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Charles Wesley

1707 - 1788 Person Name: Charles Wesley, 1707-1788 Hymnal Number: d1 Author of "A charge to keep I have, A God to glorify" in Banner Hymns (1st ed) Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists." In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley. As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream. It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works. The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century. -- Excerpts from John Julian, Dictionary of Hymnology (1907) ================== Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872.

Horatius Bonar

1808 - 1889 Hymnal Number: d34 Author of "Fade, fade, each [all] earthly joy" in Banner Hymns (1st ed) Horatius Bonar was born at Edinburgh, in 1808. His education was obtained at the High School, and the University of his native city. He was ordained to the ministry, in 1837, and since then has been pastor at Kelso. In 1843, he joined the Free Church of Scotland. His reputation as a religious writer was first gained on the publication of the "Kelso Tracts," of which he was the author. He has also written many other prose works, some of which have had a very large circulation. Nor is he less favorably known as a religious poet and hymn-writer. The three series of "Hymns of Faith and Hope," have passed through several editions. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872 ================================ Bonar, Horatius, D.D. Dr. Bonar's family has had representatives among the clergy of the Church of Scotland during two centuries and more. His father, James Bonar, second Solicitor of Excise in Edinburgh, was a man of intellectual power, varied learning, and deop piety. Horatius Bonar was born in Edinburgh, Dec. 19th, 1808; and educated at the High School and the University of Edinburgh. After completing his studies, he was "licensed" to preach, and became assistant to the Rev. John Lewis, minister of St. James's, Leith. He was ordained minister of the North Parish, Kelso, on the 30th November, 1837, but left the Established Church at the "Disruption," in May, 1848, remaining in Kelso as a minister of the Free Church of Scotland. The University of Aberdeen conferred on him the doctorate of divinity in 1853. In 1866 he was translated to the Chalmers Memorial Church, the Grange, Edinburgh; and in 1883 he was chosen Moderator of the General Assembly of of the Free Church of Scotland. Dr. Bonar's hymns and poems were, he tells us, composed amid a great variety of circumstances; in many cases he cannot himself recall these circumstances; they also appeared in several publications, but nearly all have boen published or republished in the following:— (i) Songs for the Wilderness, 1843-4. (2) The Bible Hymn Book, 1845. (3) Hymns, Original and Selected, 1846. (4) Hymns of Faith and Hope, First Series, 1857; Second Series, 1861; Third Series, 1866. (5) The Song of the New Creation, 1872. (6) My Old Letters, a long poem, 1877. (7) Hymns of the Nativity, 1879. (8) Communion Hymns, 1881. In addition to numerous prose works, he has also edited The New Jerusalem; a Hymn of the Olden Time, 1852, &c. Dr. Bonar's poems—-including many beautiful lyrics, several psalm versions, and translations from the Greek and Latin, a large number of hymns, and a long meditative poem—-are very numerous, too numerous, perhaps, for their permanent fame as a whole. Dr. Bonar's scholarship is thorough and extensive; and his poems display the grace of style and wealth of allusion which are the fruit of ripe culture. Affected very slightly by current literary moods, still less by the influence of other religious poetry, they reveal extreme susceptibility to the emotional power which the phases of natural and of spiritual life exercise; the phases of natural life being recognised chiefly as conveying and fashioning spiritual life, used chiefly for depicting spiritual life, and handled for this purpose with greater delicacy of touch than in the Olney Hymns, and with less conscious purpose than in the Christian Year. As a result of this susceptibility, and from habitual contemplation of the Second Advent as the era of this world's true bliss, his hymns and poems are distinguished by a tone of pensive reflection, which some might call pessimism. But they are more than the record of emotion; another element is supplied by his intellectual and personal grasp of Divine truth, these truths particularly:—The gift of a Substitute, our Blessed Saviour; Divine grace, righteous, yet free and universal in offer; the duty of immediate reliance upon the privilege of immediate assurance through that grace; communion with God, especially in the Lord's Supper, respecting which he insists on the privilege of cherishing the highest conceptions which Scripture warrants; and finally, the Second Advent of our Lord: by his vigorous celebration of these and other truths as the source and strength of spiritual life, his hymns are protected from the blight of unhealthy, sentimental introspection. To sum up: Dr. Bonar's hymns satisfy the fastidious by their instinctive good taste; they mirror the life of Christ in the soul, partially, perhaps, but with vivid accuracy; they win the heart by their tone of tender sympathy; they sing the truth of God in ringing notes; and although, when taken as a whole, they are not perfect ; although, in reading them, we meet with feeble stanzas, halting rhythm, defective rhyme, meaningless Iteration; yet a singularly large number have been stamped with approval, both in literary circles and by the Church. In Great Britain and America nearly 100 of Dr. Bonar's hymns are in common use. They are found in almost all modern hymnals from four in Hymns Ancient & Modern to more than twenty in the American Songs for the Sanctuary, N. Y., 1865-72. The most widely known are, "A few more years shall roll;" "Come, Lord, and tarry not;" "Here, O my Lord, I see Thee face to face;" "I heard the Voice of Jesus say;" "The Church has waited long;" and "Thy way, not mine, O Lord." In addition to these and others which are annotated under their respective first lines, the following are also in common use:— From Songs for the Wilderness, No. 1, 1843. 1. For Thee we long and pray. Sunday Morning. 2. Holy Father, hear my cry. A Child's Prayer. 3. I thought upon my sins and I was sad. Christ our Peace. 4. Peace to the world, our Lord is come. A Millennial Song. 5. Spirit of everlasting grace. The Vision of Dry Bones. ii. From Songs for the Wilderness, No. 2,1844. 6. Ho, ye thirsty, parched and fainting. Invitation. 7. 0 'tis not what we fancied it. The world renounced. 8. Sing them, my children, sing them still. Children exhorted to Praise. 9. Time's sun is fast setting. Advent. 10. Weep, pilgrim, weep, yet 'tis not for the sorrow. Faith. 11. Yes, for me, for me He careth. Christ the Elder Brother . iii. From The Bible Hymn Book, 1845. 12. Jesus, my sorrow lies too deep. Jesus, the Great High Priest. 13. There is a Morning Star, my soul. The Morning Star. 14. This is not my place of resting. Pressing towards heaven. iv. From Hymns, Original and Selected, 1845. 15. Let there be light, Jehovah said. Creation. v. From Hymns of Faith and Hope, 1st series, 1857. 16. Be brave, my brother. The Fight of Faith. 17. Blessed be God, our God. Good Friday. 18. Everlasting praises. Doxology. 19. Go up, go up, my heart. Heavenly aspirations desired. 20. I close my heavy eye. Evening. Sometimes given as "We close our heavy eyes." 21. I see the crowd in Pilate's hall. Good Friday. 