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F. E. Belden

1858 - 1945 Person Name: F. E. B. Author of "How shall we stand in that great day?" in The Seventh-Day Adventist Hymn and Tune Book Belden was born in Battle Creek, Michigan in 1858. He began writing music in his late teenage years after moving to California with his family. For health reasons he later moved to Colorado. He returned to Battle Creek with his wife in the early 1880s, and there he became involved in Adventist Church publishing. F. E. Belden wrote many hymn tunes, gospel songs, and related texts in the early years of the Seventh-day Adventist Church. Belden was able to rapidly write both music and poetry together which enabled him to write a song to fit a sermon while it was still being delivered. He also wrote songs for evangelist Billy Sunday. Though Belden’s later years were marred by misunderstandings with the church leadership over his royalties, he did donate his papers and manuscripts to the church’s seminary at his death. He died on December 2, 1945 in Battle Creek, Michigan. N.N., Hymnary. Source: http://www.hymntime.com/tch/bio/b/e/l/belden_fe.htm

Christopher Webber

b. 1932 Person Name: Christopher L. Webber Author of "Give Judgment, LORD" in Christian Worship

Charles C. Dickey

Person Name: C. C. D. Author of "I Want to Be Found Ready" in Garden of Melody

E. R. Latta

1839 - 1915 Person Name: Edna Reeder Latta, b. 1839 Author of "When We in the Judgment Stand" in The Christian Hymnary. Bks. 1-4 Rv Eden Reeder Latta USA 1839-1915. Born at Haw Patch, IN, the son of a Methodist minister, (also a boyhood friend of hymn writer Willam A Ogden) he became a school teacher. During the American Civil War he preached for the Manchester Methodist Church and other congregations (possibly as a circuit rider filling empty pulpits). In 1863 he married Mary Elizabeth Wright, and they had five children: Arthur, Robert, Jennie, two others. He taught for the public schools of Manchester, and later Colesburg, IA. He moved to Guttenberg, IA, in the 1890s, and continued writing song lyrics for several major gospel composers, including William Ogden, James McGranahan, James Fillmore, and Edmund Lorenz. He wrote 1600+ songs and hymns, many being widely popular in his day. His older brother, William, composed hymn tunes. He died at Guttenbert, IA. John Perry

Johann Sebastian Bach

1685 - 1750 Person Name: Johann S. Bach, 1685-1750 Adapter and Harmonizer of "MEINE HOFFNUNG" in Psalter Hymnal (Gray) Johann Sebastian Bach was born at Eisenach into a musical family and in a town steeped in Reformation history, he received early musical training from his father and older brother, and elementary education in the classical school Luther had earlier attended. Throughout his life he made extraordinary efforts to learn from other musicians. At 15 he walked to Lüneburg to work as a chorister and study at the convent school of St. Michael. From there he walked 30 miles to Hamburg to hear Johann Reinken, and 60 miles to Celle to become familiar with French composition and performance traditions. Once he obtained a month's leave from his job to hear Buxtehude, but stayed nearly four months. He arranged compositions from Vivaldi and other Italian masters. His own compositions spanned almost every musical form then known (Opera was the notable exception). In his own time, Bach was highly regarded as organist and teacher, his compositions being circulated as models of contrapuntal technique. Four of his children achieved careers as composers; Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Brahms, and Chopin are only a few of the best known of the musicians that confessed a major debt to Bach's work in their own musical development. Mendelssohn began re-introducing Bach's music into the concert repertoire, where it has come to attract admiration and even veneration for its own sake. After 20 years of successful work in several posts, Bach became cantor of the Thomas-schule in Leipzig, and remained there for the remaining 27 years of his life, concentrating on church music for the Lutheran service: over 200 cantatas, four passion settings, a Mass, and hundreds of chorale settings, harmonizations, preludes, and arrangements. He edited the tunes for Schemelli's Musicalisches Gesangbuch, contributing 16 original tunes. His choral harmonizations remain a staple for studies of composition and harmony. Additional melodies from his works have been adapted as hymn tunes. --John Julian, Dictionary of Hymnology (1907)

