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Angels from the Realms of Glory
Author: James Montgomery Meter: 8.7.8.7.8.7 Appears in 768 hymnals Refrain First Line: Come and worship, come and worship Lyrics: 1 Angels from the realms of glory, ... Topics: Christ's Gracious Life Birth and Baptism; Christian Year Christmas; Christian Year Epiphany; Christ's Gracious Life Birth and Baptism; Christian Year Christmas; Christian Year Epiphany; Jesus Christ; Opening Hymns; Responses, Antiphonal Scripture: Malachi 3:1 Used With Tune: REGENT SQUARE
Angels from the Realms of Glory
There are angels hovering round
Appears in 200 hymnals Used With Tune: THERE ARE ANGELS HOVERING ROUND!
There are angels hovering round
Angels We Have Heard on High
Meter: 7.7.7.7 with refain Appears in 250 hymnals Refrain First Line: Gloria Lyrics: 1 Angels we have heard on high ... see Christ whose birth the angels sing; come, adore on bended ... laid, whom the choirs of angels praise; Mary, Joseph, lend your ... Topics: Christ's Gracious Life Birth and Baptism; Christian Year Christmas; Christian Year Epiphany; Christ's Gracious Life Birth and Baptism; Christian Year Christmas; Christian Year Epiphany; Glory; Jesus Christ; Responses, Antiphonal Scripture: Luke 2:6-20 Used With Tune: GLORIA Text Sources: Traditional French carol; trans. Crown of Jesus,1852, alt.
Angels We Have Heard on High
MENDELSSOHN
Meter: 7.7.7.7 D Appears in 646 hymnals Composer and/or Arranger: Felix Mendelssohn-Bartholdy; William H. Cummings Tune Key: F Major or modal Incipit: 51171 33255 54323 Used With Text: Hark! the Herald Angels Sing
MENDELSSOHN
BRYN CALFARIA
Meter: 8.7.8.7.4.7 Appears in 114 hymnals Composer and/or Arranger: William Owen Tune Key: g minor Incipit: 55123 33234 54322 Used With Text: Lord, Enthroned in Heavenly Splendor
BRYN CALFARIA
Felix Mendelssohn-Bartholdy
1809 - 1847 Person Name: Mendelssohn Composer of "MENDELSSOHN" in Psalter Hymnal (Gray) Felix Mendelssohn-Bartholdy (b. Hamburg, Germany, 1809; d. Leipzig, Germany, 1847) was the son of banker Abraham Mendelssohn and the grandson of philosopher Moses Mendelssohn. His Jewish family became Christian and took the Bartholdy name (name of the estate of Mendelssohn's uncle) when baptized into the Lutheran church. The children all received an excellent musical education. Mendelssohn had his first public performance at the age of nine and by the age of sixteen had written several symphonies. Profoundly influenced by J. S. Bach's music, he conducted a performance of the St. Matthew Passion in 1829 (at age 20!) – the first performance since Bach's death, thus reintroducing Bach to the world. Mendelssohn organized the Domchor in Berlin and founded the Leipzig Conservatory of Music in 1843. Traveling widely, he not only became familiar with various styles of music but also became well known himself in countries other than Germany, especially in England. He left a rich treasury of music: organ and piano works, overtures and incidental music, oratorios (including St. Paul or Elijah and choral works, and symphonies. He harmonized a number of hymn tunes himself, but hymnbook editors also arranged some of his other tunes into hymn tunes.
Bert Polman
Felix Mendelssohn-Bartholdy
Arthur Sullivan
1842 - 1900 Composer of "ANGEL VOICES" in The Hymnal Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army bandmaster and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he composed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas.
Bert Polman
Arthur Sullivan
Edmond Budry
1854 - 1932 Person Name: Edmond L. Budry, 1854-1932 Translator (French) of "Hark! the herald angels sing" in The Book of Praise
Edmond Budry
Joy Among the Angels
Author: D. O. T. Hymnal: Timeless Truths #617 Meter: 10.5.10.5.6.5.8.10 First Line: There is joy, glad joy among the angels Lyrics: ... joy, glad joy among the angels, Joy in heav’n above ... love. Refrain: Joy among the angels, Joy in heav’n above ... joy, more joy among the angels, When the lost is found ... Scripture: Luke 15:10 Tune Title: [There is joy, glad joy among the angels]
Joy Among the Angels
Ángele Cantando Están
Author: George P. Simmonds Hymnal: The Cyber Hymnal #13615 First Line: Ángeles cantando están Refrain First Line: Gloria a Dios en lo alto Lyrics: 1 Ángeles cantando están Tan dulcísima canción; ... Languages: Spanish Tune Title: [Ángeles cantando están]
Ángele Cantando Están
Angel of Easter
Author: Lizzie DeArmond Hymnal: The Voice of Praise #218 (1904) First Line: Angel of Easter, speed down thro' the night Refrain First Line: Come, bright Easter angel Lyrics: 1 Angel of Easter, speed down thro' ... illume. Chorus: Come, bright Easter angel, on wings of love; Tell ... glad Easter time. [Chorus] 3 Angel of Easter, so strong and ... Tune Title: [Angel of Easter, speed down thro' the night]
Angel of Easter
Christian Classics Ethereal Hymnary
Publication Date: 2007 Publisher: Grand Rapids, MI: Christian Classics Ethereal Library
Christian Classics Ethereal Hymnary
Small Church Music
Editors: Francis Pott Description:
The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling
to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid
1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of
this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset
of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano
with organ versions. All recordings are in MP3 format.
Churches all around the world use the recordings, with downloads averaging over 60,000 per
month.
The recordings normally have an introduction, several verses and a slowdown on the last verse.
Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) (see http://scm-audacity.weebly.com for more information) to adjust the MP3 number of verses, tempo
and pitch to suit their local needs.
Copyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org.
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Small Church Music
The Book of Common Praise
Publication Date: 1939 Publisher: Oxford University Press Publication Place: Toronto
The Book of Common Praise