22. Jesus, while this rongh desert soil. Strength by the Way. 23. Jesus, Whom angel-hosts adore. The Word made Flesh. From "The Son of God, in mighty love." 24. Make haste, 0 man, to live. Exhortation to lay hold of Life. 25. No seas again shall sever. Heaven. 26. Oppressed with noonday's scorching heat. Shadow of the Cross. 27. Rest for the toiling hand. Burial. From "Lie down, frail body, here." 28. Shall this life of mine be wasted? Exhortation to Duty. 29. These are the crowns that we shall wear. Heaven. 30. Thy works, not mine, O Christ [Lord]. The Sin-bearer. 31. Where the faded flower shall freshen. Heaven. vi. From Hymns of Faith and Hope. 2nd series, 1861. 32. Be still, my soul, Jehovah loveth Thee. Rest in the Love of God. 33. Christ has done the mighty work. Good Friday. 34. Come, mighty Spirit, penetrate. Whitsuntide. 35. Deep down beneath the unresting surge. Burial at Sea. 36. Fear not the foe, thou flock of God [thou little flock]. Battle-Song of the Church. 37. For lack of love I languish. Lent. 38. From this bleak hill of storms. Eternal Rest desired. 39. He liveth long who liveth well. The True Life. 40. Here shall death's triumph end: the rock-barred door. Easter. From "The tomb is empty: wouldst thou have it full." 41. Jesus, Sun and Shield art Thou. Jesus the First and Last. 42. Jesus, the Christ of God. Praise to Christ. 43. Light of the world, for ever, ever shining. Christ the Light of the World. From "Why walk in darkness? Has the dear light vanished?" 44. Make use of me, my God. Duty desired. 45. Not what I am, 0 Lord, but what Thou art. The Love of God. 46. 0 Light of Light, shine in. Cry of the Weary. 47. 0 love of God, how strong and true. Love of God. 48. 0 love that casts out fear. Love of God. 49. 0 strong to save and bless. Lent. 50. 0 this soul, how dark and blind. Lent. 51. Safe across the waters. Thanksgiving at end of a journey. 52. Silent, like men in solemn haste. Pressing onwards. 53. Speak, lips of mine. Exhortation to Praise. 54. The Bridegroom comes. Advent. vii. From Hymns of Faith and Hope. 3rd series, 1866. 55. Bear Thou my burden, Thou Who bar'st my sin. Lent or Passiontide. 56. Done is the work that saves. Easter. 57. Father, our children keep. Prayer on behalf of Children. 58. Fill Thou my life, 0 Lord my God. Life's Praise. 59. Finish Thy work, the time is short. Earnest labour to the end. 60. From the Cross the blood is falling. Good Friday. 61. He called them, and they left. Obedience. 62. Help me, my [0] God to speak. Truth desired. 63. Holy Father, Mighty God. Holy Trinity. 64. How are my troubles multiplied. Ps. iii. 65. How sweetly doth He show His face Flower Service. 66. Light hath arisen, we walk in its brightness. Sustaining power of Faith. 67. Lo, God, our God has come. Christmas. 68. Lord, give me light to do Thy work. Divine guidance desired. 69. No, not despairingly. Lent. 70. Not to ourselves again. Life in Christ, or, Living unto God. 71. Now in parting, Father, bless us. Post Communion. 72. Sounds the trumpet from afar. Battle-Song of the Church. 73. Thee in the loving bloom of morn. God in all. 74. Through good report and evil, Lord. Faithfulness. 75. To Jehovah, God of might. Praise to the Father. 76. To the name of God on high. Doxology. 77. Upward, where the stars are burning. Heavenward Aspirations. 78. We take the peace which He hath won. The Gift of Peace. 79. When the weary, seeking rest. Intercession for all Conditions of Men. viii. From The Song of the New Creation,1872. 80. For the Bread and for the Wine. Holy Communion. 81. Light of life so softly shining. Light of Life. 82. Yet there is room. The Lamb's bright hall of song. Home Missions. ix. From Hymns of the Nativity, 1879. 83. Great Ruler of the land and sea. Sailors' Liturgy. From Communion Hymns, 1881. 84. Beloved, let us love. Brotherly Love. In several instances these hymns are given in an abbreviated form, and sometimes alterations are also introduced. In this latter respect however Dr. Bonar has suffered less than most modern hymn-writers. [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology (1907) ==================== Bonar, Horatius, p. 161, i. He died at Edinburgh, July 31, 1889. In 1890 his son published a posthumous volume of his poetical pieces as Until the Day Break and other Hymns and Poems left behind. The following additional hymns are in common use:— 1. Almighty Comforter and Friend. (1866.) Whitsuntide. 2. Father, make use of me. An altered form of No. 44, p. 162, ii. 3. I ask a perfect creed. (1861.) Creed not Opinions. From this is also taken "O True One, give me truth." 4. Long, long deferred, now come at last. Marriage of the Lamb. Part of "Ascend, Beloved, to the joy." (1861.) 5. Nay 'tis not what we fancied it. (1857.) Vanity of the World. 6. No blood, no altar now. (1861.) The Finished Sacrifice. 7. No shadows yonder. (1857.) Heaven Anticipated. 8. Not with the light and vain. (1857.) Godly Companionship. 9. O Love invisible, yet infinite. (1866.) Divine Love. 10. On the great love of God I lean. (1866.) Love of God our Resting-place. 11. On Thee, O Jesus, strongly leaning. (1866.) Fellowship with Christ. 12. Peace upon peace, like wave on wave. (1866.) Divine Peace. 13. Sower divine, sow the good seed in me. (1857.) Heavenly Sowing. 14. Speaketh the sinner's sin within my heart. (1866.) Ps. xxxvi. 15. Still one in life and one in death. (1857.) Communion of Saints. Part of "'Tis thus they press the hand and part." 16. Surely, yon heaven, where angels see God's face. (1857.) Heaven Anticipated. 17. That city with the jewelled crest. (1857.) Heaven. Part of "These are the crowns that we shall wear." Another cento from the same is "Yon city, with the jewelled crest." 18. That clime is not like this dull clime of ours. (1843.) Heaven. 19. The Free One makes you free: He breaks the rod. (1857.) Freedom in Christ. From "Of old they sang the song of liberty." 20. There is a Morning-star, my soul. (1357.) Christ the Morning Star. 21. This is the day of toil. (1866.) Pressing Onwards. 22. Thy thoughts are here, my God. (1866.) Holy Scripture. 23. Till the day dawn. (1857.) Life's Journey. 24. To Him Who spread the skies. (1866.) Creation's Song. 25. Trustingly, trustingly. (1866.) Trust. 26. Unto th' eternal hills. (1866.) Ps. cxxi. The above dates are: 1843, Songs in the Wilderness; 1857, Hymns of Faith and Hope, 1st Series; 1861, same, 2nd Ser. (not 1864); 1866, same, 3rd Ser. (not 1867), The dates 1857, 1864,1867, were given by Dr. Bonar, but the British Museum copies are 1857, 1861, 1866 respectively. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ============== Bonar, H., pp. 161, i.; 1554, i. The Rev. H. N. Bonar, Dr. Bonar's son, published in 1904, Hymns by Horatius Bonar, Selected and Arranged by his Son H. N. Bonar, With a brief History of some of the Hymns, &c. (London: H. Frowde). From this work we must correct the date of his Song of the New Creation to 1872. We have also enriched our pages by additional and expanded notes on several of Dr. Bonar's most widely used hymns. In his biographical notes, Mr. Bonar refers to Dr. Bonar's work as editor of the Quarterly Journal of Prophecy, begun in 1848, to which he contributed a hymn for each number. We find that the number of hymns contributed thereto is 101. With Dr. Bonar's poetical productions great difficulty has been encountered by the historian and annotator because of his absolute indifference to dates and details. It was enough for him that he had written, and that the Church of Christ approved and gladly used what, out of the fulness of his heart, he had given her. --Excerpt from John Julian, Dictionary of Hymnology, New Supplement (1907)