A. L. Peace

1844 - 1912 Person Name: Albert L. Peace Composer of "[Must we be to the judgment bro't]" in Christian Hymns Albert Lister Peace DMus United Kingdom 1844-1912. Born at Huddersfield, Yorkshire, England, son of a warehouseman and woolstapler, he was extremely gifted as a musician, largely self-taught, playing the organ at Holmfirth Parish Church near Huddersfield at age nine. He married Margaret Martin Steel Gilchrist, and they had three children: Lister, Archibald, and Margaret. In 1865 he was appointed organist of Trinity Congregational Church in Glasgow, Scotland. He obtained his doctorate degree from the University of Oxford in 1875. He became organist at Glasgow Cathedral in 1879. In 1897 he succeeded William Best as organist at St George’s Hall, Liverpool. In later years he was in much demand to play the organ in recitals. He did so at Canterbury Cathedral (1886), Victoria Hall, Hanley, Stoke-on-Trent (1888), and Newcastle Cathedral (1891). He composed orchestrations, sonatas, cantatas, and concert and church service anthems. He was an arranger, author, and editor. He died at Blundelsands, Liverpool, England. John Perry

Henry J. Zelley

1859 - 1942 Person Name: H. J. Zelley, D.D. Author of "Going Down to Judgment" in Hymns of the Kingdom Henry Jeffreys Zelley was born at Mt. Holly, NJ, on Mar. 15, 1859. Educated in the Mt. Holly public schools, at Pennington Seminary, and at Taylor University, where he earned his M. A., Ph. D., and D. D. degrees, he became a Methodist minister in 1882 and first served in the New Jersey Conference as a statistical secretary, treasurer, and trustee, becoming a promoter of the campmeeting movement. Noted for his evangelistic fervor, Zelley produced over 1500 poems, hymns, and gospel songs. One of his songs, "He Brought Me Out" with music by Henry L. Gilmour, appears in several denominational hymnals. Cyberhymnal also lists "When Israel Out of Bondage Came" or "He Rolled the Sea Away" with music by Gilmour too. Another of Zelley’s songs, "The Mountains of Faith" with music by M. L. McPhail, is found in Sacred Selections. After working with nineteen different churches in the New Jersey Conference over his lifetime, Zelley, who also served as a trustee of Pennington Seminary, retired in 1929 and died at Trenton, NJ, on Mar. 16, 1942. --http://homeschoolblogger.com/hymnstudies

A. Williams

1731 - 1776 Person Name: Aaron Williams Composer of "MEAR" in The Seventh-Day Adventist Hymn and Tune Book Aaron Williams (b. London, England, 1731; d. London, 1776) was a singing teacher, music engraver, and clerk at the Scottish Church, London Wall. He published various church music collections, some intended for rural church choirs. Representative of his compilations are The Universal Psalmodist (1763)— published in the United States as The American Harmony (1769)—The Royal Harmony (1766), The New Universal Psalmodist (1770), and Psalmody in Miniature (1778). His Harmonia Coelestis (1775) included anthems by noted composers. Bert Polman

Jean-Jacques Rousseau

1712 - 1778 Person Name: Jean Jacques Rouseau Composer of "GREENVILLE" in Pentecostal Hymns Nos. 5 and 6 Combined Jean Jacques Rousseau; b. 1712, Geneva; d. 1778, Paris. Born in the city-state of Geneva in the Swiss Confederacy, his mother died whenhe was 9 days old. Rousseau's father was a watchmaker, but got into trouble with local officials and left the town, leaving his son with an uncle who had Rousseau and his own son board with a Calvinist minister for 2 years. He was later apprenticed to a notary and then to an engraver, who beat him. He ran away from Geneva at 16. In nearby Savoy, he sheltered with a Roman Catholic priest. He was sent to Italy to convert to Catholicism. He supported himself as a servant, secretary, and tutor. His life was filled with personal and political upheaval, and his writings infuriated many, to the point he had to leave several habitations. He had many friends and enemies due to his philosophies on life, religion, and God. He was concerned with decay of society (having experienced the French Revolution) and became a philosopher, writer, botanist, and composer, he influenced the Enlightenment period through his political philosophy, both in France and across Europe, including aspects of the French Revolution and overall development of modern political and educational thought. A member of the Jacobin Club, he was the most popular of philosophers. He believed that self-preservation was the highest virtue and that we should study to understand how society operates and where pitfalls lie. His personal family life was very chaotic as a result of his outspoken opinions and writings. He returned to his Calvinistic beliefs in later life, but digressed from them on several issues important to that church. John Perry

