taken up on all sides. He was compelled to accept the post, though still only a catechumen; was forthwith baptized, and in a week more consecrated Bishop, Dec. 7, 374. The death of the Emperor Valentinian I., in 375, brought him into collision with Justina, Valentinian's second wife, an adherent of the Arian party: Ambrose was supported by Gratian, the elder son of Valentinian, and by Theodosius, whom Gratian in 379 associated with himself in the empire. Gratian was assassinated in 383 by a partisau of Maximus, and Ambrose was sent to treat with the usurper, a piece of diplomacy in which he was fairly successful. He found himself, however, left to carry on the contest with the Arians and the Empress almost alone. He and the faithful gallantly defended the churches which the heretics attempted to seize. Justina was foiled: and the advance of Maximus on Milan led to her flight, and eventually to her death in 388. It was in this year, or more probably the year before (387), that Ambrose received into the Church by baptism his great scholar Augustine, once a Manichaean heretic. Theodosius was now virtually head of the Roman empire, his colleague Valentinian II., Justina's son, being a youth of only 17. In the early part of 390 the news of a riot at Thessalonica, brought to him at Milan, caused him to give a hasty order for a general massacre at that city, and his command was but too faithfully obeyed. On his presenting himself a few days after at the door of the principal church in Milan, he was met by Ambrose, who refused him entrance till he should have done penance for his crime. It was not till Christmas, eight months after, that the Emperor declared his penitence, and was received into communion again by the Bishop. Valentinian was murdered by Arbogastes, a Frank general, in 392; and the murderer and his puppet emperor Eugenius were defeated by Theodosius in 394. But the fatigues of the campaign told on the Emperor, and he died the following year. Ambrose preached his funeral sermon, as he had done that of Valentinian. The loss of these two friends and supporters was a severe blow to Ambrose; two unquiet years passed, and then, worn with labours and anxieties, he himself rested from his labours on Easter Eve, 397. It was the 4th of April, and on that day the great Bishop of Milan is remembered by the Western Church, but Rome commemorates his consecration only, Dec. 7th. Great he was indeed, as a scholar, an organiser, a statesman; still greater as a theologian, the earnest and brilliant defender of the Catholic faith against the Arians of the West, just as Athanasius (whose name, one cannot but remark, is the same as his in meaning) was its champion against those of the East. We are now mainly concerned with him as musician and poet, "the father of Church song" as he is called by Grimm. He introduced from the East the practice of antiphonal chanting, and began the task, which St. Gregory completed, of systematizing the music of the Church. As a writer of sacred poetry he is remarkable for depth and severity. He does not warm with his subject, like Adam of St. Victor, or St. Bernard. "We feel," says Abp. Trench, "as though there were a certain coldness in his hymns, an aloofness of the author from his subject. "A large number of hymns has been attributed to his pen; Daniel gives no fewer than 92 called Ambrosian. Of these the great majority (including one on himself) cannot possibly be his; there is more or less doubt about the rest. The authorities on the subject are the Benedictine ed. of his works, the Psalterium, or Hymnary, of Cardinal Thomasius, and the Thesaurus Hymnologicus of Daniel. The Benedictine editors give 12 hymns as assignable to him, as follows:—1. Aeterna Christi munera. 2. Aeterne rerum Conditor. 3. Consors Paterni luminii. 4. Deus Creator omnium. 5. Fit porta Christi pervia, 6. Illuminans Altissimus. 7. Jam surgit hora tertia. 8. 