Frederick William Faber

1814 - 1863 Person Name: Frederick W. Faber Hymnal Number: d154 Author of "There's a wideness in God's mercy" in Banner Hymns (1st ed) Raised in the Church of England, Frederick W. Faber (b. Calverly, Yorkshire, England, 1814; d. Kensington, London, England, 1863) came from a Huguenot and strict Calvinistic family background. He was educated at Balliol College, Oxford, and ordained in the Church of England in 1839. Influenced by the teaching of John Henry Newman, Faber followed Newman into the Roman Catholic Church in 1845 and served under Newman's supervision in the Oratory of St. Philip Neri. Because he believed that Roman Catholics should sing hymns like those written by John Newton, Charles Wesley, and William Cowpe, Faber wrote 150 hymns himself. One of his best known, "Faith of Our Fathers," originally had these words in its third stanza: "Faith of Our Fathers! Mary's prayers/Shall win our country back to thee." He published his hymns in various volumes and finally collected all of them in Hymns (1862). Bert Polman ================= Faber, Frederick William, D.D., son of Mr. T. H. Faber, was born at Calverley Vicarage, Yorkshire, June 28, 1814, and educated at Balliol College, Oxford, graduating B.A. in 1836. He was for some time a Fellow of University College, in the same University. Taking Holy Orders in 1837, he became Rector of Elton, Huntingdonshire, in 1843, but in 1846 he seceded to the Church of Rome. After residing for some time at St. Wilfrid's, Staffordshire, he went to London in 1849, and established the London "Oratorians," or, "Priests of the Congregation of St. Philip Neri," in King William Street, Strand. In 1854 the Oratory was removed to Brompton. Dr. Faber died Sept. 26, 1863. Before his secession he published several prose works, some of which were in defence of the Church of England; and afterwards several followed as Spiritual Conferences, All for Jesus, &c. Although he published his Cherwell Waterlily and Other Poems, 1840; The Styrian Lake, and Other Poems, 1842; Sir Lancelot, 1844; and The Rosary and Other Poems, 1845; and his Lives of the Saints, in verse, before he joined the Church of Rome, all his hymns were published after he joined that communion. They were included in his:— (1) A small book of eleven Hymns1849, for the School at St. Wilfrid's, Staffordshire. (2) Jesus and Mary: or, Catholic Hymns for Singing and Reading, London 1849. In 1852 the 2nd edition was published with an addition of 20 new hymns. (3) Oratory Hymns, 1854; and (4) Hymns, 1862, being a collected edition of what he had written and published from time to time. Dr. Faber's account of the origin of his hymn-writing is given in his Preface to Jesus & Mary. After dwelling on the influence, respectively, of St. Theresa, of St. Ignatius, and of St. Philip Neri, on Catholicism; and of the last that "sanctity in the world, perfection at home, high attainments in common earthly callings…was the principal end of his apostolate," he says:— “It was natural then that an English son of St. Philip should feel the want of a collection of English Catholic hymns fitted for singing. The few in the Garden of the Soul were all that were at hand, and of course they were not numerous enough to furnish the requisite variety. As to translations they do not express Saxon thought and feelings, and consequently the poor do not seem to take to them. The domestic wants of the Oratory, too, keep alive the feeling that something of the sort was needed: though at the same time the author's ignorance of music appeared in some measure to disqualify him for the work of supplying the defect. Eleven, however, of the hymns were written, most of them, for particular tunes and on particular occasions, and became very popular with a country congregation. They were afterwards printed for the Schools at St. Wilfrid's, and the very numerous applications to the printer for them seemed to show that, in spite of very glaring literary defects, such as careless grammar and slipshod metre, people were anxious to have Catholic hymns of any sort. The manuscript of the present volume was submitted to a musical friend, who replied that certain verses of all or nearly all of the hymns would do for singing; and this encouragement has led to the publication of the volume." In the same Preface he clearly points to the Olney Hymns and those of the Wesleys as being the models which for simplicity and intense fervour he would endeavour to emulate. From the small book of eleven hymns printed for the schools at St. Wilfrid's, his hymn-writing resulted in a total of 150 pieces, all of which are in his Hymns, 1862, and many of them in various Roman Catholic collections for missions and schools. Few hymns are more popular than his "My God, how wonderful Thou art," "O come and mourn with me awhile," and "Sweet Saviour, bless us ere we go." They excel in directness, simplicity, and pathos. "Hark, hark, my soul, angelic songs are swelling," and "O Paradise, O Paradise," are also widely known. These possess, however, an element of unreality which is against their permanent popularity. Many of Faber's hymns are annotated under their respective first lines; the rest in common use include:— i. From his Jesus and Mary, 1849 and 1852. 1. Fountain of love, Thyself true God. The Holy Ghost. 2. How shalt thou bear the Cross, that now. The Eternal Years. 3. I come to Thee, once more, O God. Returning to God. 4. Joy, joy, the Mother comes. The Purification. 5. My soul, what hast thou done for God? Self-Examination 6. O how the thought of God attract. Holiness Desired. 7. O soul of Jesus, sick to death. Passiontide. Sometimes this is divided into two parts, Pt. ii. beginning, “My God, my God, and can it be." ii. From his Oratory Hymns, 1854. 8. Christians, to the war! Gather from afar. The Christian Warfare. 9. O come to the merciful Saviour that calls you. Divine Invitation. In many collections. 10. O God, Thy power is wonderful. Power and Eternity of God. 11. O it is sweet to think, Of those that are departed. Memory of the Dead. 12. O what are the wages of sin? The Wages of Sin. 13. O what is this splendour that beams on me now? Heaven. 14. Saint of the Sacred Heart. St. John the Evangelist. iii. From his Hymns, 1862. 15. Father, the sweetest, dearest Name. The Eternal Father. 16. Full of glory, full of wonders, Majesty Divine. Holy Trinity. 17. Hark ! the sound of the fight. Processions. 18. How pleasant are thy paths, 0 death. Death Contemplated. 19. O God, Whose thoughts are brightest light. Thinking no Evil. 20. O why art thou sorrowful, servant of God? Trust in God. 21. Souls of men, why will ye scatter? The Divine Call. 22. The land beyond the sea. Heaven Contemplated. 23. The thought of God, the thought of thee. Thoughts of God. 24. We come to Thee, sweet Saviour. Jesus, our Rest. In addition to these there are also several hymns in common use in Roman Catholic hymn-books which are confined to those collections. In the Hymns for the Year, by Dr. Rawes, Nos. 77, 110, 112, 117, 120, 121, 122, 125, 127, 128, 131, 140, 152, 154,169, 170, 174, 179, 180, 192, 222, 226, 230, 271, 272, are also by Faber, and relate principally to the Blessed Virgin Mary. Several of these are repeated in other Roman Catholic collections. --John Julian, Dictionary of Hymnology (1907 ================== Faber, Frederick William, p. 361, i. To this article the following additions have to be made:— 1. Blood is the price of heaven. Good Friday. (1862.) 2. Exceeding sorrowful to death. Gethsemane. This in the Scottish Ibrox Hymnal, 1871, is a cento from "O soul of Jesus, sick to death," p. 362, i., 7. 3. From pain to pain, from woe to woe. Good Friday. (1854.) 4. I wish to have no wishes left. Wishes about death. (1862.) 5. Why is thy face so lit with smiles? Ascension. (1849.) The dates here given are those of Faber's works in which the hymns appeared. In addition to these hymns there are also the following in common use:— 6. Dear God of orphans, hear our prayer. On behalf of Orphans. This appeared in a miscellaneous collection entitled A May Garland, John Philip, n.d. [1863], No. 1, in 7 stanzas of 4 lines. In the Roman Catholic Parochial Hymn Book, 1880, it begins, "O God of orphans, hear our prayer." 7. Sleep, sleep my beautiful babe. Christmas Carol. This carol we have failed to trace. 8. By the Archangel's word of love. Pt. i. Life of our Lord. This, and Pt. ii., “By the blood that flowed from Thee"; Pt. iii., "By the first bright Easter day"; also, "By the word to Mary given"; "By the name which Thou didst take"; in The Crown Hymn Book and other Roman Catholic collections, we have seen ascribed to Dr. Faber, but in the Rev. H. Formby's Catholic Hymns, 1853, they are all signed "C. M. C," i.e. Cecilia M. Caddell (p. 200, i.). --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ====================== Faber, F. W., pp. 361, i.; 1562, ii. We are informed by members of Dr. Faber's family that his father was Mr. Thomas Henry Faber, sometime Lay Secretary of the Bishop of Durham. In addition to his hymns already noted in this Dictionary, the following are found in various Roman Catholic collections, viz.:— i. From St. Wilfrid's Hymns, 1849:— 1. Dear Father Philip, holy Sire. S. Philip Neri. 2. Hail, holy Joseph, hail. S. Joseph. 3. Mother of Mercy, day by day. Blessed Virgin Mary. ii. Jesus and Mary, 1849:— 4. Ah ! dearest Lord! I cannot pray. Prayer. 5. Dear Husband of Mary. S. Joseph. 6. Dear Little One, how sweet Thou art. Christmas. 7. Father and God! my endless doom. Predestination. 8. Hail, holy Wilfrid, hail. S. Wilfrid. 9. O Jesus, if in days gone by. Love of the World. 10. O turn to Jesus, Mother, turn. B. V. M. 11. Sing, sing, ye angel bands. Assum. B. V. M. iii. Jesus and Mary, 1852:— 12. All ye who love the ways of sin. S. Philip Neri. 13. Day set on Rome! its golden morn. S. Philip Neri. 14. Hail, bright Archangel! Prince of heaven. S. Michael. 15. Hail, Gabriel, hail. S. Gabriel. 16. O Flower of Grace, divinest Flower. B. V. M. 17. Saint Philip! 1 have never known. S. Philip Neri. 18. Sweet Saint Philip, thou hast won us. S. Philip Neri. Previously in the Rambler, May, 1850, p. 425. iv. Oratory Hymns, 1854:— 19. Day breaks on temple roofs and towers. Expect. of B. V. M. 20. How gently flow the silent years. S. Martin and S. Philip. 21. How the light of Heaven is stealing. Grace. 22. Like the dawning of the morning. Expect. of B. V. M. 23. Mother Mary ! at thine altar. For Orphans. 24. My God! Who art nothing but mercy and kindness. Repentance. 25. O blessed Father! sent by God. S. Vincent of Paul. 26. O do you hear that voice from heaven? Forgiveness. 27. The chains that have bound me. Absolution. 28. The day, the happy day, is dawning. B. V. M. 29. The moon is in the heavens above. B. V. M. 30. Why art thou sorrowful, servant of God? Mercy. v. Hymns, 1862:— 31. At last Thou art come, little Saviour. Christmas. 32. By the spring of God's compassions. S. Raphael. 33. Fair are the portals of the day. B. V. M. 34. Father of many children. S. Benedict. 35. From the highest heights of glory. S. Mary Magdalene. 36. Like the voiceless starlight falling. B. V. M. 37. Mary! dearest mother. B. V. M. 38. Mother of God, we hail thy heart. B. V. M. 39. O Anne! thou hadst lived through those long dreary years. S. Anne. Previously in Holy Family Hymns, 1860. 40. O balmy and bright as moonlit night. B. V. M. 41. O Blessed Trinity! Thy children. Holy Trinity. 42. O dear Saint Martha, busy saint. S. Martha 43. O Mother, will it always be. B. V. M. 44. O vision bright. B. V. M. 45. Summer suns for ever shining. B. V. M. 46. There are many saints above. S. Joseph. Previously in Holy Family Hymns, 1860. vi. Centos and altered forms:— 47. Confraternity men to the fight. From "Hark the sound of the fight," p. 362, i. 48. Hail, sainted Mungo, hail. From No. 8. 49. I bow to Thee, sweet will of God. From "I worship Thee," p. 559, ii. 50. They whom we loved on earth. From "0 it is sweet to think," p. 362, i. 51. Vincent! like Mother Mary, thou. From No. 25. When Dr. Faber's hymns which are in common use are enumerated, the total falls little short of one hundred. In this respect he outnumbers most of his contemporaries. [Rev. James Mearns] --John Julian, Dictionary of Hymnology, New Supplement (1907) -------------- See also in: Hymn Writers of the Church