Hans G. Nägeli

1773 - 1836 Person Name: Hans Nägeli, 1733-1836 Composer of "NAOMI" in The Cyber Hymnal Johann G. Nageli (b. Wetzikon, near Zurich, Switzerland, 1773; d. Wetzikon, 1836) was an influential music educator who lectured throughout Germany and France. Influenced by Johann Pestalozzi, he published his theories of music education in Gangbildungslehre (1810), a book that made a strong impact on Lowell Mason. Nageli composed mainly" choral works, including settings of Goethe's poetry. He received his early instruction from his father, then in Zurich, where he concentrated on the music of. S. Bach. In Zurich, he also established a lending library and a publishing house, which published first editions of Beethoven’s piano sonatas and music by Bach, Handel, and Frescobaldi. Bert Polman

Adam Geibel

1855 - 1933 Composer of "[In the hall of judgment see the Saviour stand]" in Uplifted Voices Born: September 15, 1855, Neuenheim, Germany. Died: August 3, 1933, Philadelphia, Pennsylvania. Though blinded by an eye infection at age eight, Geibel was a successful composer, conductor, and organist. Emigrating from Germany probably around 1864, he studied at the Philadelphia Institute for the Blind, and wrote a number of Gospel songs, anthems, cantatas, etc. He founded the Adam Geibel Music Company, later evolved into the Hall-Mack Company, and later merged to become the Rodeheaver Hall-Mack Company. He was well known for secular songs like "Kentucky Babe" and "Sleep, Sleep, Sleep." In 1885, Geibel organized the J. B. Stetson Mission. He conducted the Stetson Chorus of Philadelphia, and from 1884-1901, was a music instructor at the Pennsylvania Institution for the Instruction of the Blind. His works include: Evening Bells, 1874 Saving Grace, with Alonzo Stone (Philadelphia, Pennsylvania: Stone & Bechter, Publishers, 1898) Consecrated Hymns, (Philadelphia, Pennsylvania: Geibel & Lehman, 1902) Uplifted Voices, co-editor with R. Frank Lehman (Philadelphia, Pennsylvania: Geibel & Lehman, 1901) World-Wide Hosannas, with R. Frank Lehman (Philadelphia, Pennsylvania: Geibel & Lehman, 1904) Hymns of the Kingdom, co-editor with R. Frank Lehman et al. (Philadelphia, Pennsylvania: Geibel & Lehman, 1905) --www.hymntime.com/tch/

Charles Wesley

1707 - 1788 Author of "And must I be to Judgment brought" in The Seventh-Day Adventist Hymn and Tune Book Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists." In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley. As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream. It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works. The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century. -- Excerpts from John Julian, Dictionary of Hymnology (1907) ================== Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872.

William Henry Monk

1823 - 1889 Person Name: William H. Monk Composer of "CORONAE" in Psalter Hymnal (Blue) William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851). Bert Polman

John Goss

1800 - 1880 Arranger of "LAUDA ANIMA (Goss)" in Baptist Hymnal (1975 ed) John Goss (b. Fareham, Hampshire, England, 1800; d. London, England, 1880). As a boy Goss was a chorister at the Chapel Royal and later sang in the opera chorus of the Covent Garden Theater. He was a professor of music at the Royal Academy of Music (1827-1874) and organist of St. Paul Cathedral, London (1838-1872); in both positions he exerted significant influence on the reform of British cathedral music. Goss published Parochial Psalmody (1826) and Chants, Ancient and Modern (1841); he edited William Mercer's Church Psalter and Hymn Book (1854). With James Turle he published a two-volume collection of anthems and Anglican service music (1854). Bert Polman

Oliver Holden

1765 - 1844 Composer of "CORONATION" in Hymns, Psalms and Gospel Songs Holden, Oliver, one of the pioneers of American psalmody, was born in 1765, and was brought up as a carpenter. Subsequently he became a teacher and music-seller. He died at Charlestown, Massachusetts, 1844. His published works are American Harmony, 1793; the Worcester Collection, 1797; and other Tune books. One of his most popular tunes is "Coronation." It is thought that he edited a small hymn-book, published at Boston before 1808, in which are 21 of his hymns with the signature "H." A single copy only of this book is known, and that is without title-page. Of his hymns the following are in common use:— 1. All those who seek a throne of grace. [God present where prayer is offered.] Was given in Peabody's Springfield Collection, 1835, No. 92, in a recast form as, “They who seek the throne of grace." This form is in extensive use in America, and is also in a few collections in Great Britain. 2. With conscious guilt, and bleeding heart. [Lent.] This, although one of the best of Holden's hymns, has passed out of use. It appeared, with two others, each bearing bis signature, in the Boston Collection (Baptist), 1808. 3. Within these doors assembled now. [Divine Worship.] [Rev. F. M. Bird, M.A.] -- John Julian, Dictionary of Hymnology

