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Earl Marlatt

1892 - 1976 Meter: 10.10.10.10 Author of "Spirit of light, whose ever-gracious power" Marlatt, Earl Bowman. (Columbus, Indiana, May 24, 1892--June 13, 1976, Winchester, Ind.). One of twin boys, he was born into the family of a Methodist Episcopal minister at Columbus, Ind. Graduating from DePauw University, Phi Beta Kappa, in 1912, he continued his studies at Harvard and Boston Universities, Oxford, England, and the University of Berlin. Upon returning to America he spent one year in newspaper work at Kenosha, Wisconsin, and then joined the United States Army, serving as a second lieutenant of field artillery in World War I. He joined the staff at Boston University as Associate Professor of Philosophy in 1923, becoming Professor two years later, was Professor of Literature, Boston University School of Theology, and Dean, 1938-1945. In 1946 he became Professor of Philosophy of Religion at Perkins School of Theology, Southern Methodist University, Dallas, Texas. Member of many learned societies, a poet of distinction, he won the Golden Flower at the May Day Poetry Tournament in Boston, 1925, and has been President of both the Boston Browning Society and the Boston Authors' Club. A writer of prose as well as verse he has contributed widely to American journals. Marlatt was closely associated with and was literary advisor to H. Augustine Smith who compiled a series of hymnals during the 1920s, most of which were for young people. He was associate editor of The American Student Hymnal, 1928, one of the Smith books, and for many years a member of the Executive Committee of the Hymn Society. Sources: Who's Who in America; handbooks of various hymnals; personal acquaintance and correspondence. --Robert G. McCutchan, DNAH Archives
Earl Marlatt

Joseph Barnby

1838 - 1896 Person Name: Sir Joseph Barnby Meter: 10.10.10.10 Composer of "LONGWOOD" in Trinity Hymnal (Rev. ed.) Joseph Barnby (b. York, England, 1838; d. London, England, 1896) An accomplished and popular choral director in England, Barby showed his musical genius early: he was an organist and choirmaster at the age of twelve. He became organist at St. Andrews, Wells Street, London, where he developed an outstanding choral program (at times nicknamed "the Sunday Opera"). Barnby introduced annual performances of J. S. Bach's St. John Passion in St. Anne's, Soho, and directed the first performance in an English church of the St. Matthew Passion. He was also active in regional music festivals, conducted the Royal Choral Society, and composed and edited music (mainly for Novello and Company). In 1892 he was knighted by Queen Victoria. His compositions include many anthems and service music for the Anglican liturgy, as well as 246 hymn tunes (published posthumously in 1897). He edited four hymnals, including The Hymnary (1872) and The Congregational Sunday School Hymnal (1891), and coedited The Cathedral Psalter (1873). Bert Polman
Joseph Barnby

Edward Henry Bickersteth

1825 - 1906 Person Name: Edward H. Bickersteth Meter: 10.10.10.10 Author of "Not Worthy, Lord!" in Trinity Hymnal (Rev. ed.) Bickersteth, Edward Henry, D.D., son of Edward Bickersteth, Sr. born at Islington, Jan. 1825, and educated at Trinity College, Cambridge (B.A. with honours, 1847; M.A., 1850). On taking Holy Orders in 1848, he became curate of Banningham, Norfolk, and then of Christ Church, Tunbridge Wells. His preferment to the Rectory of Hinton-Martell, in 1852, was followed by that of the Vicarage of Christ Church, Hampstead, 1855. In 1885 he became Dean of Gloucester, and the same year Bishop of Exeter. Bishop Bickersteth's works, chiefly poetical, are:— (l) Poems, 1849; (2) Water from the Well-spring, 1852; (3) The Rock of Ages, 1858 ; (4) Commentary on the New Testament, 1864; (5) Yesterday, To-day, and For Ever, 1867; (6) The Spirit of Life, 1868; (7) The Two Brothers and other Poems, 1871; (8) The Master's Home Call, 1872 ; (9) The Shadowed Home and the Light Beyond, 1874; (10) The Beef and other Parables, 1873; (11) Songs in the House of Pilgrimage, N.D.; (12) From Year to Year, 1883. As an editor of hymnals, Bp. Bickersteth has also been most successful. His collections are:— (1) Psalms & Hymns, 1858, based on his father's Christian Psalmody, which passed through several editions; (2) The Hymnal Companion, 1870; (3) The Hymnal Companion revised and enlarged, 1876. Nos. 2 and 3, which are two editions of the same collection, have attained to an extensive circulation.   [Ch. of England Hymnody.] About 30 of Bp. Bickersteths hymns are in common use. Of these the best and most widely known are:—" Almighty Father, hear our cry"; "Come ye yourselves apart and rest awhile"; "Father of heaven above"; "My God, my Father, dost Thou call"; "O Jesu, Saviour of the lost"; "Peace, perfect peace"; "Rest in the Lord"; "Stand, Soldier of the Cross"; " Thine, Thine, for ever"; and "Till He come.” As a poet Bp. Bickersteth is well known. His reputation as a hymn-writer has also extended far and wide. Joined with a strong grasp of his subject, true poetic feeling, a pure rhythm, there is a soothing plaintiveness and individuality in his hymns which give them a distinct character of their own. His thoughts are usually with the individual, and not with the mass: with the single soul and his God, and not with a vast multitude bowed in adoration before the Almighty. Hence, although many of his hymns are eminently suited to congregational purposes, and have attained to a wide popularity, yet his finest productions are those which are best suited for private use. -John Julian, Dictionary of Hymnology (1907) ================= Bickersteth, Edward Henry, p. 141, ii. Bishop Bickersteth's 1890 edition of his Hymnal Companion is noted on p. 1312, i., and several of his own hymns and translations, which appear therein for the first time, are annotated in this Appendix. One of these, "All-merciful, Almighty Lord," for the Conv. of St. Paul, was written for the 1890 edition of Hymnal Companion. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ================== Bickersteth, B. H., p. 141, ii. Bp. Bickersteth died in London, May 16, 1906. --John Julian, Dictionary of Hymnology, New Supplement (1907)
Edward Henry Bickersteth

Timothy T'ingfang Lew

1891 - 1947 Person Name: 劉廷芳 Meter: 10.10.10.10 Translator of "夕陽西沉歌" in The Cyber Hymnal T'ingfang Lew was a leading Chinese educator, author, and editor. He was educated in China and at Columbia University in New York City (M.A.; Ph.D.). His Bachelor of Divinity degree was from Yale and he studied at Union Theological Seminary, New York City, where he also taught Christian education. Lew lectured throughout America at schools and colleges from 1926 to 1938 and received an S.T.D. degree from Oberlin College. In 1932, Lew began to chair the commission to prepare a Chinese Union hymnal. The resulting Hymns of Universal Praise was published in 1936. Its music editor was Bliss Wiant, a colleague of Lews's at Yenching University in Peking. Lew also edited the Union Book of Common Prayer which was used by four Protestant Chinese groups having approximately one-half million members. He represented China at the World Council of Churches meetings (1927-1939). He served as a member of the Chinese government's legislative body (1936-1941). Lew is remembered for his work with Chinese Christian organizations in China and America where he resided from 1941 to 1947. He died while teaching at the University of New Mexico. --The Presbyterian Hymnal Companion, 1993
Timothy T'ingfang Lew

Albert F. Bayly

1901 - 1984 Meter: 10.10.10.10 Author of "Lord of All Good" in The Presbyterian Hymnal Albert F. Bayly was born on Sep­tem­ber 6, 1901, Bex­hill on Sea, Sus­sex, Eng­land. He received his ed­u­cat­ion at Lon­don Un­i­ver­si­ty (BA) and Mans­field Coll­ege, Ox­ford. Bayly was a Congregationalist (later United Reformed Church) minister from the late 1920s until his death in 1984. His life and ministry spanned the Depression of the 1930s, the Second World War, and the years of reconstruction which followed. Af­ter re­tir­ing in 1971, he moved to Spring­field, Chelms­ford, and was ac­tive in the local Unit­ed Re­formed Church. He wrote sev­er­al pageants on mis­sion themes, and li­bret­tos for can­ta­tas by W. L. Lloyd Web­ber. He died on Ju­ly 26, 1984 in Chiches­ter, Sus­sex, Eng­land. NN, Hymnary editor. Sources: www.hymntime.com/tch and Church Times, an Anglican newspaper, Tuesday 20 October 2015
Albert F. Bayly