Lewis E. Jones

1865 - 1936 Hymnal Number: d179 Author of "There is power in the blood" in Banner Hymns (1st ed) Pseudonyms: Mary Slater ================ Lewis Edgar Jones USA 1865-1936. Born in Yates City, IL, his family moved near Davenport, IA, where he lived on a farm until age 21. He went into business for awhile, and attended the Moody Bible Institute in Chicago. He was a classmate of evangelist, Billy Sunday. After graduating, he worked for the YMCA in Davenport, IA; Fort Worth, TX (1915, as general secretary); and Santa Barbara, CA (1925 as general secretary). Hymn writing was his avocation, and he wrote 200+, advising that many came from pastors’ sermons. He married Lora May Wright (1872-1950), and they had a daughter, Frances Ellen (1897-1982). He died in Santa Barbara, CA. John Perry

Mary D. James

1810 - 1883 Hymnal Number: d4 Author of "All for Jesus, all for Jesus, All my being's ransomed powers" in Banner Hymns (1st ed) Mary Dagworthy Yard James USA 1810-1883. Born at Trenton, NJ, she began teaching Sunday school at age 13 in the Methodist Episcopal Church. She married Henry B James, and they had four children: Joseph, Mary, Ann, and Charles.. She became a prominent figure in the Wesleyan Holiness movement of the early 1800s, assisting Phoebe Palmer (also a hymnist) and often leading meetings at Ocean Grove, NJ, and elsewhere. She wrote articles that appeared in the “Guide to holiness”, “The New York Christian advocate”, “The contributor”, “The Christian witness:, “The Christian woman”, “The Christian standard”, and the “Ocean Grove record”. She wrote a biography of Edmund J Yard entitled, “The soul winner” (1883). She strived to live a life as close to Christ as possible. She died in New York City. John Perry

George Askins

? - 1816 Person Name: George Atkin Hymnal Number: d20 Author of "Joining in worship" in Banner Hymns (1st ed) George Askins was born in Ireland. He immigrated to the United States as an adult. He was a Methodist and became an itinerant preacher for the Baltimore Conference in 1801. He was appointed to other circuits as well, mostly in Maryland, Virginia, and Kentucky. He died in Frederick, Maryland 28 February 1816. Dianne Shapiro from The Makers of the Sacred Harp by David Warren Steel with Richard H. Hulan, University of Illinois Press, 2010

James C. Moore

1888 - 1962 Hymnal Number: d118 Author of "The wandering boy" in Banner Hymns (1st ed)

Phoebe Palmer

1807 - 1874 Hymnal Number: d18 Author of "Blessed Bible, how I love it" in Banner Hymns (1st ed) Palmer, Phoebe, an American Methodist, b. 1807, and d. in 1874, wrote "Blessed Bible! how I love thee" (Holy Scriptures), and “O! when shall I sweep through the gates" (Heaven Anticipated). The latter is in I. D. Sankey's Sacred Songs and Solos, 1878. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

St. Stephen of Mar Sabas

725 - 794 Person Name: Stephen of St. Sabas Hymnal Number: d11 Author of "Art thou weary, art thou languid" in Banner Hymns (1st ed)

S. L. Findlater

1823 - 1907 Person Name: Sarah B. Findlater Hymnal Number: d38 Author of "God is calling" in Banner Hymns (1st ed) Sarah Laurie Borthwick Findlater United Kingdom 1823-1907. Born in Edinburgh, Scotland, sister of Jane Laurie Borthwick, she married Erick John Findlater, a pastor in the Free Church of Scotland at Lochearnhead, Perthshire, and they had three daughters: Sarah Jemima, Mary Williamina, and Jane Helen. Findlater and her sister Jane's translations were collected in “German hymns from the land of Luther”, appearing in four volumes (1854-1862). As an author, Sarah wrote fiction, juvenile works, music scores, anthems, and musical parts. She died at Torquay, Devon, England. John Perry

Henry J. Zelley

1859 - 1942 Hymnal Number: d96 Author of "LIke a mighty sea" in Banner Hymns (1st ed) Henry Jeffreys Zelley was born at Mt. Holly, NJ, on Mar. 15, 1859. Educated in the Mt. Holly public schools, at Pennington Seminary, and at Taylor University, where he earned his M. A., Ph. D., and D. D. degrees, he became a Methodist minister in 1882 and first served in the New Jersey Conference as a statistical secretary, treasurer, and trustee, becoming a promoter of the campmeeting movement. Noted for his evangelistic fervor, Zelley produced over 1500 poems, hymns, and gospel songs. One of his songs, "He Brought Me Out" with music by Henry L. Gilmour, appears in several denominational hymnals. Cyberhymnal also lists "When Israel Out of Bondage Came" or "He Rolled the Sea Away" with music by Gilmour too. Another of Zelley’s songs, "The Mountains of Faith" with music by M. L. McPhail, is found in Sacred Selections. After working with nineteen different churches in the New Jersey Conference over his lifetime, Zelley, who also served as a trustee of Pennington Seminary, retired in 1929 and died at Trenton, NJ, on Mar. 16, 1942. --http://homeschoolblogger.com/hymnstudies