William C. Martin

1864 - 1914 Person Name: W. C. Martin, D. D. Author of "Jesus Will Answer for Me" in Songs of the Cross Rv William Clark Martin USA 1864-1914. Born at Hightstown, NJ, he graduated from the Peddie Institute in Hightstown in 1884, and in 1891 from the Crozer Theological Seminary, Upland, PA. He became minister of the Grace Baptist Church, Camden, NJ,(1891-1894); Noank Baptist Church, Noank, CT (1894-1900); Tabernacle Baptist Church, New Albany, IN (1902-1904); First Baptist Church, Seymour, IN (1902-1904); First Baptist Church, Bluffton, IN (1904-1909); Grace Baptist Church, Somerville, MA (1909-1912); and First Baptist Church, Fort Myers, FL (1912-1914). In 1891 he married Euretta (Etta) May Wilcox, and they had at least three children (no names found). He penned many hymn lyrics. He died of heart failure at his farm in Rialto, FL. John Perry

R. H. Cornelius

1872 - 1933 Composer of "[When called to the judgment at last]" in Songs of the Cross R.H. Cornelius, known as Rufus Cornelius by his friends, was born in Blount Co., AL., January 24, 1872. He was educated in the public schools of Oneonta, the county seat. He began teaching in the public schools at an early age and at one time was associate Principle of the Oneonta High School. It was while teaching in the high school that he became interested in church music and began to study with some of the best teachers of the time. His first major teacher was the late A J showalter in one of his normals at Eden, AL. He continued his study with this wellknown teacher until he had finished the courses a second time. He soon felt that the study of harmony was his first love in his study and soon became one of the best harmon teachers of his time. Near the close of the century, he moved to Texas and settled in Midlothian, Ellis Co., where he established a publishing house and published many fine gospel song books that sold by the thousands. However, before coming to Texas, he was associated with The Showalter-Patton Co. who published his first compositions. Soon after coming to Texas, he devoted much time to teaching singing schools (Cornelius Normal Musical Institute) and soon became one of the best known teachers of that great state, often having many more calls for schools than he could have time for. In many cases his schools were dated years ahead. he had possessed a beautiful tenor voice and was of a very pleasant personality. This caused his to be loved by all who knew him. About 1914 he was called to Southwestern Baptist Seminary as head of the music department. After several years here in the Baptist School in Ft Worth, Texas, he felt he was more needed back in the field of teaching and songbook publishing. Soon after coming to Texas, he married Maycon Temperance Burleson, who was a fine singer and musician and wrote many songs.During the first 32 years of the 20th Century, this couple of musicians blessed the State of Texas with their singing and teaching. Of all the fine song written by Mr. Cornelius, "Oh, I want to See Him" will carry his memory for years to come. The Cornelius' were members of the Baptist Church and were devoted Christians. Mr. Cornelius passed away in 1932. Mrs. Cornelius lived only about two years, passing away in 1934. In the passing of these fine gospel singer and teachers, church music suffered a great loss. By C C Stafford --www.findagrave.com/cgi-bin/ (excerpts)

P. P. Bilhorn

1865 - 1936 Person Name: P. Bilhorn Composer of "[The judgment day is coming]" in Crowning Glory No. 2 Pseudonyms: W. Ferris Britcher, Irene Durfee; C. Ferris Holden, P. H. Roblin (a anagram of his name) ================ Peter Philip Bilhorn was born, in Mendota, IL. His father died in the Civil War 3 months before he was born. His early life was not easy. At age 8, he had to leave school to help support the family. At age 15, living in Chicago, he had a great singing voice and sang in German beer gardens there. At this time, he and his brother also formed the Eureka Wagon & Carriage Works in Chicago, IL. At 18 Peter became involved in gospel music, studying under George F. Root and George C. Stebbins. He traveled to the Dakotas and spent some time sharing the gospel with cowboys there. He traveled extensively with D. L. Moody, and was Billy Sunday's song leader on evangelistic endeavors. His evangelistic work took him into all the states of the Union, Great Britain, and other foreign countries. In London he conducted a 4000 voice choir in the Crystal Palace, and Queen Victoria invited him to sing in Buckinghm Palace. He wrote some 2000 gospel songs in his lifetime. He also invented a folding portable telescoping pump organ, weighing 16 lbs. It could be set up in about a minute. He used it at revivals in the late 19th century. He founded the Bilhorn Folding Organ Company in Chicago. IL, and his organ was so popular it was sold all over the world. He edited 10 hymnals and published 11 gospel songbooks. He died in Los Angeles, CA, in 1936. John Perry