0 Lux Beata Trinitas. 9. Orabo mente Dominum. 10. Somno refectis artubus. 11. Splendor Paternae gloriae. 12. Veni Redemptor gentium. Histories of these hymns, together with details of translations into English, are given in this work, and may be found under their respective first lines. The Bollandists and Daniel are inclined to attribute to St. Ambrose a hymn, Grates tibi Jesu novas, on the finding of the relics of SS. Gervasius and Protasius. These, we know, were discovered by him in 386, and it is by no means unlikely that the bishop should have commemorated in verse an event which he announces by letter to his sister Marcellina with so much satisfaction, not to say exultation.A beautiful tradition makes the Te Deum laudamus to have been composed under inspiration, and recited alternately, by SS. Ambrose and Augustine immediately after the baptism of the latter in 387. But the story rests upon a passage which there is every reason to consider spurious, in the Chronicon of Dacius, Bishop of Milan in 550. There is no hint of such an occurrence in the Confessions of St. Augustine, nor in Paulinue's life of St. Ambrose, nor in any authentic writing of St. Ambrose himself. The hymn is essentially a compilation, and there is much reason to believe, with Merati, that it originated in the 5th century, in the monastery of St. Honoratus at Lerins. [Te Deum.] -- John Julian, Dictionary of Hymnology (1907) Also known as: Ambrotio, Ambrosio de Milán Ambrosius Mediolanensis Ambrosius Saint, Bp. of Milan Ambrosius von Mailand Aurelio Ambrogio, Saint, Bishop of Milan Aurelius Ambrosius, Saint, Bishop of Milan Milan, d. 397

Caspar Neumann

1648 - 1715 Person Name: Neumann Hymnal Number: 66 Author of "Lord, on earth I dwell sad-hearted" in Chorale Book for England, The Neumann, Caspar, son of Martin Neumann, city tax-collector at Breslau, was born at Breslau, Sept. 14,1648. He entered the Unversity of Jena in Sept. 1667, graduated M.A. in August 1670, and was for some time one of the University lecturers. On Nov. 30, 1673, he was ordained at the request of Duke Ernst of Gotha as travelling chaplain to his son, Prince Christian, whom he accompanied through Western Germany, Switzerland, Northern Italy, and Southern France; returning to Gotha in 1675. In 1676 he became court preacher at Altenburg, but in Dec. 1678 was appointed diaconus of the St. Mary Magdalene Church at Breslau, and pastor there in 1689. Finally, in Feb. 1697 he became pastor of St. Elizabeth's at Breslau, inspector of the churches and schools of the district, and first professor of theology in the two Gymnasia at Breslau. He died at Breslau, Jan. 27, 1715 (S. J. Ehrhardt's Presbyterologie Schlesiens i. 211; Allgemeine Deutsche Biographie xxiii. 532, &c). Neumann was a celebrated preacher, and edited a well-known prayer-book, entitled Kern alter Gebete (Breslau, 1680; complete ed. Breslau, 1697) which passed through many editions. He wrote over thirty hymns, simple, heartfelt and useful, which became very popular in Silesia, and almost all of which passed into Burg's Gesang-Buch, Breslau, 1746, and later editions. They mostly appeared, with his initials, in the 9th ed., N.D., but about 1700, of the Breslau Vollständige Kirchen-und Haus-Music. Those which have been translated are:— i. Adam hat im Paradies. Christmas. 1700, as above, p. 71, in 8 stanzas. In the Unverfälschter Liedersegen, 1851, No. 23. Translated as "Adam did, in Paradise." By Miss Manington, 1864, p. 21. ii. Grosser Gott, von alten Zeiten. Sunday Morning. 1700, p. 886, in 6 stanzas of 6 1ines as "for Sundays and Festivals." Thence in many Silesian hymnbooks, and in the Unverfälschter Liedersegen, 1851, No. 481. The translations in common use are:-— 1. God of Ages never ending, Ruling. A good translation, omitting stanza iii., by H. J. Buckoll in his Hymns from the German, 1842, p. 5. His translations of stanzas i., ii., vi. were repeated in the Dalston Hospital Hymn Book, 1848; the Rugby School Hymn Book, 1850 and 1876, and others. 