Mary A. Lathbury

1841 - 1913 Meter: 10.10.10.10 Author of "Break Thou the Bread of Life" in Timeless Truths Lathbury, Mary Ann, was born in Manchester, Ontario County, New York, Aug. 10, 1841. Miss Lathbury writes somewhat extensively for the American religious periodical press, and is well and favourably known (see the Century Magazine, Jan., 1885, p. 342). Of her hymns which have come into common use we have:— 1. Break Thou the bread of life. Communion with God. A "Study Song" for the Chautauqua Literary and Scientific Circle, written in the summer of 1880. It is in Horder's (Eng.) Congregational Hymns, 1884. 2. Day is dying in the west. Evening. "Written at the request of the Rev. John H. Vincent, D.D., in the summer of 1880. It was a "Vesper Song," and has been frequently used in the responsive services of the Chautauqua Literary and Scientific Circle." It is in the Laudes Domini, N. Y., 1884. For these details we are indebted to S. W. Duffield's English Hymns, &c, N. Y., 1886. --John Julian, Dictionary of Hymnology (1907) ================== Lathbury, Mary A., p. 640, i. Another hymn by this writer is, "Lift up, lift up thy voice with singing." [Praise to Christ), in Sankey's Sacred Songs & Solos, 1878. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
Mary A. Lathbury

Tillit S. Teddlie

1885 - 1987 Person Name: Tillit S. Teddlie, 1885-1987 Meter: 10.10.10.10 Composer of "[Safe in the harbor, the weary find rest]" in Sacred Songs of the Church Tillit Sidney Teddlie was born on June 3, 1885 at Swan, Texas. He was a leader in the Churches of Christ denomination in the 20th Century. In addition to singing schools which he taught for 61 years, he also preached and taught across Texas and the southwest. For one period of time (two years) he sang only with Foy E. Wallace, Jr., (a well-known, conservative Churches of Christ preacher around World War II) while they conducted meetings across the country. Teddlie was honored by many people in many places. On June 2, 1985, 630 churches across the land proclaimed Sunday “Tillit S. Teddlie Day” and sang his songs. Teddlie had composed 130 songs and published 14 song books. One of his song books, "Golden Harvest Hymns" included 100 of his best-known hymns. He attended a song fest in his name at the Preston Crest Church of Christ in Dallas where more than 1,200 gathered. Teddlie's 100th birthday was honored by President Reagan who sent a telegram, and Sen. Phil Graham among others. The Briar, Texas, Church of Christ gave him a bronze statue worth $6,000. His songs published in hymnals from Churches of Christ include “Worthy Art Thou,” “Heaven Holds All to Me,” “When We Meet in Sweet Communion, “Oft We Come Together,” “Singing Redemption’s Song,” “Hear Me When I Call,” “O God of Infinite Mercy,” and many more. While Teddlie had success as a publisher of many of his own smaller hymnals, his contributions as a composer to every major hymnal published in Churches of Christ since 1921 have left an indelible imprint on the denomination’s hymnody. Teddlie died August 17, 1987 at the age of 102. He is remembered for his preaching, teaching, and music and his good influence upon all the people that he met and worked with. D. J. Bulls, from "In Memoriam" by Gussie Lambert, 1988; "Our Garden of Song" by G. C. Finley, Howard Publishing, 1984; "Tillit S. Teddlie, A Centennial Celebration" Program, June 2, 1985, Dallas, TX, http://www.therestorationmovement.com/_states/texas/teddlie,ts.htm
Tillit S. Teddlie