Mrs. R. N. Turner

1857 - 1957 Author of "Judgment Hymn" Fronie Bell Turner, married to Rev. R. N. Turner, pastor in the Protestant Episcopal Church.

Joseph Addison

1672 - 1719 Author of "When rising from the bed of death" in Church Book Addison, Joseph, born at Milston, near Amesbury, Wiltshire, May 1, 1672, was the son of the Rev. Lancelot Addison, sometime Dean of Lichfield, and author of Devotional Poems, &c, 1699. Addison was educated at the Charterhouse, and at Magdalen College, Oxford, graduating B.A. 1691 and M.A. 1693. Although intended for the Church, he gave himself to the study of law and politics, and soon attained, through powerful influence, to some important posts. He was successively a Commissioner of Appeals, an Under Secretary of State, Secretary to the Lord Lieutenant of Ireland, and Chief Secretary for Ireland. He married, in 1716, the Dowager Countess of Warwick, and died at Holland House, Kensington, June 17, 1719. Addison is most widely known through his contributions to The Spectator, The Toiler, The Guardian, and The Freeholder. To the first of these he contributed his hymns. His Cato, a tragedy, is well known and highly esteemed. Addison's claims to the authorship of the hymns usually ascribed to him, or to certain of them, have been called in question on two occasions. The first was the publication, by Captain Thompson, of certain of those hymns in his edition of the Works of Andrew Marvell, 1776, as the undoubted compositions of Marvell; and the second, a claim in the Athenaeum, July 10th, 1880, on behalf of the Rev. Richard Richmond. Fully to elucidate the subject it will be necessary, therefore, to give a chronological history of the hymns as they appeared in the Spectator from time to time. i. The History of the Hymns in The Spectator. This, as furnished in successive numbers of the Spectator is :— 1. The first of these hymns appeared in the Spectator of Saturday, July 26, 1712, No. 441, in 4 stanzas of 6 lines. The article in which it appeared was on Divine Providence, signed “C." The hymn itself, "The Lord my pasture shall prepare," was introduced with these words:— "David has very beautifully represented this steady reliance on God Almighty in his twenty-third psalm, which is a kind of pastoral hymn, and filled with those allusions which are usual in that kind of writing As the poetry is very exquisite, I shall present my readers with the following translation of it." (Orig. Broadsheet, Brit. Mus.) 2. The second hymn appeared in the Spectator on Saturday, Aug. 9, 1712, No. 453, in 13 st. of 4 1., and forms the conclusion of an essay on " Gratitude." It is also signed " C," and is thus introduced:— “I have already obliged the public with some pieces of divine poetry which have fallen into my hands, and as they have met with the reception which they deserve, I shall, from time to time, communicate any work of the same nature which has not appeared in print, and may be acceptable to my readers." (Orig. Broadsheet, British Museum) Then follows the hymn:—"When all Thy mercies, 0 my God." 3. The number of the Spectator for Tuesday, Aug. 19, 1712, No. 461, is composed of three parts. The first is an introductory paragraph by Addison, the second, an unsigned letter from Isaac Watts, together with a rendering by him of Ps. 114th; and the third, a letter from Steele. It is with the first two we have to deal. The opening paragraph by Addison is:— “For want of time to substitute something else in the Boom of them, I am at present obliged to publish Compliments above my Desert in the following Letters. It is no small Satisfaction, to have given Occasion to ingenious Men to employ their Thoughts upon sacred Subjects from the Approbation of such Pieces of Poetry as they have seen in my Saturday's papers. I shall never publish Verse on that Day but what is written by the same Hand; yet shall I not accompany those Writings with Eulogiums, but leave them to speak for themselves." (Orig. Broadsheet, British Museum

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