2. Great God of Ages! by whose power. A translation of stanzas i., ii., vi. as No. 10 in J. F. Thrupp's Psalms & Hymns, 1853. 3. God of Ages never ending! All creation. A good translation of stanzas i., ii., vi., based on Buckoll, con¬tributed by A. T. Russell to P. Maurice's Choral Hymn Book, 1861, No. 466. 4. God of Ages, great and mighty. A translation of stanzas i., ii., v., vi. by C. H. L. Schnette, as No. 291 in the Ohio Lutheran Hymnal 1880. iii. Herr! auf Erden muss ich leiden. Ascension. 1700 as above, p. 1098, in 6 stanzas of 8 lines, and in the Unverfälschter Liedersegen, 1851, No. 159. The translation in common use is:— (1) Lord, on earth I dwell sad-hearted. A good translation, omitting stanzas iv., v., by Miss Winkworth, as No. 66 in her Chorale Book for England, 1863; repeated in the Ohio Lutheran Hymnal, 1880. Another translation is (2) "Lord, on earth I dwell in pain." By Miss Winkworth, 1855, p. 106. iv. Mein Gott, nun ist es wieder Morgen. Morning. 1700, as above, p. 871, in 6 stanzas, and in the Berlin Geistliche Lieder ed. 1863, No. 1119. Translated as "My God, again the morning breaketh." By Miss Manington, 1863, p. 118. v. Nun bricht die finstre Nacht herein. Sunday Evening. 1700 as above, p. 982, in 11 stanzas. In the Berlin Geistliche Liedered. 1863, No. 1177. Translated as "Soon night the world in gloom will steep." By Miss Manington, 1863, p. 152. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

Johann Caspar Schade

1666 - 1698 Person Name: Schade Hymnal Number: 157 Author of "Up, yes, upward to thy gladness" in Chorale Book for England, The Schade, Johann Caspar, son of Jakob Schad or Schade, pastor and decan at Kühndorf, near Suhl, in Thuriugia, was born at Kühndorf, Jan. 18, 1666. He entered the University of Leipzig in 1685 (where he became a great friend of A. H. Francke), and then went to Wittenberg, where he graduated M.A. in 1687. On his return to Leipzig he began to hold Bible readings for the students. This soon raised ill-will against him among the Leipzig professors, and when, in 1690, he was invited to become diaconus at Würzen, near Leipzig, they interfered and prevented his settlement. In 1691 he was invited to become diaconus of St. Nicholas's church, at Berlin (where P. J. Spener had just become probst, or chief pastor), and entered on his work there on the 2nd Sunday in Advent. In his later years he raised a storm of feeling against himself by refusing to hear private confessions. The Elector of Brandenburg, in order to end the strife, appointed him, in June 1698, pastor at Derenburg, near Halberstadt. Meantime he was seized with a fever, which ended fatally at Berlin, July 25, 1698 (Koch, iv. 222, 468; Wetzel, iii. p. 23, &c). Schade was a most earnest and faithful pastor and preacher, and specially interested himself in the children of his flock. As a hymnwriter he was not particularly prolific, but of his 45 hymns a good many passed into the German hymnbooks of the period. His hymns are clear and simple in style, are composed in a considerable variety of metres, and are full of fervent love to the Lord Jesus, and of zeal for a living and practical Christianity; but they are frequently spun out, or are too subjective. A number appeared in A. Luppius's Andächtig singender Christenmund Wosel, 1692-94, and in the Geistreiches Gesang-Buch, Halle, 1697. They were collected and posthumously published as Fasciculus Cantionum, Das ist zusammen getragene geistliche Lieder, &c, Cüstrin, N.D. [1699]. Those of Schade's hymns which have passed into English are:— i. Auf! Hinauf! zu deiner Freude. Faith. First published in the Geistreiches Gesang-Buch, Halle, 1697, p. 402, in 6 stanzas of 8 lines; repeated in 1699, as above, p. 83. Recently, as No. 403, in the Unverfälschter Liedersegen 1851. The translations in common use are:— 1. Up! yes upward to thy gladness Rise, my heart. This is a good and full translation by Miss Winkworth, in her Lyra Germanica, 2nd Ser., 1858, p. 171, repeated in full in Reid's Praise Book, 1872, and, omitting st. v., in Kennedy, 1863. In her Chorale Book for England, 1863, No. 157, it is slightly altered, and st. iii. is omitted. 