Frances Ridley Havergal

1836 - 1879 Person Name: Frances R. Havergal Meter: 10.10.10.10 Author of "Singing for Jesus, Our Saviour and King" in Lutherförbundets Sångbok Havergal, Frances Ridley, daughter of the Rev. W. H. Havergal, was born at Astley, Worcestershire, Dec. 14, 1836. Five years later her father removed to the Rectory of St. Nicholas, Worcester. In August, 1850, she entered Mrs. Teed's school, whose influence over her was most beneficial. In the following year she says, "I committed my soul to the Saviour, and earth and heaven seemed brighter from that moment." A short sojourn in Germany followed, and on her return she was confirmed in Worcester Cathedral, July 17, 1853. In 1860 she left Worcester on her father resigning the Rectory of St. Nicholas, and resided at different periods in Leamington, and at Caswall Bay, Swansea, broken by visits to Switzerland, Scotland, and North Wales. She died at Caswell Bay, Swansea, June 3, 1879. Miss Havergal's scholastic acquirements were extensive, embracing several modern languages, together with Greek and Hebrew. She does not occupy, and did not claim for herself, a prominent place as a poet, but by her distinct individuality she carved out a niche which she alone could fill. Simply and sweetly she sang the love of God, and His way of salvation. To this end, and for this object, her whole life and all her powers were consecrated. She lives and speaks in every line of her poetry. Her poems are permeated with the fragrance of her passionate love of Jesus. Her religious views and theological bias are distinctly set forth in her poems, and may be described as mildly Calvinistic, without the severe dogmatic tenet of reprobation. The burden of her writings is a free and full salvation, through the Redeemer's merits, for every sinner who will receive it, and her life was devoted to the proclamation of this truth by personal labours, literary efforts, and earnest interest in Foreign Missions. [Rev. James Davidson, B.A.] Miss Havergal's hymns were frequently printed by J. & R. Parlane as leaflets, and by Caswell & Co. as ornamental cards. They were gathered together from time to time and published in her works as follows:— (1) Ministry of Song, 1869; (2) Twelve Sacred Songs for Little Singers, 1870; (3) Under the Surface, 1874; (4) Loyal Responses, 1878; (5) Life Mosaic, 1879; (6) Life Chords, 1880; (7) Life Echoes, 1883. About 15 of the more important of Miss Havergal's hymns, including "Golden harps are sounding," "I gave my life for thee," "Jesus, Master, Whose I am," "Lord, speak to me," "O Master, at Thy feet," "Take my life and let it be," "Tell it out among the heathen," &c, are annotated under their respective first lines. The rest, which are in common use, number nearly 50. These we give, together with dates and places of composition, from the Havergal mss. [manuscript], and the works in which they were published. Those, and they are many, which were printed in Parlane's Series of Leaflets are distinguished as (P., 1872, &c), and those in Caswell’s series (C., 1873, &c). 1. A happy New Year! Even such may it be. New Year. From Under the Surface, 1874. 2. Certainly I will be with thee. Birthday. Sept. 1871, at Perry Barr. (P. 1871.) Published in Under the Surface, 1874, and Life Mosaic, 1879. 3. Church of God, beloved and chosen. Sanctified in Christ Jesus, 1873. (P. 1873.) Published in Under the Surface, 1874, and Life Mosaic, 1879. 4. God Almighty, King of nations. Sovereignty of God. 1872. Published in Under the Surface, 1874, and Life Mosaic, 1879. 5. God doth not bid thee wait. God faithful to His promises. Oct. 22, 1868, at Oakhampton. (P. 1869.) Published in Ministry of Song, 1869, and Life Mosaic, 1879. 6. God of heaven, hear our singing. A Child's hymn for Missions. Oct. 22, 1869, at Leamington. Published in her Twelve Sacred Songs for Little Singers, 1870, and her Life Chords, 1880. 7. God will take care of you, All through the day. The Good Shepherd. In Mrs. Brock's Children's Hymn Book, 1881. 8. God's reiterated all. New Year. 1873, at Winterdyne. (C. 1873.) Published in Loyal Responses, 1878, and Life Mosaic, 1879. 9. Have you not a word for Jesus? Boldness for the Truth. Nov. 1871, at Perry Barr. (P. 1872.) Published in Under the Surface, 1874, and Life Mosaic, 1879. 10. He hath spoken in the darkness. Voice of God in sorrow. June 10,1869, at Neuhausen. (P. 1870.) Published in Under the Surface, 1874, and in Life Mosaic, 1879. 11. Hear the Father's ancient promise. Promise of the Holy Spirit. Aug. 1870. Published in Under the Surface, 1874, and Life Mosaic, 1879. 12. Holy and Infinite! Viewless, Eternal. Infinity of God. 1872. Published in Under the Surf ace, 1874, and L. Mosaic, 1879. 13. Holy brethren, called and chosen. Election a motive for Earnestness. 1872. Published in Snepp's Songs of Grace & Glory, 1876. 14. I am trusting Thee, Lord Jesus. Faith. Sept. 1874, at Ormont Dessona. (P. 1874.) Published in Loyal Responses, 1878, and Life Chords, 1880. Miss Havergal’s tune, Urbane (Snepp's Songs of Grace & Glory, 1048), was composed for this hymn. The hymn was the author's "own favourite," and was found in her pocket Bible after her death. 15. I bring my sins to Thee. Besting all on Jesus. June, 1870. (P. 1870.) Printed in the Sunday Magazine, 1870, and Home Words, 1872. Published in Under the Surface, 1874, and Life Chords, 1880. 16. I could not do without Thee. Jesus All in All. May 7, 1873. (P. 1873.) Printed in Home Words, 1873, and published in Under the Surface, 1874, and Life Mosaic, 1879. 17. In full and glad surrender. Confirmation. Miss Havergal's sister says this hymn was “The epitome of her [Miss F. R. H.'s] life and the focus of its sunshine." It is a beautiful hymn of personal consecration to God at all times. 18. In the evening there is weeping. Sorrow followed by Joy. June 19, 1869, at the Hotel Jungfraublick, Interlaken. "It rained all day, except a very bright interval before dinner. Curious long soft white clouds went slowly creeping along the Scheinige Platte; I wrote “Evening Tears and Morning Songs” (Marg. reading of Ps. xxx. 5.)" (P. 1870.) Published in Under the Surface, 1874. 19. Increase our faith, beloved Lord. Increase of Faith desired. In Loyal Responses, 1878, in 11 stanzas of 4 lines, on St. Luke xvii. 5. It is usually given in an abridged form. 20. Is it for me, dear Saviour? Heaven anticipated. Nov. 1871, at Perry Barr. (P. 1872.) Published in Under the Surface, 1874, and Life Mosaic, 1879. 21. Israel of God, awaken. Christ our Righteousness. May, 1871, at Perry Barr. (P. 1872.) Published in Under the Surface, 1874, and Life Mosaic, 1879. 22. Jehovah's covenant shall endure. The Divine Covenant, 1872. Published in Snepp's Songs of Grace & Glory, 1876. 23 Jesus, blessed Saviour. New Year, Nov. 25, 1872, at Leamington. (P. 1873.) Printed in the Dayspring Magazine, Jan. 1873, and published in Life Chords, 1880. 24. Jesus only! In the shadow. Jesus All in All. Dec. 4, 1870, at Pyrmont Villa. (P. & C. 1871.) Published in Under the Surface, 1874, and in Life Mosaic, 1879. 25. Joined to Christ by [in] mystic union. The Church the Body of Christ. May, 1871, at Perry Barr. (P. 1872.) Published in Under the Surface, 1874, Life Mosaic, 1879. 26. Just when Thou wilt, 0 Master, call. Resignation. In Loyal Responses, 1878, in 5 stanzas of 4 lines, and Whiting's Hymns for the Church Catholic, 1882. 27. King Eternal and Immortal. God Eternal. Written at Perry Villa, Perry Barr, Feb. 11, 1871, and Published in Snepp's Songs of Grace & Glory, 1876; Under the Surface, 1874 ; and Life Mosaic, 1879. 28. Light after darkness, Gain after loss. Peace in Jesus, and the Divine Reward. In Sankey's Sacred Songs and Solos, from her Life Mosaic, 1879. 29. Like a river glorious, Is God's perfect Peace. Peace. In her Loyal Responses, 1878, in 3 st. of 8 1., with the chorus, "Stayed upon Jehovah." In several collections. 30. Master, speak! Thy servant heareth. Fellowship with and Assistance from Christ desired. Sunday evening, May 19, 1867, at Weston-super-Mare. Published in Ministry of Song, 1869, and L. Mosaic, 1879. It is very popular. 31. New mercies, new blessings, new light on thy way. New Life in Christ. 1874, at Winterdyne. (C. 1874.) Published in Under His Shadow, 1879, Life Chords, 1880. 32. Not your own, but His ye are. Missions. Jan. 21, 1867. (C. 1867.) Published in Ministry of Song, 1869; Life Mosaic, 1879; and the Hymnal for Church Missions, 1884. 33. Now let us sing the angels' song. Christmas. In her Life Mosaic, 1879; and W. B. Stevenson's School Hymnal, 1880. 34. Now the daylight goes away. Evening. Oct. 17, 1869, at Leamington. Published in Songs for Little Singers, 1870, and Life Chords, 1880. It originally read, " Now the light has gone away." 35. Now the sowing and the weeping. Sorrow followed by Joy. Jan. 4, 1870, at Leamington. Printed in Sunday at Home, 1870 ; and published in Under the Surface, 1874, and L. Mosaic, 1879. 36. 0 Glorious God and King. Praise to the Father, Feb. 1872. Published in Under the Surface, 1874, and Life Mosaic, 1879. 37. 0 Saviour, precious [holy] Saviour. Christ worshipped by the Church. Nov. 1870, at Leamington. (P. 1870.) Published in Under the Surface, 1874, and Life Mosaic, 1879. 38. O thou chosen Church of Jesus. Election. April 6, 1871. Published in Under the Surface, 1874, and L. Mosaic, 1879. 39. O what everlasting blessings God outpoureth on His own. Salvation everlasting. Aug. 12, 1871, at Perry Barr. (P. 1871.) Published in Under the Surface, 1874, and L. Mosaic, 1879. 40. Our Father, our Father, Who dwellest in light. The blessing of the Father desired. May 14, 1872. Published in Under the Surface, 1874, and Life Mosaic, 1879. Miss Havergal's tune, Tertius, was composed for this hymn. 41. Our Saviour and our King. Presentation of the Church to the Father. (Heb. ii. 13.) May, 1871, at Perry Barr. (P. 1871.) Published in Under the Surface, 1874, and L. Mosaic, 1879. 42. Precious, precious blood of Jesus. The precious Blood. Sept. 1874, at Ormont Dessons. (C.) Published in Loyal Responses, 1878, and Life Chords, 1880. 43. Sing, O heavens, the Lord hath done it. Redemption. In her Life Mosaic, 1879, and the Universal Hymn Book, 1885. 44. Sit down beneath His shadow. Holy Communion. Nov. 27, 1870, at Leamington. (P. 1870.) Published in Under the Surface, 1874, and Life Mosaic, 1879. 45. Sovereign Lord and gracious Master. Grace consummated in Glory. Oct. 22, 1871. (P. 1872.) Published in Under the Surface, 1874, and Life Mosaic, 1879. 46. Standing at the portal of the opening year. New Year. Jan. 4, 1873. Published in Under the Surface, 1874, and Life Chords, 1880. 47. To Thee, 0 Comforter divine. Praise to the Holy Spirit. Aug. 11, 1872, at Perry Barr. Published in Under the Surface 1874, and Life Mosaic, 1879. Miss Havergal's tune, Tryphosa, was written for this hymn. 48. True-hearted, whole-hearted, faithful and loyal. Faithfulness to the Saviour. In her Loyal Responses, 1878, and the Universal Hymn Book, 1885. 49. What know we, Holy God, of Thee? God's Spirituality, 1872. Published in Under the Surface, 1874, and Life Mosaic, 1879. 50. Who is on the Lord's side? Home Missions. Oct. 13, 1877. Published in Loyal Responses, 1878, andLife Chords, 1880. 51. With quivering heart and trembling will. Resignation. July, 10, 1866, at Luccombe Rectory. (P. 1866.) Published in Ministry of Song, 1869, and Life Mosaic, 1879. 52. Will ye not come to Him for life? The Gospel Invitation. 1873. Published in Snepp's Songs of Grace and Glory, 1876. 53. Worthy of all adoration. Praise to Jesus as the Lamb upon the throne. Feb. 26 1867, at Oakhampton. Published in Ministry of Song, 1869, and Life Mosaic, 1874. It is pt. iii. of the "Threefold Praise," and was suggested by the "Worthy is the Lamb," the "Hallelujah" and "Amen" choruses in Handel's Messiah. 54. Ye who hear the blessed call. The Invitation of the Spirit and the Bride. March, 1869, at Leamington. (P. 1869.) Published in Ministry of Song, 1869, and Life Mosaic, 1879. Suggested by, and written for, the Young Men's Christian Association. 55. Yes, He knows the way is dreary. Encouragement. 1867. Published in Ministry of Song, 1869. Most of these hymns are given in Snepp's Songs of Grace and Glory, 1872]and 1876, his Appendix, 1874, and the Musical edition, 1880, and many of them are also in several other hymnbooks, including Hymns Ancient & Modern, Thring, Church Hymns, Hymnal Companion, &c, and some of the leading American collections. --John Julian, Dictionary of Hymnology (1907) ============================== Havergal, Frances Ridley, p. 496, i. Miss Havergal's Poetical Works were published in 2 vols. in 1884 (Lond., J. Nisbet); and the hymns therein are accompanied by notes. From these volumes, and the Havergal manuscript, we gather the following facts concerning additional hymns in common use: 1. In God's great field of labour. Work for Christ. Written Feb. 27, 1867, and published in her Ministry of Song, I860, and later works. In Snepp's Songs of Grace and Glory, 1872, it begins with stanza ii., "Sing to the little children." “The poem expresses her own life-ministry of song, and relates true incidents" in that life. [Hav. mss.] 2. Only a mortal's power. Consecration of Self to Christ. Published in her Loyal Responses, 1878, in 7 stanzas of 4 lines, and headed "Only.” In Common Praise, 1879, stanzas ii.-vi., are given for Confirmation as, "Only one heart to give." 3. Through the yesterday of ages. Jesus always the same. Written at Leamington, Nov. 1876, and published in her Loyal Responses, 1878. 4. What hast Thou done for me, 0 Thou my mighty Friend. Good Friday. Written at Leamington, Jan. 1877, and pub. in Loyal Responses, 1878. 5. Yes, He knows the way is dreary, p. 498, i. 55. This hymn was written at Shareshill Parsonage, Nov. 17, 1865, and first printed as one of Parlane's leaflets; then in Lyra Britannica, 1867; and later, in several of her books. It was "suggested by a letter from her niece, A. M. S., at school, and written to console her when weary, lonely, and the only absentee at the rejoicings for her brother J. H. S.'s coming of age." [Hav. mss.] --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) =================== Havergal, Frances R., pp. 426, ii., 1569, ii. During the past fifteen years Miss Havergal's hymns have been in great request by compilers of hymnals for Missions and Conventions. In addition to the large number already annotated in this Dictionary, the following are also in common use:— 1. Begin at once! in the pleasant days. [Temperance.] From her Poetical Works, vol. i., p. 303, into The Sunday School Hymnary, 1905. In her Poetical Works. It is given as a "Band of Hope Song," and dated "May, 1876." 2. God in heaven, hear our singing. An altered form of her "God of heaven, hear our singing," p. 497, i. 6. 3. Holy Father, Thou hast spoken. [Holy Spirit desired.] Written May 5, 1876. P. Works, 1874, ii., p. 261. 4. I love. I love my Master. [Jesus the object of love.] Written at Fins, Hants., July 16, 1876. In her Loyal Responses, 1878, and her Poetical Works, 18S4, ii., p. 274. 5. I love to feel that I am taught. [Love of Divine Teaching.] Written at Morecambe Bay, Aug., 1867, for her Ministry of Song, 1869. Included in her Poetical Works, 1884, i., p. 36. 6. Jesus, Thy life is mine. [Union with Christ.] Written June 2, 1876. Poetical Works, 1884, ii., p. 268. 7. Looking unto Jesus, Never need we yield. [Jesus, All in All.] Dated 1876. P. Works, 1884, ii., p. 253. 8. Master, how shall I bless Thy Name! [Holy Service.] Written at Whitby, Sept. 27, 1875. A long hymn of 17 stanzas of 6 lines. P. Works, 1884, ii., p. 280. 9. Resting on the faithfulness. [Union with Christ.] A metrical epitome of a dozen or more of the attributes of Our Lord and His manifestation of loving kindness towards men, in which the word "Resting" is used eighteen times. Written June 11, 1876. Poetical Works, 1884, ii., p. 260. 10. Singing for Jesus, our Saviour and King. [Praise of Jesus.] Written at Winterdyne, June 12. 1872; published in her Under the Surface, 1874, p. 94, and her P. Works, 1884, ii., p. 70. 11. Unfurl the Christian Standard with firm and fearless hand. [Courage for the Christian Warfare. This begins with st. iv. of her hymn, "Unfurl the Christian Standard, lift it manfully on high," written at Perry Barr, Sep. 23, 1872 ; published in her Under the Surface, 1874; and her Poetical Works, 1884, ii. 12. Unto him that hath Thou givest. [Growth in Grace.] Written at Leasowes, April 12, 1876. P. Works, 1884, ii. 259. Of these hymns Nos. 3, 4, 6, 7, 8, 9, and 12 were published in the first instance in J. Mountain's Hymns of Consecration and Faith, 1876. At the present time (1907) the number of Miss Havergal's hymns in common use reaches nearly one hundred. --John Julian, Dictionary of Hymnology, New Supplement (1907)
Frances Ridley Havergal