Louisa M. R. Stead

1850 - 1917 Person Name: Louise Rouse Hymnal Number: d122 Author of "Full salvation" in Banner Hymns (1st ed)

D. S. Warner

1842 - 1895 Person Name: Daniel S. Warner Hymnal Number: d129 Author of "There is music in my soul" in Banner Hymns (1st ed) Warner, Daniel Sidney. (near Marshallville, Wayne County, Ohio, 1842--1895). Church of God. Reared on an Ohio farm. During the Civil War, he substituted for a brother. Later he taught school. He attended Oberlin College briefly in 1865. By 1867 he was licensed to preach by the Western Ohio Eldership of the Church of God (Winebrennerian). His experience in preaching was gained on circuits in Nebraska and Ohio. In 1874 he was in trouble with the Eldership for preaching entire sanctification. Soon he joined the Indiana Eldership. In 1881 he was in trouble with this Eldership over sectism. Warner was an associate editor of the Herals of Gospel Freedom in 1878. this paper was merged with the Pilgrim about 1881, and the new paper was called the Gospel Trumpet, with Warner as its editor. Warner was forced to move the paper about, seeing for firm financial foundations. The publishing work was at last established in Grand Junction, Michigan, enabling Warner to travel more extensively with a group of evangelists. Warner's time was spent in editing the Trumpet, writing books, tracts, and songs, and making evangelistic tours of the United States. --John W.V. Smith, DNAH Archives =================================== Daniel Sidney Warner, 1842-1895 Born: June 25, 1842, Bristol (now Marshallville), Ohio. Died: December 12, 1895, Grand Junction, Michigan, of pneumonia. Buried: Near Grand Junction, Michigan, at the edge of the Church of God campground that was once there. As of 1880, Warner was living in Rome City, Indiana. His works include: Echoes From Glory, with Barney Warren (Grand Junction, Michigan: The Gospel Trumpet Publishing Company, 1893) Lyrics-- Ah Poor Alien Far from the Fold of Love Ah Poor Sinner, Think of Calvary All This World, Its Wealth and Honor All Ye People, Come Down to the Judgment Begun Along a Dark and Gloomy Path Are You of the Holy Remnant Are You Ready, Waiting for the Lord? Are You Sowing Seeds of Kindness? Asleep in Jesus, Oh, How Sweet A Gentle Hand Unseen by Us A Long Time I Wandered Away Beautiful, Peaceful Zion Behold a Form upon the Lonely Mount Behold, What Love, What Boundless Love Bond of Perfectness, The Borne Away in Mind and Spirit Brighter Days Are Sweetly Dawning By Thy Blessed Word Obeying Can the Spirit of a Mortal Church of God, Thou Spotless Virgin Church of the Living God Come, Behold the Love of Jesus Come unto Me, All Ye That Labor Come, Within That Upper Chamber Dear Friends, We Have Precious Tidings of Old Don’t Resist the Holy Spirit Down into the Flowing River Do You Triumph, O My Brother? Ere Christ Will Reign Within Thy Heart Fair City of the Gospel Day Far Down o’er the Ages a Promise Divine Fill Me with Thy Spirit From My Soul and All Within From the Mount of Heavenly Vision God Is Sitting in the Awful Valley God Is Sweeping through the Nations God of Mercy, God of Love Great Peace Have They That Love Thy Law Hallelujah to Jesus! Hark, in the Bible a Warning Hear the Tidings of a Kingdom Hear the Voice of Our Commander Hear Ye the Moan of a Soul That Is Lost Here We Meet and Part in Jesus His Yoke Is Easy How Often I’ve Pondered My Struggles Within How Sweet Is My Walk with Jesus! How Sweet This Bond of Perfectness I Am Resting in Jesus, Hallelujah! I Know My Name Is There I Heard the Dear Redeemer Say I Lost My Life for Jesus on the Cross I Ought to Love My Savior I Seem to Hear an Angel Choir I Will Be with Thee, O, Child of Love I Will Part with Thee, Old Master I Will Trust Thee, O My Father If Thou Wilt Know the Fountain Deep I’ll Sing of a River Divine In the Chambers of Thy Bosom In the Light of God In the Morning of the Lord Is the Spirit Glowing in Thy Heart? It Is Written in the Bible I’ve Found a Friend in Jesus I’ve Found My Lord and He Is Mine I’ve Reached the Land of Pure Delight Jesus Drank the Cup of Sorrow Jesus Has Taken My Load of Sin Jesus, Thou a Fountain Art Last Great Day, The Let Us Sing an Invitation Let Us Sing a Sweet Song of the Home of the Soul Let Us Sing the Name of Jesus Life Is Not a Mystic Dream Light in Our Darkness, Brother Lord Our Shepherd, The Listen, Sinner, to the Voice Lord, the Shades of Night Lo, Heaven Now Opens to Rapturous View Lo the Kingdom of Heaven We See Lo, wisdom Crieth in the Streets Mansion Is Waiting in Glory, A Men Speak of a Church Triumphant Mighty Messengers Are Running My Jesus Died for Me upon the Cross My Name Is in the Book of Life My Soul in Trouble Roamed My Soul Is Satisfied My Soul Is Saved from Sin Not in the Temples Made with Hands Now My Pilgrim toils Are Over Now the Great King of Babel O Blessed Jesus, for Thee W Are Waiting O Blessed Jesus, Thy Love Is Supreme O Careless Sinner, Wake to Mercy’s Call O God, Inspire Our Morning Hymn O How Can Anyone Refuse O How Sublime Is the Life of the Christian O Let Us Sing the Mighty Love O Love Divine, Unfathomed! O Praise the Lord, My Soul Is Saved O Precious Bible! Burning Words from Heaven O Sinner, Come Home to the Savior O W Love the Children’s Meeting O What Deep and Pure Compassion O Worship God, the Father O Ye Pilgrims, Sing an Exhortation O’er the Door of Heaven’s Kingdom Oft My Heart Has Bled with Sorrow Oh, Worship God the Father, Just and True Oh, Come and Praise the Lord Today Oh, When We Remember the Goodness O Who Can Stand the Judgment Day Oh, Why Should I Be Lost Onward Moves the Great Eternal Our God Is Love, the Angels Know Perishing Souls at Stake Today! Pilgrim of Jesus, o’er Life’s Troubled Sea Praise the Lord with Songs of Glory Rejoice, Little Ones, in the Promise Divine River of Peace Salvation Is the Sweetest Thing See the Great King of Babel Shall I Tell You Why I Ceased from Folly? Shall My Soul Ascend with Rapture Shield of Faith, The Since I Have Found My Savior Sing of Salvation, O, it Was Love Sinner, will You Lose Your Soul Sunbeams Sparkling and Glancing Sweet Fellowship, Thy Crystal Tide Sweetly Whispered the Lord in My Mind Take the Shield of Faith, My Brother Tell Me, Pilgrim, Traveling Homeward Tell Me, Watchman, Oh, What of the Morning There Are Some Rays of Hope Divine There Are Tidings of a Land Far Away There Is a Blest Pavilion There Is a Grace Few Mortals Find There Is a Story I Often Must Ponder There Is Joy in the Service of the Master There Was a Bright and Lovely Boy There’s an Angel of Mercy from Heaven There’s a Fact No Mortal Ever Can Deny There’s a Fountain of Blood That Atones for the Soul There’s a Land of Everlasting Song There’s a Peaceful Valley of Decision Found There’s a Song We Love to Sing There’s an Awful Day That’s Coming There’s Mercy, Poor Sinner, for Thee There’s Music in My Soul This Is Why I Love My Savior Tho’ All Along My Happy Pilgrim Race Time Enough, the Sluggard Cries Time Onward Flows Like a River Vast Trusting in Jesus, My Savior and Friend ’Twas Sung by the Poets Two Little Hands Are Sweetly Folded Unheeding Winter’s Cruel Blast Universe Is God’s Domain, The We Are Coming, Hallelujah! We Are Going Home to Heaven’s Golden City We Are the Happy Children We Have Met Today on the Old Campground We Have Reached an Awful Era We Have Read in Sacred Story We Stand upon the Sea of Glass We Tread upon the Awful Verge We Will Work for Jesus We’ll Follow the Lord All the Way We’re a Happy Christian Band What Awful Darkness Shrouds All the Earth! When Lost in the Darkness of Guilt and Despair When We Pass the Golden Summer Where Art Thou, Wand’ring Sinner? Where Shall We Look for Help in Affliction? While Sleeping Careless on the Brink Whiter Than Snow Who but the Christian Is Happy and Free? Who Can Sing the Wondrous Love of the Son Divine?? Who Is My Life but Christ Alone? Who Will Suffer with the Savior? Why Should a Doubt or Fear Arise? Why Should a Mortal Man Complain? Wonderful Fountain of Glory --hymntime.com/tch