2. Rise, my soul! with joy and gladness. A translation of st. i., ii., vi., by F. C. C, as No. 233 in Dr. Pagenstecher's Collection, 1864. Other translations are:— (1) "Look up, my soul, to Christ thy joy," by J. B. Holmes, as No. 1099 in the Supplement of 1808 to the Moravian Hymn Book, 1801 (1886, No. 600), repeated in Bishop Kyle's Collection, 1860. (2) "Upwards, upwards to thy gladness," by Miss Dunn, 1857, p. 13. (3) "Up! yes upward to thy gladness, Rise, my soul," by W. Reid in his Praise Book, 1872. ii. Heine Seel ermuntre dich. Passiontide. In the Geistreiches Gesang-Buch, Halle, 1697, p. 215, in 15 stanzas of 6 lines, repeated in 1699, as above, p. 9, entitled "Contemplation of the suffering of Christ and surrender of His will." In the Unverfälschter Liedersegen, 1851, No. 106. Tr. as, "Rouse thyself, my Soul, and dwell." In the Supplement to German Psalmody , ed. 1765, p. 20, and in Select Hymns from German Psalmody, Tranquebar, 1754, p. 31. iii. Meine Seele willt du ruhn. This hymn, frequently ascribed to Schade, is noted under Scheffler. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

Albert Knapp

1798 - 1864 Person Name: A. Knapp Hymnal Number: 89 Author of "Thy parents' arms now yield thee" in Chorale Book for England, The Knapp, Albert, was born July 25, 1798, at Tübingen, where his father (1800, Oberamtmann at Alpirsbach in the Black Forest, and 1809, Oberamtmann at Rottweil) was then advocate at the Court of Appeal. In the autumn of 1814 he entered the Theological Seminary at Maulbronn, and in 1816 the Theological College at Tübingen, where he also graduated M.A. at the University. In November, 1820, he became assistant clergyman at Feuerbach, near Stuttgart; and in July, 1821, at Gaisburg, near Stuttgart. He was appointed, in Feb., 1825, diaconus (Heifer) at Sulz on the Neckar, and also pastor of the neighbouring village of Holzhausen; in June, 1831, archidiaconus at Kirchheim-unter-Teck, along with Bahnmaier (q.v.); in May, 1836, diaconus of the Hospitalkirche in Stuttgart ; and in October, 1837, archidiaconus of the Stiftskirche. He was finally appointed, in December, 1845, Stadtpfarrer at St. Leonhard's Church in Stuttgart, where, after having been for some time partially disabled by paralysis, he preached his last sermon, Feb. 13, 1863. He died at Stuttgart, June 18, 1864 (Koch, vii. 213; Allgemeine Deutsche Biographie xvi. 263, &c). Knapp as a Poet possessed not merely very considerable talent, but also natural originality. He was preeminently a lyric poet; the best of his secular poems being those which celebrate the history and the scenery of his beloved Swabia. His poems are characterised by rich play of fancy, wealth of ideas and of figures, masterly word-painting, capacity of feeling, ease of expression, and sonorous and musical rhythm. Unfortunately the very flow of his imagination betrayed him, for the greatest fault of his poems is that they are at once too numerous and too long (and it must be added sometimes too rhetorical and too eager to point a moral); what was easy writing becomes hard reading. As a Hymn-writer, among the recent hymn-writers of Germany, Knapp holds a high place, perhaps we might say the highest of all. To his hymn-writing he brought his powers as a poet, and the depth of his nature as an earnest and sincere disciple of Jesus Christ. In his hymns his aim was to make known the fulness of the grace of God, and to reveal the wealth and depth of Holy Scripture, and the love of God to all mankind. Their earnestness, their experimental Christianity, their Scripturalness and their beauty of