D. W. Whittle

1840 - 1901 Person Name: Daniel W. Whittle Meter: 10.10.10.10 Author of "Moment by Moment" in The Worshiping Church [Also published under the pseudonym El Nathan.] =============== Whittle, D. W.. Six of his hymns (Nos. 295, 308,363, 385, 386, 417) are given in I. D. Sankey's Sacred Songs and Solos, under the signature of "El Nathan." --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
D. W. Whittle

St. Joseph the Hymnographer

810 - 886 Person Name: St. Joseph the Hymnographer, c. 800-883 Meter: 10.10.10.10 Author of "Stars of the Morning" in Evangelical Lutheran Hymnary Joseph, St., the Hymnographer. A native of Sicily, and of the Sicilian school of poets is called by Dr. Neale (in his Hymns of the Eastern Church), Joseph of the Studium, in error. He left Sicily in 830 for a monastic life at Thessalonica. Thence he went to Constantinople; but left it, during the Iconoclastic persecution, for Rome. He was for many years a slave in Crete, having been captured by pirates. After regaining his liberty, he returned to Constantinople. He established there a monastery, in connection with the Church of St. John Chrysostom, which was filled with inmates by his eloquence. He was banished to the Chersonese for defence of the Icons, but was recalled by the empress Theodora, and made Sceuophylax (keeper of the sacred vessels) in the Great Church of Constantinople, through the favour of the patriarch Ignatius. He stood high also in the favour of Photius, the rival and successor of Ignatius, and accompanied him into banishment. He died at an advanced age in 883. He is commemorated in the Calendars of the Greek Church on April 3rd. He is the most voluminous of the Greek hymnwriters. There are more than two hundred Canons under the acrostic of his name, in the Menaea. Cardinal Pitra says he is reported to have composed a thousand. There is some difficulty in distinguishing his works from those of the brother of Theodore of the Studium, Joseph of Thessalonica. This latter poet, and not the more celebrated Joseph the Hymnographer, was named Joseph of the Studium. [Rev. H. Leigh Bennett, M.A.] -- John Julian, Dictionary of Hymnology (1907) See also in: Wikipedia
St. Joseph the Hymnographer