Will L. Thompson

1847 - 1909 Person Name: William L. Thompson Hymnal Number: d131 Author of "Come home, come home" in Banner Hymns (1st ed) Will Lamartine Thompson (1847-1909) Born: November 7, 1847, East Liverpool, Ohio. Died: September 20, 1909, New York, New York. Buried: Riverview Cemetery, East Liverpool, Ohio. Rebuffed in an early attempt to sell his songs to a commercial publisher, Thompson started his own publishing company. He later expanded, opening a store to sell pianos, organs and sheet music. Both a lyricist and composer, he ensured he would always remember words or melodies that came to him at odd times: "No matter where I am, at home or hotel, at the store or traveling, if an idea or theme comes to me that I deem worthy of a song, I jot it down in verse. In this way I never lose it." Thompson took ill during a tour of Europe, and his family cut short their travels to return home. He died a few weeks later. Music-- 1.Jesus Is All the World to Me 2.Lead Me Gently Home, Father 3.Softly and Tenderly Jesus Is Calling 4.There’s a Great Day Coming --hymntime.com/tch ================================== Various biographical sketches and newspaper articles about Thompson are available in the DNAH Archives.

Vernon J. Charlesworth

1838 - 1915 Hymnal Number: d143 Author of "A shelter in the time of storm" in Banner Hymns (1st ed) Charlesworth, Vernon J. , was born at Barking, Essex, on April 28, 1839, and educated at Homerton College. In 1864 he became co-pastor with the Rev. Newman Hall at the old Surrey Chapel, and in 1869 the Head Master of Mr. Spurgeon's Stockwell Orphan¬age. Mr. Charlesworth has published The Life of Rowland Hill, &c, 1876, and, in co-operation with Mr. J. Manton Smith, Flowers and Fruits of Sacred Song and Evangelistic Hymns. To this work he contributed:— 1. As you gather round the family board. Plea for Orphans. 2. Blessed Jesus, Lord and Master. Conferences. 3. Come, brethren, let us sing. Praise to God. 4. Come to Jesus, He invites you. Invitation. 5. Heart to heart by love united. Holy Matrimony. 6. How blest in Jesus' name to meet. Praise to Jesus. 7. Our lamps are gone out, and the daylight is past. The Foolish Virgins. 8. Sweetest fellowship we know. Walking in the Light. 9. The day of the Lord is at hand. Advent. 10. There is a land as yet unknown. Heaven. 11. 'Tis a blessed thing while we live to sing. Praise. 12. When far from Thee, and heirs of woe. Grace. 13. Ye servants of Jesus, go forth. Missions. In addition to these hymns, Mr. Charlesworth contributed— 14. I've nothing to bring Thee, Jesus. Lent. to Fullerton & Smith's Evangelical Echoes, 1884, and has printed a considerable number as leaflets. Two of the most recent, "As the eastern hills are glowing" (Morning), and "Lengthening shadows darkly falling" (Evening), should find their way into common use. Mr. Charlesworth's hymns are very spirited and of a popular character. --John Julian, Dictionary of Hymnology (1907)

D. W. Whittle

1840 - 1901 Hymnal Number: d148 Author of "O, the coming of the kingdom draweth near" in Banner Hymns (1st ed) [Also published under the pseudonym El Nathan.] =============== Whittle, D. W.. Six of his hymns (Nos. 295, 308,363, 385, 386, 417) are given in I. D. Sankey's Sacred Songs and Solos, under the signature of "El Nathan." --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Mary Brown

1856 - 1918 Person Name: Mary A. Brown Hymnal Number: d74 Author of "I'll go where you want me to go, dear Lord" in Banner Hymns (1st ed) From the Norwich Bulletin, Norwich, Connecticut, January 23, 1918: The death of Miss Mary M. Brown at Backus Hospital Tuesday morning saddened a host of friends and the different pupils who have had the benefit of her instruction for so many years. Miss Brown was born in Natick, R. I., May 19, 1856. She was the daughter of Lydia A. Higgins and Joseph R. C. Brown. Her common and high school education was received in Rockport, Mass. At the time there was a normal school in Norwich over twenty years ago, she took the course there and was graduated, after which she taught in the Model School in Norwich. Miss Brown has taught in the Jewett City schools for twenty years. A teacher more faithful to the interests of the scholars and school cannot be found. Her interest in the welfare of her pupils did not cease after they went out from under her care. Her everready pen in poetical compositions for occasions of various kinds was in great demand and the verses were always of a beautiful sentiment, expressed in the best of language. The words for the Christian Endeavor Consecration hymn, "I'll Go Where You Want Me to Go" known and sung wherever sacred music is used, where written by Miss Brown. Her artistic ability was developed in many lines. She was a woman unusually gifted with literary talent. Miss Brown was a member of the Baptist Church. She was one of the original ten members forming Whatsoever Circle of The King's Daughters and has served as its leader. She was a member of the Ladies' Aid Society and Mission Circle, and had been a teacher in the Sunday school. A woman faithful in many things has gone to her reward. She is survived by a sister, Mrs. Nettie Johnson of Jewett City, a brother, E. Frank Brown of Woonsocket, R. I., and niece, Miss Marion H. Johnson of Willimantic. --Submitted to Leonard Ellinwood by Lillian Cathcart, local historian of Norwich, Connecticut. DNAH Archives Excerpt from letter from Julia Bair to Leonard Ellinwood, 22 August 1977: I just talked with Mrs. Samuel Cathcart, our local historian, about Mary Brown. She did live in Jewett City in the late 1800's and wrote that hymn around 1890 as you indicated. However, someone changed one word in her original poem and had it copyrighted. She was never known as Charles Gabriel. She was a teacher here in Jewett City and I talked yesterday with one of her pupils! The music of this hymn (Mary Brown's original) was written by an officer in the Jewett City Savings Bank at that time. --DNAH Archives