form have gained for many of them a place in all recent German hymn-books. They have somewhat unaccountably been neglected by English translators. It is certainly surprising that in the Hymns from the Land of Luther not one version from Knapp finds a place. While all the hymns of Spitta's Psalter und Harfe have passed into English, and many of them in half a dozen different versions, comparatively few of Knapp's hymns have been translated, though they rank much higher as poetry, and are more suited for Church use than those by Spitta. As a Hymnologist Knapp did good service by his Christoterpe [complete set in Berlin], an annual which he edited from 1833 to 1853, in which many of his own pieces appeared, and also many of the best poems and, hymns of Hey, Meta Heusser-Schweizer, and various others. He was also the compiler of the Evangelischer Lieder-Schatz (frequently referred to in this Dictionary as Knapp's Evangelischer Lieder-Schatz), the most elaborate German hymnbook of recent times. Of this the first edition, with 3590 hymns, appeared at Stuttgart in 1837, and a Supplement entitled Christenlieder, 1841, added 250 more. In his second edition, 1850 (3067 hymns) he omitted many of the third-rate hymns of his first edition, added many of a higher class, and gave the hymns more nearly (but by no means exactly) as the authors wrote them. The third edition, 1865 (3130 hymns, concluded by his son), was further im¬proved, and the notices of the authors of the hymns were revised and enlarged. As a comprehensive collection with a specially full representation of good modern hymns it has no rival in German. He was also one of the editors of the Württemberg Gesang-Buch of 1842. The editions which he prepared of the Hymns of Gottfried Arnold (1845) and N. L. von Zinzendorf (1845) are of interest, but he took most unwarrantable liberties with the originals; many pieces being not merely abridged but rewritten "to suit the requirements of the 19th century." Knapp's original hymns appeared principally in his Christoterpe and Evangelischer Lieder-Schatz, as above; and also in his (1) Christliche Gedichte, 2 vols., Basel, 1829. (2) Neuere Gedichte, 2 yols., Basel, 1834, some¬times ranked as vols. iii., iv. of No. 1. (3) Gedichte, Neueste Folge, Stuttgart, 1843. (4) Herbstblüthen, Stuttgart, 1859. Those which have passed into English common use are:— i. Aus deiner Eltern Armen. Holy Baptism. This and No. iv. seem to have been written for the baptism of his own children. First published in his Christoterpe, 1850, p. 222, in 3 st. of 8 1., entitled "Baptismal Hymn," and repeated in his Evangelischer Lieder-Schatz, 1850, No. 846 (1865, No. 875). The translation in common use is Thy parent's arms now yield thee. In the original metre by Miss Winkworth in her Lyra Germanica, 2nd Ser., 1858, p. 89; and thence in Kennedy, 1863. Slightly altered for metrical reasons in her Chorale Book for England, 1863, No. 89. ii. Blick aus diesem Erdenthale (p. 150 i.). iii. Einst fahren wir vom Vaterlande (p. 326 ii.). iv. 0 Vaterherz, das Erd' und Himmel schuf. Holy Baptism. A beautiful hymn of supplication to (i.) God the Creator; (ii.) God the Redeemer; (iii.) God the Sanctifier; on behalf of the child, ending with a prayer to the Holy Trinity for guidance and blessing throughout its life. First published in his Christenlieder, 1841, No. 89, in 4 st. of 9 1., repeated in his Evangelischer Lieder-Schatz, 1850, No. 847 (1865, No. 876). The translation in common use is :— 0 Father-Heart, Who hast created all. A good and full translation by Miss Winkworth in herLyra Germanica, 2nd Ser., 1858, p. 87, repeated in the Schaff-Gilman Library of Religious Poetry, ed. 1883, p.437. In the hymnals it appears in the following forms, all beginning with st. i.:— 1. 0 Father, Thou Who hast created all. In Hymns Ancient & Modern, 1861 and 1875, and others. 