James McGranahan

1840 - 1907 Meter: 10.10.10.10 Composer of "PERFECT PEACE (McGranahan)" James McGranahan USA 1840-1907. Born at West Fallowfield, PA, uncle of Hugh McGranahan, and son of a farmer, he farmed during boyhood. Due to his love of music his father let him attend singing school, where he learned to play the bass viol. At age 19 he organized his first singing class and soon became a popular teacher in his area of the state. He became a noted musician and hymns composer. His father was reluctant to let him pursue this career, but he soon made enough money doing it that he was able to hire a replacement farmhand to help his father while he studied music. His father, a wise man, soon realized how his son was being used by God to win souls through his music. He entered the Normal Music School at Genesco, NY, under William B Bradbury in 1861-62. He met Miss Addie Vickery there. They married in 1863, and were very close to each other their whole marriage, but had no children. She was also a musician and hymnwriter in her own right. For a time he held a postmaster’s job in Rome, PA. In 1875 he worked for three years as a teacher and director at Dr. Root’s Normal Music Institute. He because well-known and successful as a result, and his work attracted much attention. He had a rare tenor voice, and was told he should train for the operatic stage. It was a dazzling prospect, but his friend, Philip Bliss, who had given his wondrous voice to the service of song for Christ for more than a decade, urged him to do the same. Preparing to go on a Christmas vacation with his wife, Bliss wrote McGranahan a letter about it, which McGranahan discussed with his friend Major Whittle. Those two met in person for the first time at Ashtubula, OH, both trying to retrieve the bodies of the Bliss’s, who died in a bridge-failed train wreck. Whittle thought upon meeting McGranahan, that here is the man Bliss has chosen to replace him in evangelism. The men returned to Chicago together and prayed about the matter. McGranahan gave up his post office job and the world gained a sweet gospel singer/composer as a result. McGranahan and his wife, and Major Whittle worked together for 11 years evangelizing in the U.S., Great Britain, and Ireland. They made two visits to the United Kingdom, in 1880 and 1883, the latter associated with Dwight Moody and Ira Sankey evangelistic work. McGranahan pioneered use of the male choir in gospel song. While holding meetings in Worcester, MA, he found himself with a choir of only male voices. Resourcefully, he quickly adapted the music to those voices and continued with the meetings. The music was powerful and started what is known as male choir and quartet music. Music he published included: “The choice”, “Harvest of song”, “Gospel Choir”,, “Gospel hymns #3,#4, #5, #6” (with Sankey and Stebbins), “Songs of the gospel”, and “Male chorus book”. The latter three were issued in England. In 1887 McGranahan’s health compelled him to give up active work in evangelism. He then built a beautiful home, Maplehurst, among friends at Kinsman, OH, and settled down to the composition of music, which would become an extension of his evangelistic work. Though his health limited his hours, of productivity, some of his best hymns were written during these days. McGranahan was a most lovable, gentle, modest, unassuming, gentleman, and a refined and cultured Christian. He loved good fellowship, and often treated guests to the most delightful social feast. He died of diabetes at Kinsman, OH, and went home to be with his Savior. John Perry
James McGranahan

Jaroslav J. Vajda

1919 - 2008 Person Name: Jaroslav J. Vajda, 1919-2008 Meter: 10.10.10.10 Author of "Come At the Summit of This Day" in Sing to the Lord Jaroslav J. Vajda (b. Lorain, Ohio, 1919; d. 2008) Born of Czechoslovakian parents, Vajda was educated at Concordia College in Fort Wayne, Indiana, and Concordia Theological Seminary in St. Louis, Missouri. Ordained as a Lutheran pastor in 1944, he served congregations in Pennsylvania and Indiana until 1963. He was editor of the periodicals The Lutheran Beacon (1959-1963) and This Day (1963-1971) and book editor and developer for Concordia Publishing House in St. Louis from 1971 until his retirement in 1986. Working mainly with hymn texts, Vajda served on several Lutheran commissions of worship. A writer of original poetry since his teens, he was the author of They Followed the King (1965) and Follow the King (1977). His translations from Slovak include Bloody Sonnets (1950), Slovak Christmas (1960), An Anthology of Slovak Literature (1977), and contributions to the Lutheran Worship Supplement (1969) and the Lutheran Book of Worship (1978). A collection of his hymn texts, carols, and hymn translations was issued as Now the Joyful Celebration (1987); its sequel is So Much to Sing About (1991). Vajda's hymns are included in many modern hymnals, and he was honored as a Fellow of the Hymn Society in the United States and Canada in 1988. Bert Polman
Jaroslav J. Vajda

Hubert P. Main

1839 - 1925 Person Name: Hubert Platt Main Meter: 10.10.10.10 Composer of "ROSEVILLE" in The Cyber Hymnal Hubert Platt Main DD USA 1839-1925. Born at Ridgefield, CT, he attended singing school as a teenager. In 1854 he went to New York City and worked as an errand boy in a wallpaper house. The next year he became an errand boy in the Bristow & Morse Piano Company. He was an organist, choir leader, and compiled books of music. He also helped his father edit the “Lute Songbook” by Isaac Woodbury. In 1866 he married Olphelia Louise Degraff, and they had two sons: Lucius, and Hubert. In 1867 he filled a position at William B Bradbury’s publishing house. After Bradbury’s death in 1868 the Bigelow & Main Publishers were formed as its successor. He also worked with his father until his father’s death in 1873. Contributors to their efforts were Fanny Crosby, Ira Sankey, Wilbur Crafts, and others. In addition to publishing, Main wrote 1000+ pieces of music, including part song, singing school songs, Sunday school music, hymns, anthems, etc. He also arranged music and collected music books. He 1891 he sold his collection of over 3500 volumes to the Newberry Library in Chicago, IL, where they were known as the Main Library. Some of his major publications include: “Book of Praise for the Sunday school” (1875), “Little pilgrim songs” (1884), “Hymns of Praise” (`1884), “Gems of song for the Sunday school” (1901), “Quartettes for men’s voices: Sacred & social selections” (1913). In 1922 Hope Publishing Company acquired Bigelow & Main. He was an editor, author, compiler, and composer, as well as publisher. He died in Newark, NJ. John Perry
Hubert P. Main

Mary Baker Eddy

1821 - 1910 Meter: 10.10.10.10 Author of "Mother's Evening Prayer" in Christian Science Hymnal (Rev. and enl.) Mary Baker Eddy (born Mary Morse Baker, July 16, 1821 – December 3, 1910) is the discoverer and founder of Christian Science, a religious movement that emerged in New England in the late 19th century. Eddy is the author of the movement’s textbook, Science and Health with Key to the Scriptures (first published in 1875), and founder of The First Church of Christ, Scientist (1892). She also founded The Christian Science Publishing Society (1898). Mary Morse Baker was born in Bow, New Hampshire, the youngest of six children of Abigail and Mark Baker. Raised a Congregationalist, she came to reject teachings such as predestination and original sin, but she loved the biblical accounts of early Christian healing. Mark Baker, Eddy’s father, firmly believed in the Congregational church’s doctrine of predestination, but Eddy couldn’t accept the idea that the loving God she knew could condemn people to eternal damnation. Eddy eventually joined the Congregational church at Sanbornton Bridge (present-day Tilton), New Hampshire, when she was seventeen. A fragile child, Eddy suffered from a number of physical complaints. Her letters from this time, now at The Mary Baker Eddy Library in Boston, Massachusetts, portray her sufferings and search for relief. In an effort to find health in her early adulthood, she tried homeopathy, dietary cures, mesmerism, hydropathy, and other popular treatments of the day. None of those methods brought lasting health. On December 10, 1843, Eddy married George Washington Glover. He died of yellow fever on June 27, 1844, a little over three months before the birth of their only child, George Washington Glover. As a single mother in poor health, Eddy wrote some political pieces for the New Hampshire Patriot, as writing was one of the few ways a woman in her position could make money. Eddy continued to struggle with poor health, and her son was put into the care of neighbors by her father and stepmother. She married Dr. Daniel Patterson, a dentist, in 1853, hoping he would adopt the young boy. Patterson signed papers to that effect on their wedding day, but failed to follow through on his promise. In 1873, Eddy divorced Daniel Patterson on the grounds of desertion. In October 1862, Eddy became a patient of Phineas Quimby, a magnetic healer from Maine. She benefited temporarily from his treatment. From 1862 to 1865 Quimby and Eddy engaged in lengthy discussions about healing methods practiced by Quimby and others. Eddy’s conclusions from her own scriptural study and healing practice differed from Quimby’s teachings. In 1866, Eddy had a substantial physical healing while reading about Jesus’ healings in the Bible, without employing any medical forms of treatment. This pivotal event showed her that Jesus’ teachings were practical throughout all time. She devoted the next three years of her life to biblical study and called her discovery Christian Science. In her autobiography, Retrospection and Introspection, Eddy writes, “I then withdrew from society about three years,—to ponder my mission, to search the Scriptures, to find the Science of Mind that should take the things of God and show them to the creature, and reveal the great curative Principle,—Deity” (pp. 24–25). Eddy became well known as a healer, and first-hand accounts state that she performed miracles similar to miracles performed by Jesus. In 1875, Eddy published her discovery in a book titled Science and Health (later retitled Science and Health with Key to the Scriptures), which she called the textbook of Christian Science. As worded in the final edition, she wrote, “In the year 1866, I discovered the Christ Science or divine laws of Life, Truth, and Love, and named my discovery Christian Science” (p. 107). During these years she taught her new ideas to hundreds of people. Many of her students became healers themselves. The final chapter of Science and Health, titled “Fruitage,” contains testimonies of people who were healed by studying her book. In 1877 she married Asa Gilbert Eddy, a student of Christian Science and an active worker in the movement. Eddy founded The Christian Science Journal in 1883, a monthly magazine “designed to put on record the divine Science of Truth” (The First Church of Christ, Scientist, and Miscellany, p. 353). Eddy founded The Christian Science Publishing Society in 1898, which became the publishing home for numerous publications launched by her and her followers. The Christian Science Sentinel, a weekly religious periodical written for a more general audience, and The Herald of Christian Science, a religious magazine with editions in many languages, were established in 1898. In 1908, at the age of 87, Eddy founded The Christian Science Monitor, a daily newspaper. These periodicals continue to be published today. Five of Eddy’s poems were set to music and included in the Christian Science Hymnal during her lifetime: “Christmas Morn,” “Mother’s Evening Prayer,” “Christ my Refuge,” “Communion Hymn,” and “Feed My Sheep.” When the hymnal was revised in 1932, two more of her poems were added: “Love” and “Satisfied.” More information about these particular poems, their original publication and inclusion in the hymnal, is available from The Mary Baker Eddy Library. Eddy died on the evening of December 3, 1910, at her home in Chestnut Hill, Massachusetts. Hundreds of tributes appeared in newspapers around the world, including The Boston Globe, which wrote, “She did a wonderful—an extraordinary— work in the world and there is no doubt that she was a powerful influence for good.” Today, there are Christian Science churches in 76 countries. This biography was written in collaboration with The Mary Baker Eddy Library and the staff of “Hymns 2016” on JSH-Online. More information about Mary Baker Eddy is available at MBELibrary.org. Submitted 8 August 2016.
Mary Baker Eddy