Henry Francis Lyte

1793 - 1847 Person Name: Henry F. Lyte Hymnal Number: d81 Author of "Jesus, I my cross have taken, all to leave" in Banner Hymns (1st ed) Lyte, Henry Francis, M.A., son of Captain Thomas Lyte, was born at Ednam, near Kelso, June 1, 1793, and educated at Portora (the Royal School of Enniskillen), and at Trinity College, Dublin, of which he was a Scholar, and where he graduated in 1814. During his University course he distinguished himself by gaining the English prize poem on three occasions. At one time he had intended studying Medicine; but this he abandoned for Theology, and took Holy Orders in 1815, his first curacy being in the neighbourhood of Wexford. In 1817, he removed to Marazion, in Cornwall. There, in 1818, he underwent a great spiritual change, which shaped and influenced the whole of his after life, the immediate cause being the illness and death of a brother clergyman. Lyte says of him:— "He died happy under the belief that though he had deeply erred, there was One whose death and sufferings would atone for his delinquencies, and be accepted for all that he had incurred;" and concerning himself he adds:— "I was greatly affected by the whole matter, and brought to look at life and its issue with a different eye than before; and I began to study my Bible, and preach in another manner than I had previously done." From Marazion he removed, in 1819, to Lymington, where he composed his Tales on the Lord's Prayer in verse (pub. in 1826); and in 1823 he was appointed Perpetual Curate of Lower Brixham, Devon. That appointment he held until his death, on Nov. 20, 1847. His Poems of Henry Vaughan, with a Memoir, were published in 1846. His own Poetical works were:— (1) Poems chiefly Religious 1833; 2nd ed. enlarged, 1845. (2) The Spirit of the Psalms, 1834, written in the first instance for use in his own Church at Lower Brixham, and enlarged in 1836; (3) Miscellaneous Poems (posthumously) in 1868. This last is a reprint of the 1845 ed. of his Poems, with "Abide with me" added. (4) Remains, 1850. Lyte's Poems have been somewhat freely drawn upon by hymnal compilers; but by far the larger portion of his hymns found in modern collections are from his Spirit of the Psalms. In America his hymns are very popular. In many instances, however, through mistaking Miss Auber's (q. v.) Spirit of the Psalms, 1829, for his, he is credited with more than is his due. The Andover Sabbath Hymn Book, 1858, is specially at fault in this respect. The best known and most widely used of his compositions are "Abide with me, fast falls the eventide;” “Far from my heavenly home;" "God of mercy, God of grace;" "Pleasant are Thy courts above;" "Praise, my soul, the King of heaven;" and "There is a safe and secret place." These and several others are annotated under their respective first lines: the rest in common use are:— i. From his Poems chiefly Religious, 1833 and 1845. 1. Above me hangs the silent sky. For Use at Sea. 2. Again, 0 Lord, I ope mine eyes. Morning. 3. Hail to another Year. New Year. 4. How good, how faithful, Lord, art Thou. Divine care of Men. 5. In tears and trials we must sow (1845). Sorrow followed by Joy. 6. My [our] rest is in heaven, my [our] rest is not here. Heaven our Home. 7. 0 Lord, how infinite Thy love. The Love of God in Christ. 8. Omniscient God, Thine eye divine. The Holy Ghost Omniscient. 9. The leaves around me falling. Autumn. 10. The Lord hath builded for Himself. The Universe the Temple of God. 11. Vain were all our toil and labour. Success is of God. 12. When at Thy footstool, Lord, I bend. Lent. 13. When earthly joys glide swift away. Ps. cii. 14. Wilt Thou return to me, O Lord. Lent. 15. With joy we hail the sacred day. Sunday. ii. From his Spirit of the Psalms, 1834. 16. Be merciful to us, O God. Ps. lvii. 17. Blest is the man who knows the Lord. Ps. cxii. 18. Blest is the man whose spirit shares. Ps. xli. 19. From depths of woe to God I cry. Ps. cxxxx. 20. Gently, gently lay Thy rod. Ps. vi. 21. Glorious Shepherd of the sheep. Ps. xxiii. 22. Glory and praise to Jehovah on high. Ps. xxix. 23. God in His Church is known. Ps. lxxvi. 24. God is our Refuge, tried and proved. Ps. xlvi. 25. Great Source of my being. Ps. lxxiii. 26. Hear, O Lord, our supplication. Ps. lxiv. 27. How blest the man who fears the Lord. Ps.cxxviii. 28. Humble, Lord, my haughty spirit. Ps. cxxxi. 29. In this wide, weary world of care. Ps. cxxxii. 30. In vain the powers of darkness try. Ps.lii. 31. Jehovah speaks, let man be awed. Ps. xlix. 32. Judge me, O Lord, and try my heart. Ps. xxvi. 33. Judge me, O Lord, to Thee I fly. Ps. xliii. 34. Lord, I have sinned, but O forgive. Ps. xli. 35. Lord, my God, in Thee I trust. Ps. vii. 36. Lord of the realms above, Our Prophet, &c. Ps.xlv. 37. Lone amidst the dead and dying. Ps. lxii. 38. Lord God of my salvation. Ps. lxxxviii. 39. Lord, I look to Thee for all. Ps. xxxi. 40. Lord, I would stand with thoughtful eye. Ps. lxix. 41. Lord, my God, in Thee I trust. Ps. vii. 42. My God, my King, Thy praise I sing. Ps. cviii. 43. My God, what monuments I see. Ps. xxxvi. 44. My spirit on [to] Thy care. Ps. xxxi. 45. My trust is in the Lord. Ps. xi. 46. Not unto us, Almighty Lord [God]. Ps. cxv. 47. O God of glory, God of grace. Ps. xc. 48. O God of love, how blest are they. Ps. xxxvii. 49. O God of love, my God Thou art. Ps. lxiii. 50. O God of truth and grace. Ps. xviii. 51. O had I, my Saviour, the wings of a dove. Ps. lv. 52. O how blest the congregation. Ps. lxxxix. 53. O how safe and [how] happy he. Ps. xci. 54. O plead my cause, my Saviour plead. Ps. xxxv. 55. O praise the Lord, 'tis sweet to raise. Ps. cxlvii. 56. O praise the Lord; ye nations, pour. Ps. cxvii. 57. O praise ye the Lord With heart, &c. Ps. cxlix. 58. O that the Lord's salvation. Ps. xiv. 59. O Thou Whom thoughtless men condemn. Ps. xxxvi. 60. Of every earthly stay bereft. Ps. lxxiv. 61. Our hearts shall praise Thee, God of love. Ps. cxxxviii. 62. Pilgrims here on earth and strangers. Ps. xvi. 63. Praise for Thee, Lord, in Zion waits. Ps. lxv. 64. Praise to God on high be given. Ps. cxxxiv. 65. Praise ye the Lord, His servants, raise. Ps. cxiii. 66. Redeem'd from guilt, redeem'd from fears. Ps. cxvi. 67. Save me by Thy glorious name. Ps. liv. 68. Shout, ye people, clap your hands. Ps. xlvii. 69. Sing to the Lord our might. Ps. lxxxi. 70. Strangers and pilgrims here below. Ps. cix. 71. Sweet is the solemn voice that calls. Ps. cxxii. 72. The Church of God below. Ps. lxxxvii. 73. The Lord is King, let earth be glad. Ps. xcvii. 74. The Lord is on His throne. Ps. xciii. 75. The Lord is our Refuge, the Lord is our Guide. Ps. xlvii. 76. The mercies of my God and King. Ps. lxxxix. 77. The Lord Who died on earth for men. Ps. xxi. 78. Tis a pleasant thing to fee. Ps. cxxxiii. 79. Thy promise, Lord, is perfect peace. Ps. iii. 80. Unto Thee I lift mine [my] eyes. Ps. cxxiii. 81. Whom shall [should] we love like Thee? Ps. xviii. Lyte's versions of the Psalms are criticised where their sadness, tenderness and beauty are set forth. His hymns in the Poems are characterized by the same features, and rarely swell out into joy and gladness. --John Julian, Dictionary of Hymnology (1907) ================== Lyte, Henry Francis, p. 706, i. Additional versions of Psalms are in common use:-- 1. Lord, a thousand foes surround us. Psalms lix. 2. Praise, Lord, for Thee in Zion waits. Psalms lxv. 3. The Christian like his Lord of old. Psalms cxl. 4. The Lord of all my Shepherd is. Psalms xxiii. 5. The Lord of heaven to earth is come. Psalms xcviii. 6. Thy mercy, Lord, the sinner's hope. Psalms xxxvi. 7. To Thee, O Lord, in deep distress. Psalms cxlii. Sometimes given as "To God I turned in wild distress." 8. Uphold me, Lord, too prone to stray. Psalms i. 9. When Jesus to our [my] rescue came. Psalms cxxvi. These versions appeared in the 1st edition of Lyte's Spirit of the Psalms, 1834. It must be noted that the texts of the 1834, the 1836, and the 3rd ed., 1858, vary considerably, but Lyte was not responsible for the alterations and omissions in the last, which was edited by another hand for use at St. Mark's, Torquay. Lyte's version of Psalms xxix., "Glory and praise to Jehovah on high" (p. 706, ii., 22), first appeared in his Poems, 1st ed., 1833, p. 25. Read also No. 39 as "Lord, I look for all to Thee." --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