2. Father! Who hast created all. In Adams's American Church Pastorals, 1864, being the Hymns Ancient & Modern version reduced to CM. 3. Father, Who hast created all. In the Pennsylvania Lutheran Church Book, 1868, in 8.6.8.6.8.8. metre. 4. Father of heaven, Who hast created all. In Kennedy, 1863; the Society for Promoting Christian Knowledge Church Hymns, 1871; Thring's Collection, 1882; and in America in M. W. Stryker's Christian Chorals, 1885. Hymns not in English common use :— v. Abend ist es; Herr, die Stunde. Evening. Written at Sulz, June 19, 1828 (Koch, vii. 224). First published in his Christliche Gedichte, 1829, i. p. 9, in 10 st. Translated as "It is evening, and the hour, Lord," by Miss Manington, 1863, p. 130. vi. Eines wünsch ich mir vor allem Andern. Love to Christ. First published in his Christliche Gedichte, 1829, i. p. 151, in 4 st., entitled "My Wish." Lauxmann, in Koch, viii. 59, says it was written, April 23, 1823, while Knapp was at Gaisburg, for the use of a young girl at Stuttgart who was about to be confirmed. Dr. Schaff classes it as the finest and most popular church hymn of its author. Translated as "More than all, one thing my heart is craving," by T. C. Porter, April 13, 1868, for Schaff's Christ in Song, 1869, p. 625. vii. Geh hin! der Herr hat dich gerufen. Burial of a child. Written, 1844, on the death of his son Manuel. First published in his Christoterpe, 1849, p. 139, in 4 st. Translated as “Go hence! the Lord hath called thee home," by Dr. J. Guthrie, in his Sacred Lyrics, 1869, p. 112. viii. Geh zum Schlummer ohne Kummer. Burial. Written in memory of his first wife, who died April 11, 1835. First published in Evangelischer Lieder-Schatz, 1837, No. 3432 (1865, No. 3006), in 5 st. Translated as "Softly slumber, softly slumber," by E. Massie, in the Day of Rest, 1878. ix. Geist des Lebens, heil'ge Gabe. Whitsuntide. Written at Sulz for Whitsuntide, 1828 (Koch, vii. 225). First published in his Christliche Gedichte, 1829, i. p. 86, in 13 st. Translated as "Thou Spirit, Who dost life impart," by J. Kelly, 1885, p. 63. x. Hättest du Licht und Heil. The Blessings of Salvation. In his Christliche Gedichte, 1829, i. p. 149, in 7 st. Translated as “Ob, Jesus! had'st Thou not brought near," by C. T. Astley, 1860, p. 30, xi. Heulend spielen Stürme mit den Schiffen. For those at Sea. First published in his Christliche Gedicht, 1829, ii. p. 26, in 10 st., entitled "The Walk on the Sea, Matthew xiv. 24-32." Translated as "Howling storms are sporting with the vessel," in L. Rehfuess's Church at Sea, 1868, p. 38. xii. Ihr Kinder lernt von Anfang gern. Children. Written 1839, and first published in his Christenlieder, 1841, No. 212, in 9 st., entitled "The Use of the Fourth (Fifth) Commandment." Translated as "Betimes O learn, ye children, well," by Dr. G. Walker, 1860, p. 68. xiii. Jesus, ew'ge Sonne. The Glory of Christ. In his Neuere Gedichte, 1834, ii. p. 50, in 1 st. Translated as “Jesus, everlasting Sun," by J. Kelly, 1885, p. 35. xiv. Schwellet sanft, ihr weissen Sege. For those at Sea. First published in his Evangelischer Lieder-Schatz,1837, No. 3109, in 5 st. Translated as "Gently swell, ye white sails, driven," in L. Rehfuess's Church at Sea, 1868, p. 13. xv. Sohn des Vaters, Herr der Ehren. Waiting on God. In his Christliche Gedichte, 1829, i. p. 162, in 3 st. Translated as (1) "Son of the Father! mighty Lord, An answer," by C. T. Astley, 1860, p. 1. (2) "Lord of glory, God's dear Son, Let this thing," &c, by R. Massie, 1864, p. 124. xvi. Streichet hin, ihr leisen Flügel. The Fleetness of Time. In his Evangelischer Lieder-Schatz, 1837, No. 2903, in 3 st. Translated as "O ye winds of time! still hieing," in L. Rehfuess's Church at Sea, 1868, p. 42. xvii. Weh' mich vom sanften Mittag an. The Wait¬ing Soul. The original of this hymn is J. Newton's “Breathe from the gentle South, O Lord " (Olney Hymns, 1779, Bk. iii., No. 10). Knapp's translation is full and good, and is included in