Carlton R. Young

b. 1926 Person Name: Carlton R. Young, 1926- Meter: 10.10.10.10 Harmonizer of "SLANE" in Worship and Rejoice
Carlton R. Young

William Gadsby

1773 - 1844 Person Name: William Gadsby, 1773-1844 Meter: 10.10.10.10 Author of "Immortal Honors Rest on Jesus' Head" in The Cyber Hymnal Gadsby, William , was born in 1773 at Attleborough, in Warwickshire. In 1793 he joined the Baptist church at Coventry, and in 1798 began to preach. In 1800 a chapel was built for him at Desford, in Leicestershire, and two years later another in the town of Hinckley. In 1805 he removed to Manchester, becoming minister of a chapel in Rochdale Boad, where he continued until his death, in January, 1844. Gadsby was for many years exceedingly popular as a preacher of the High Calvinist faith, and visited in that capacity most parts of England. He published The Nazarene's Songs, being a composition of Original Hymns, Manchester, 1814; and Hymns on the Death of the Princess Charlotte, Manchester, 1817. In 1814 he also published A Selection of Hymns for Public Worship, appending thereto a large number of his own compositions [Baptist Hymnody, § nr., 2]. The edition of 1882 pub. by his son J. Gadsby contains 1138 hymns, of which 157 are by William Gadsby, and form Pt. ii. of the Selection From his point of view they are sound in doctrine, but have little poetic fervour, and the rhyme is faulty in a large number of instances. Four of these hymns are in Denham's Selection and one in the Selection of J. Stevens. [Rev. W. R Stevenson, M.A. ] --John Julian, Dictionary of Hymnology (1907)
William Gadsby

G. W. Briggs

1875 - 1959 Person Name: George W. Briggs Meter: 10.10.10.10 Author of "We Meet, As in That Upper Room" in Hymnal of the Church of God George Wallace Briggs is a Canon of Worcester Cathedral and one of the most distinguished British hymn writers and hymnologists of today. Six of his hymns appear in the Episcopal Hymnal of 1940 (American). Another hymn on the Bible entitled "Word of the living God" was written for the 25th Anniversary of the British Bible Reading Fellowship and was sung in Westminster Abbey on June 5, 1947. It has been widely used since that time. Canon Briggs is a leading member of the Hymn Society of Great Britain and Ireland. He is also the composer of several hymn times, six of which have appeared in British hymnals. In addition to his work as a clergy man of the Church of England and an hymnologist, he has interest himself actively in the field of religious education, being largely responsible for two books with wide circulation in Britain, "Prayers and Hymns for used in Schools" and "The Daily Service." These books have had great influence on the worship practices of British schools, public and private. It is of historic interest that he is the author of one of the prayers used at the time of the famous meeting of Churchill and Roosevelt on H.M.S. Prince of Wales in 1941 when the Atlantic Charter was framed. --Ten New Hymns on the Bible, 1952. Used by permission.
G. W. Briggs

Henry Child Carter

1875 - 1954 Meter: 10.10.10.10 Author of "Give Me, O Christ, the Strength That Is in Thee" in Rejoice in the Lord Rev Henry Child Carter was a Minister in the Congregational Church in England and Wales. He served, among other places, Emmanuel Congregational Church, Cambridge (now Emmanuel United Reformed Church, Cambridge) from 1910 to 1942. email sent by Gordon Woods
Henry Child Carter

Hugh Mitchell

1914 - 2014 Meter: 10.10.10.10 Author of "Thy Loving Kindness" in The Celebration Hymnal
Hugh Mitchell

Horatio Nelson

1823 - 1913 Person Name: Earl Nelson Meter: 10.10.10.10 Adapter of "Draw Nigh to Thy Jerusalem" in Rejoice in the Lord Earl Nelson was born in 1823. He was educated at Eton, and Trinity College, Cambridge. He is a relative of England's greatest naval hero. An active layman, he has been of service to the Church in many of her religious and benevolent enterprises. In hymnology he has taken a prominent position; his own hymns are most creditable, and he has been foremost in compiling the Sarum Hymnal, a work of the best character. This hymnal was compiled in 1857, with the assistance of John Keble, at the request of the Bishop of Salisbury. Its first title was The Salisbury Hymn Book. Its popularity was very great. In 1868 it was revised and is now known as The Sarum Hymnal. Earl Nelson has also published a few other works, mostly of a devotional character. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872 Nelson, Horatio, 3rd Earl Nelson, son of Mr. Thomas Bolton, of Burnham, Norfolk (nephew of the celebrated Admiral Viscount Nelson, whose name he assumed on succeeding to the title as 2nd Earl); was born Aug. 7, 1823, and educated at Eton, and at Trinity College, Cambridge. He succeeded to the title Nov. 1, 1835. In 1857 he edited the Salisbury Hymn-Book. In this work he was assisted by J. Keble, who re-wrote some of the older hymns and translated others from the Latin. This collection was remodelled and published as the Sarum Hymnal in 1868. In the preparation of this work Earl Nelson was assisted by the Revs. J. R. Woodford (afterwards Bishop of Ely) and E. A. Dayman. In 1864 he published his Hymn for Saint’s Day, and other Hymns. In this appeared the hymn by which he is most widely known, “From all Thy saints in warfare, for all Thy saints at rest" (p. 398, ii.). He has also published A Form of Family Prayer, with Special Offices for the Seasons, 1852; and A Calendar of Lessons for Every Day in the Year, 1857. He was also an active member of the Home Reunion Society, and wrote extensively on the subject. --John Julian, Dictionary of Hymnology (1907)
Horatio Nelson