John Cennick

1718 - 1755 Hymnal Number: d83 Author of "The highway of holiness" in Banner Hymns (1st ed) John Cennick was born at Reading, Berkshire, in the year 1717. He became acquainted with Wesley and Whitefield, and preached in the Methodist connection. On the separation of Wesley and Whitefield he joined the latter. In 1745, he attached himself to the Moravians, and made a tour in Germany to fully acquaint himself with the Moravian doctrines. He afterwards ministered in Dublin, and in the north of Ireland. He died in London, in 1755, and was buried in the Moravian Cemetery, Chelsea. He was the author of many hymns, some of which are to be found in every collection. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872. ======================= Cennick, John, a prolific and successful hymnwriter, was descended from a family of Quakers, but brought up in the Church of England. He assisted J. Wesley and then G. Whitefield in their labours for a time, and then passed over to, and died as a minister of, the Moravian Church. Born at Reading, Dec. 12, 1718, he was for some time a land surveyor at Reading, but becoming acquainted with the Wesleys in 1739, he was appointed by J. Wesley as a teacher of a school for colliers' children at Kingswood in the following year. This was followed by his becoming a lay preacher, but in 1740 he parted from the Wesleys on doctrinal grounds. He assisted Whitefield until 1745, when he joined the Mora¬vians, and was ordained deacon, in London, in 1749. His duties led him twice to Germany and also to the North of Ireland. He died in London, July 4, 1755. In addition to a few prose works, and some sermons, he published:— (1) Sacred Hymns, for the Children of God in the Days of their Pilgrimage, Lond., J. Lewis, n.d. (2nd ed. Lond., B. Milles, 1741), Pts. ii., iii., 1742; (2) Sacred Hymns for the Use of Religious Societies, &c, Bristol, F. Farley, 1743; (3) A Collection of Sacred Hymns, &c, Dublin, S. Powell, 3rd ed., 1749; (4) Hymns to the honour of Jesus Christ, composed for such Little Children as desire to be saved. Dublin, S. Powell, 1754. Additional hymns from his manuscripts were published by his son-in-law, the Rev. J. Swertner, in the Moravian Hymn Book, 1789, of which he was the editor. There are also 16 of his hymns in his Sermons, 2 vols., 1753-4, some being old hymns rewritten, and others new. Many of Cennick's hymns are widely known, as, "Lo, He cometh, countless trumpets;" “Brethren, let us join to bless;" "Jesus, my all, to heaven is gone;" "Children of the heavenly King;" "Ere I sleep, for every favour;" "We sing to Thee, Thou Son of God;" and the Graces: " Be present at our table, Lord;" and "We thank Thee, Lord;" &c. Some of the stanzas of his hymns are very fine, but the hymns taken as a whole are most unequal. Some excellent centos might be compiled from his various works. His religious experiences were given as a preface to his Sacred Hymns, 1741. In addition to the hymns named, and others annotated under their first lines, the following are in common use:— 1. Be with me [us] Lord, where'er I [we] go. Divine Protection. [1741.] 2. Cast thy burden on the Lord. Submission. [1743.] 3. Not unto us, but Thee alone. Praise to Jesus. [1743.] 4. Thou dear Redeemer, dying Lamb. Priesthood of Christ. [1743.] 5. We sing to Thee, Thou Son of God. Praise to Jesus. [1743.] 6. When, 0 dear Jesus, when shall I? Sunday Evening. [1743.] --John Julian, Dictionary of Hymnology (1907)

Samuel Stennett

1727 - 1795 Hymnal Number: d90 Author of "Majestic sweetness sits enthroned upon the Savior's brow" in Banner Hymns (1st ed) Samuel Stennett was born at Exeter, in 1727. His father was pastor of a Baptist congregation in that city; afterwards of the Baptist Chapel, Little Wild Street, London. In this latter pastorate the son succeeded the father in 1758. He died in 1795. Dr. Stennett was the author of several doctrinal works, and a few hymns. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872. ====================== Stennett, Samuel, D.D., grandson of Joseph Stennett, named above, and son of the Rev. Joseph Stennett, D.D., was born most pro;bably in 1727, at Exeter, where his father was at that time a Baptist minister. When quite young he removed to London, his father having become pastor of the Baptist Church in Little Wild Street, Lincoln's Inn Fields. In 1748, Samuel Stennett became assistant to his father in the ministry, and in 1758 succeeded him in the pastoral office at Little Wild Street. From that time until his death, on Aug. 24, 1795, he held a very prominent position among the Dissenting ministers of London. He was much respected by some of the statesmen of the time, and used his influence with them in support of the principles of religious freedom. The celebrated John Howard was a member of his congregation and an attached friend. In 1763, the University of Aberdeen conferred on him the degree of D.D. Dr. S. Stennett's prose publications consist of volumes of sermons, and pamphlets on Baptism and on Nonconformist Disabilities. He wrote one or two short poems, and contributed 38 hymns to the collection of his friend, Dr. Rippon (1787). His poetical genius was not of the highest order, and his best hymns have neither the originality nor the vigour of some of his grandfather's. The following, however, are pleasing in sentiment and expression, and are in common use more especially in Baptist congregations:— 1. And have I, Christ, no love for Thee? Love for Christ desired. 2. And will the offended God again? The Body the Temple of the Holy Ghost. 3. As on the Cross the Saviour hung. The Thief on the Cross. 4. Behold the leprous Jew. The healing of the Leper. 5. Come, every pious heart. Praise to Christ. 6. Father, at Thy call, I come. Lent. 7. Great God, amid the darksome night. God, a Sun. 8. Great God, what hosts of angels stand. Ministry of Angels. 9. Here at Thy Table, Lord, we meet. Holy Communion. 10. How charming is the place. Public Worship. 11. How shall the sons of men appear? Acceptance through Christ alone. 12. How soft the words my [the] Saviour speaks. Early Piety. 13. How various and how new. Divine Providence. 14. Not all the nobles of the earth. Christians as Sons of God. 15. On Jordan's stormy banks I stand. Heaven anticipated. 16. Prostrate, dear Jesus, at thy feet. Lent. Sometimes, "Dear Saviour, prostrate at Thy feet." 17. Should bounteous nature kindly pour. The greatest of these is Love. From this, "Had I the gift of tongues," st. iii., is taken. 18. Thy counsels of redeeming grace. Holy Scripture. From "Let avarice, from shore to shore." 19. Thy life 1 read, my dearest Lord. Death in Infancy. From this "'Tis Jesus speaks, I fold, says He." 20. 'Tis finished! so the Saviour cried. Good Friday. 21. To Christ, the Lord, let every tongue. Praise of Christ. From this,"Majestic sweetness sits enthroned," st. iii., is taken. 22. To God, my Saviour, and my King. Renewing Grace. 23. To God, the universal King. Praise to God. 24. What wisdom, majesty, and grace. The Gospel. Sometimes, “What majesty and grace." 25. Where two or three with sweet accord. Before the Sermon. 26. Why should a living man complain? Affliction. From this, "Lord, see what floods of sorrow rise," st. iii., is taken. 27. With tears of anguish I lament. Lent. 28. Yonder amazing sight I see. Good Friday. All these hymns, with others by Stennett, were given in Rippon's Baptist Selection, 1787, a few having previously appeared in A Collection of Hymns for the use of Christians of all Denominations, London. Printed for the Booksellers, 1782; and No. 16, in the 1778 Supplement to the 3rd edition of the Bristol Baptist Selection of Ash and Evans. The whole of Stennett's poetical pieces and hymns were included in vol. ii. of his Works, together with a Memoir, by W. J. Jones. 4 vols., 1824. [Rev. W. R. Stevenson, M.A.] --John Julian, Dictionary of Hymnology (1907)

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