his Christoterpe, 1837, p. 294, and Evangelischer Lieder-Schatz, 1837, No. 2251. The text tr. is that in S. Hofer's Pilgerharfe, Basel, 1863, No. 118, which begins with st. iii. altered to "O Herr, ich möchte stille sein." Mr. R. Massie was quite unconscious that he was reproducing a hymn of Newton's by a process of double translation. His versions are, (1) "O Lord, I gladly would be still," in the British Herald, June, 1865, p. 85. (2) "Lord, I would still and patient be," in the Day of Rest, 1877, vol. viii. p. 379. xviii. Wenn ich in stiller Frühe. Morning. In his Christliche Gedichte, 1829, i. p. 25, in 3 st., entitled "The Morning Star." Translated as, (1) "When in the cool, still morning," by R. Massie, in the British Herald, April, 1865, p. 56, and Reid's Praise Book, 1872. (2) "When from my sleep awaking," by R. Massie, in the Day of Res, 1877, p. 375. xix. Wie hold ist diese Stille. Sunday Morning. Written 1842. In his Gedichte, Neueste Folge, 1843, p. 3, in 7 st. In his Evangelischer Lieder-Schatz, 1850, No 1176 (1865, No. 1217), it begins "Wie süss." Translated as O quiet, silent sweetness," in L. Rehfuess's Church at Sea, 1868, p. 27. Five additional hymns by Knapp are translated by Dr. H. Mills in his Home Germanicae, 1845 and 1856. A version by Knapp from Caesar Malan is noted under "Non, ce nest pas mourir." [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology (1907)

Wolfgang Christoph Dessler

1660 - 1722 Person Name: Dessler Hymnal Number: 67 Author of "My Jesus, if the Seraphim" in Chorale Book for England, The Dessler, Wolfgang Christoph, son of Nicolaus Dessler, jeweller, at Nürnberg, was born at Nürnberg, Feb. 11, 1660. His father wished him to become a goldsmith, but, as he was not physically suited for this, he was permitted to begin the study of theology at the University of Altdorf. His poverty and bodily weakness forced him to leave before completing his course, and, returning to Nurnberg, he supported himself there as a proof reader. Becoming acquainted with Erasmus Finx or Francisci, then residing in Nürnberg, he was employed by Finx as his amanuensis, and at his request translated many foreign religious works into German. In 1705 he was appointed Conrector of the School of the Holy Ghost at Nürnberg, where he laboured with zeal and acceptance till 1720, when, by a stroke of paralysis, he was forced to resign. Finally, after an illness which lasted about 35 weeks, he died at Nürnberg, March 11,1722. Of his hymns, in all over 100, the best appeared, many with melodies by himself, in his volume of meditations entitled:— Gottgeheiligter Christen Nützlich Ergetzende Seelenlust unter den Blumen Gottliches Worts, oder andächtige Betrachtungen und Gedanken über unterschiedliche erläuterte Schriftspruche, &c. Nürnberg, 1692 [Berlin] (Koch, iii. 531-535, and iv. 566-567). From this work (the references to which have been kindly supplied by Dr. Zahn of Altdorf, from his copy), five hymns have been translated into English, viz.:— Hymns in English common use:— i. Ich lass dich nicht, du musst mein Jesus bleiben. [Constancy to Christ.] Founded on Genesis xxxii. 36. First published 1692, as above, p. 553, along with Meditation xviii., which is entitled "The striving love." Wetzel (A. H., vol. i., pt. iv., p. 20) says it was sung, at her re¬quest, Sept. 5, 1726, at the deathbed of Christiana Eberhardina, a pious Queen of Poland. In the Berlin Geistliche Liedersegen

Jakob Tapp

? - 1630 Person Name: Tapp Hymnal Number: 171 Author of "The old year now hath pass'd away" in Chorale Book for England, The Tapp, Jakob. Little is known of this writer. He became pastor primarius and superintendent at Schöningen, Brunswick, in 1616, and died there in 1630 (MS. from Superintendent Wichmann, Seboningen, &c). The hymn, "Das alte Jahr vergangen ist" has sometimes been ascribed to him. See p. 1093, i. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)