Richard Hillert

1923 - 2010 Person Name: Richard W. Hillert, b. 1923 Meter: 10.10.10.10 Arranger of "SURSUM CORDA" in Hymnal Supplement 98 Richard Hillert was born in Granton, Clark County, Wis., on March 14, 1923. There he attended parochial and public schools and later enrolled at Concordia Teachers College (now Concordia University Chicago), River Forest, where he received the Bachelor of Science degree in Education. He served as teacher and music director for parishes in St. Louis, Mo., Wausau, Wis., and Chicago and Westchester, Ill. He received both the Master of Music and the Doctor of Music degrees in composition from Northwestern University, Evanston, Ill. His teachers included Matthew Nathaniel Lundquist, Anthony Donato, Alan Stout, Arrand Parsons, Emil Nolte, and John Ohl. He studied composition with the Italian composer, Goffredo Petrassi, at Aaron Copland’s Berkshire Music Center, Tanglewood, Mass. Richard Hillert was a noted Lutheran composer. He was Distinguished Professor of Music Emeritus at Concordia University Chicago, River Forest, Ill. He was best known for his work as a composer and teacher of composition. Among his most frequently performed liturgical works for congregation is Worthy Is Christ, with its antiphon, “This is the Feast of Victory” which was written as an alternate Song of Praise for inclusion in Setting One of the Holy Communion in Lutheran Book of Worship (1978) and Lutheran Worship (1982). "This is the Feast" is now widely published in more than 20 recent worship books of many denominations, most recently in Lutheran Service Book (2006) and Evangelical Lutheran Worship (2006). Other major liturgical works include a setting of Evening Prayer (1984) and a Eucharistic Festival Liturgy (1983), which was first performed at Holy Name Cathedral in Chicago. He wrote liturgical pieces and hymns and served as music editor for Worship Supplement(1969) and Lutheran Book of Worship (1978). His compositions and publications include an array of pieces of liturgical music for congregation, choral motets, hymns and hymn anthems, psalm settings and organ works, concertatos, and cantatas, including settings of The Christmas Story According to Saint Luke and The Passion According to Saint John. He edited eleven volumes of the Concordia Hymn Prelude Series. Hillert's career as Professor of Music at Concordia (now Concordia University Chicago) spanned four decades, from 1959 to 1993. During this time he taught classes in music theory and composition, music literature, 20th century music, orchestration, keyboard instruction, comparative arts and liturgical worship. He served in various capacities in the music department, as chair in 1964-65 and from 1986–89, as coordinator of the Master of Church Music program, and as associate editor of the journal Church Music (1966–80). Non-liturgical compositions include symphonic works for orchestra (Symphony in Three Movements, Variations for Orchestra, Suite for Strings), chamber works for small orchestra and ensembles (Alternations for Seven Instruments, Divertimento I and II) as well as many works for keyboard, instrumental solos and songs. The latter include Sonata for Piano (1961), a violin sonata, and two sonatas for flute and keyboard. Major organ works include Prelude and Toccata, Ricercata, Passacaglia on Innocent Sounds, Partita on Picardy, and Partita on Atkinson. There are also concert works with sacred texts, such as Five Canticles from the Exodus (1958), Te Deum for two pianos, percussion, and wind instruments (1962), The Alleluiatic Sequence (1980), and Seven Psalms of Grace for baritone solo and chamber orchestra (1998). Extended choral works, many written for Concordia’s Kapelle conducted by Thomas Gieschen, include the Cantata: "May God Bestow on Us His Grace" (1964), "Motet for the Day of Pentecost" for choir, vibraphone, and prepared electronic tape (written for the round-the-world tour in 1969), "Motet for the Time of Easter" for double choir, percussion, and harp (1971), and "Agnus Dei" for three choirs and percussion instruments (1974). Richard Hillert authored numerous scholarly articles and reviews for the periodicals such as Church Music, CrossAccent, and Currents in Theology and Mission, and other professional books and journals. He received an honorary Doctor of Sacred Music degree from Valparaiso University, and honorary Doctor of Letters degrees from Concordia University at Seward, Nebraska, and Concordia Seminary, St. Louis. He was an honorary life member of the Association of Lutheran Church Musicians. His former students throughout the land have careers as practicing church musicians, elementary and secondary school teachers, teachers in higher education, music editors and publishers, and composers. Richard Hillert was married to Gloria Bonnin Hillert. They had three children: Kathryn Brewer, Virginia and Jonathan Hillert. --en.wikipedia.org
Richard Hillert

Horatius Bonar

1808 - 1889 Meter: 10.10.10.10 Author of "Blessing and Honor" in The Presbyterian Hymnal Horatius Bonar was born at Edinburgh, in 1808. His education was obtained at the High School, and the University of his native city. He was ordained to the ministry, in 1837, and since then has been pastor at Kelso. In 1843, he joined the Free Church of Scotland. His reputation as a religious writer was first gained on the publication of the "Kelso Tracts," of which he was the author. He has also written many other prose works, some of which have had a very large circulation. Nor is he less favorably known as a religious poet and hymn-writer. The three series of "Hymns of Faith and Hope," have passed through several editions. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872 ================================ Bonar, Horatius, D.D. Dr. Bonar's family has had representatives among the clergy of the Church of Scotland during two centuries and more. His father, James Bonar, second Solicitor of Excise in Edinburgh, was a man of intellectual power, varied learning, and deop piety. Horatius Bonar was born in Edinburgh, Dec. 19th, 1808; and educated at the High School and the University of Edinburgh. After completing his studies, he was "licensed" to preach, and became assistant to the Rev. John Lewis, minister of St. James's, Leith. He was ordained minister of the North Parish, Kelso, on the 30th November, 1837, but left the Established Church at the "Disruption," in May, 1848, remaining in Kelso as a minister of the Free Church of Scotland. The University of Aberdeen conferred on him the doctorate of divinity in 1853. In 1866 he was translated to the Chalmers Memorial Church, the Grange, Edinburgh; and in 1883 he was chosen Moderator of the General Assembly of of the Free Church of Scotland. Dr. Bonar's hymns and poems were, he tells us, composed amid a great variety of circumstances; in many cases he cannot himself recall these circumstances; they also appeared in several publications, but nearly all have boen published or republished in the following:— (i) Songs for the Wilderness, 1843-4. (2) The Bible Hymn Book, 1845. (3) Hymns, Original and Selected, 1846. (4) Hymns of Faith and Hope, First Series, 1857; Second Series, 1861; Third Series, 1866. (5) The Song of the New Creation, 1872. (6) My Old Letters, a long poem, 1877. (7) Hymns of the Nativity, 1879. (8) Communion Hymns, 1881. In addition to numerous prose works, he has also edited The New Jerusalem; a Hymn of the Olden Time, 1852, &c. Dr. Bonar's poems—-including many beautiful lyrics, several psalm versions, and translations from the Greek and Latin, a large number of hymns, and a long meditative poem—-are very numerous, too numerous, perhaps, for their permanent fame as a whole. Dr. Bonar's scholarship is thorough and extensive; and his poems display the grace of style and wealth of allusion which are the fruit of ripe culture. Affected very slightly by current literary moods, still less by the influence of other religious poetry, they reveal extreme susceptibility to the emotional power which the phases of natural and of spiritual life exercise; the phases of natural life being recognised chiefly as conveying and fashioning spiritual life, used chiefly for depicting spiritual life, and handled for this purpose with greater delicacy of touch than in the Olney Hymns, and with less conscious purpose than in the Christian Year. As a result of this susceptibility, and from habitual contemplation of the Second Advent as the era of this world's true bliss, his hymns and poems are distinguished by a tone of pensive reflection, which some might call pessimism. But they are more than the record of emotion; another element is supplied by his intellectual and personal grasp of Divine truth, these truths particularly:—The gift of a Substitute, our Blessed Saviour; Divine grace, righteous, yet free and universal in offer; the duty of immediate reliance upon the privilege of immediate assurance through that grace; communion with God, especially in the Lord's Supper, respecting which he insists on the privilege of cherishing the highest conceptions which Scripture warrants; and finally, the Second Advent of our Lord: by his vigorous celebration of these and other truths as the source and strength of spiritual life, his hymns are protected from the blight of unhealthy, sentimental introspection. To sum up: Dr. Bonar's hymns satisfy the fastidious by their instinctive good taste; they mirror the life of Christ in the soul, partially, perhaps, but with vivid accuracy; they win the heart by their tone of tender sympathy; they sing the truth of God in ringing notes; and although, when taken as a whole, they are not perfect ; although, in reading them, we meet with feeble stanzas, halting rhythm, defective rhyme, meaningless Iteration; yet a singularly large number have been stamped with approval, both in literary circles and by the Church. In Great Britain and America nearly 100 of Dr. Bonar's hymns are in common use. They are found in almost all modern hymnals from four in Hymns Ancient & Modern to more than twenty in the American Songs for the Sanctuary, N. Y., 1865-72. The most widely known are, "A few more years shall roll;" "Come, Lord, and tarry not;" "Here, O my Lord, I see Thee face to face;" "I heard the Voice of Jesus say;" "The Church has waited long;" and "Thy way, not mine, O Lord." In addition to these and others which are annotated under their respective first lines, the following are also in common use:— From Songs for the Wilderness, No. 1, 1843. 1. For Thee we long and pray. Sunday Morning. 2. Holy Father, hear my cry. A Child's Prayer. 3. I thought upon my sins and I was sad. Christ our Peace. 4. Peace to the world, our Lord is come. A Millennial Song. 5. Spirit of everlasting grace. The Vision of Dry Bones. ii. From Songs for the Wilderness, No. 2,1844. 6. Ho, ye thirsty, parched and fainting. Invitation. 7. 0 'tis not what we fancied it. The world renounced. 8. Sing them, my children, sing them still. Children exhorted to Praise. 9. Time's sun is fast setting. Advent. 10. Weep, pilgrim, weep, yet 'tis not for the sorrow. Faith. 11. Yes, for me, for me He careth. Christ the Elder Brother . iii. From The Bible Hymn Book, 1845. 12. Jesus, my sorrow lies too deep. Jesus, the Great High Priest. 13. There is a Morning Star, my soul. The Morning Star. 14. This is not my place of resting. Pressing towards heaven. iv. From Hymns, Original and Selected, 1845. 15. Let there be light, Jehovah said. Creation. v. From Hymns of Faith and Hope, 1st series, 1857. 16. Be brave, my brother. The Fight of Faith. 17. Blessed be God, our God. Good Friday. 18. Everlasting praises. Doxology. 19. Go up, go up, my heart. Heavenly aspirations desired. 20. I close my heavy eye. Evening. Sometimes given as "We close our heavy eyes." 21. I see the crowd in Pilate's hall. Good Friday. 22. Jesus, while this rongh desert soil. Strength by the Way. 23. Jesus, Whom angel-hosts adore. The Word made Flesh. From "The Son of God, in mighty love." 24. Make haste, 0 man, to live. Exhortation to lay hold of Life. 25. No seas again shall sever. Heaven. 26. Oppressed with noonday's scorching heat. Shadow of the Cross. 27. Rest for the toiling hand. Burial. From "Lie down, frail body, here." 28. Shall this life of mine be wasted? Exhortation to Duty. 29. These are the crowns that we shall wear. Heaven. 30. Thy works, not mine, O Christ [Lord]. The Sin-bearer. 31. Where the faded flower shall freshen. Heaven. vi. From Hymns of Faith and Hope. 2nd series, 1861. 32. Be still, my soul, Jehovah loveth Thee. Rest in the Love of God. 33. Christ has done the mighty work. Good Friday. 34. Come, mighty Spirit, penetrate. Whitsuntide. 35. Deep down beneath the unresting surge. Burial at Sea. 36. Fear not the foe, thou flock of God [thou little flock]. Battle-Song of the Church. 37. For lack of love I languish. Lent. 38. From this bleak hill of storms. Eternal Rest desired. 39. He liveth long who liveth well. The True Life. 40. Here shall death's triumph end: the rock-barred door. Easter. From "The tomb is empty: wouldst thou have it full." 41. Jesus, Sun and Shield art Thou. Jesus the First and Last. 42. Jesus, the Christ of God. Praise to Christ. 43. Light of the world, for ever, ever shining. Christ the Light of the World. From "Why walk in darkness? Has the dear light vanished?" 44. Make use of me, my God. Duty desired. 45. Not what I am, 0 Lord, but what Thou art. The Love of God. 46. 0 Light of Light, shine in. Cry of the Weary. 47. 0 love of God, how strong and true. Love of God. 48. 0 love that casts out fear. Love of God. 49. 0 strong to save and bless. Lent. 50. 0 this soul, how dark and blind. Lent. 51. Safe across the waters. Thanksgiving at end of a journey. 52. Silent, like men in solemn haste. Pressing onwards. 53. Speak, lips of mine. Exhortation to Praise. 54. The Bridegroom comes. Advent. vii. From Hymns of Faith and Hope. 3rd series, 1866. 55. Bear Thou my burden, Thou Who bar'st my sin. Lent or Passiontide. 56. Done is the work that saves. Easter. 57. Father, our children keep. Prayer on behalf of Children. 58. Fill Thou my life, 0 Lord my God. Life's Praise. 59. Finish Thy work, the time is short. Earnest labour to the end. 60. From the Cross the blood is falling. Good Friday. 61. He called them, and they left. Obedience. 62. Help me, my [0] God to speak. Truth desired. 63. Holy Father, Mighty God. Holy Trinity. 64. How are my troubles multiplied. Ps. iii. 65. How sweetly doth He show His face Flower Service. 66. Light hath arisen, we walk in its brightness. Sustaining power of Faith. 67. Lo, God, our God has come. Christmas. 68. Lord, give me light to do Thy work. Divine guidance desired. 69. No, not despairingly. Lent. 70. Not to ourselves again. Life in Christ, or, Living unto God. 71. Now in parting, Father, bless us. Post Communion. 72. Sounds the trumpet from afar. Battle-Song of the Church. 73. Thee in the loving bloom of morn. God in all. 74. Through good report and evil, Lord. Faithfulness. 75. To Jehovah, God of might. Praise to the Father. 76. To the name of God on high. Doxology. 77. Upward, where the stars are burning. Heavenward Aspirations. 78. We take the peace which He hath won. The Gift of Peace. 79. When the weary, seeking rest. Intercession for all Conditions of Men. viii. From The Song of the New Creation,1872. 80. For the Bread and for the Wine. Holy Communion. 81. Light of life so softly shining. Light of Life. 82. Yet there is room. The Lamb's bright hall of song. Home Missions. ix. From Hymns of the Nativity, 1879. 83. Great Ruler of the land and sea. Sailors' Liturgy. From Communion Hymns, 1881. 84. Beloved, let us love. Brotherly Love. In several instances these hymns are given in an abbreviated form, and sometimes alterations are also introduced. In this latter respect however Dr. Bonar has suffered less than most modern hymn-writers. [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology (1907) ==================== Bonar, Horatius, p. 161, i. He died at Edinburgh, July 31, 1889. In 1890 his son published a posthumous volume of his poetical pieces as Until the Day Break and other Hymns and Poems left behind. The following additional hymns are in common use:— 1. Almighty Comforter and Friend. (1866.) Whitsuntide. 2. Father, make use of me. An altered form of No. 44, p. 162, ii. 3. I ask a perfect creed. (1861.) Creed not Opinions. From this is also taken "O True One, give me truth." 4. Long, long deferred, now come at last. Marriage of the Lamb. Part of "Ascend, Beloved, to the joy." (1861.) 5. Nay 'tis not what we fancied it. (1857.) Vanity of the World. 6. No blood, no altar now. (1861.) The Finished Sacrifice. 7. No shadows yonder. (1857.) Heaven Anticipated. 8. Not with the light and vain. (1857.) Godly Companionship. 9. O Love invisible, yet infinite. (1866.) Divine Love. 10. On the great love of God I lean. (1866.) Love of God our Resting-place. 11. On Thee, O Jesus, strongly leaning. (1866.) Fellowship with Christ. 12. Peace upon peace, like wave on wave. (1866.) Divine Peace. 13. Sower divine, sow the good seed in me. (1857.) Heavenly Sowing. 14. Speaketh the sinner's sin within my heart. (1866.) Ps. xxxvi. 15. Still one in life and one in death. (1857.) Communion of Saints. Part of "'Tis thus they press the hand and part." 16. Surely, yon heaven, where angels see God's face. (1857.) Heaven Anticipated. 17. That city with the jewelled crest. (1857.) Heaven. Part of "These are the crowns that we shall wear." Another cento from the same is "Yon city, with the jewelled crest." 18. That clime is not like this dull clime of ours. (1843.) Heaven. 19. The Free One makes you free: He breaks the rod. (1857.) Freedom in Christ. From "Of old they sang the song of liberty." 20. There is a Morning-star, my soul. (1357.) Christ the Morning Star. 21. This is the day of toil. (1866.) Pressing Onwards. 22. Thy thoughts are here, my God. (1866.) Holy Scripture. 23. Till the day dawn. (1857.) Life's Journey. 24. To Him Who spread the skies. (1866.) Creation's Song. 25. Trustingly, trustingly. (1866.) Trust. 26. Unto th' eternal hills. (1866.) Ps. cxxi. The above dates are: 1843, Songs in the Wilderness; 1857, Hymns of Faith and Hope, 1st Series; 1861, same, 2nd Ser. (not 1864); 1866, same, 3rd Ser. (not 1867), The dates 1857, 1864,1867, were given by Dr. Bonar, but the British Museum copies are 1857, 1861, 1866 respectively. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ============== Bonar, H., pp. 161, i.; 1554, i. The Rev. H. N. Bonar, Dr. Bonar's son, published in 1904, Hymns by Horatius Bonar, Selected and Arranged by his Son H. N. Bonar, With a brief History of some of the Hymns, &c. (London: H. Frowde). From this work we must correct the date of his Song of the New Creation to 1872. We have also enriched our pages by additional and expanded notes on several of Dr. Bonar's most widely used hymns. In his biographical notes, Mr. Bonar refers to Dr. Bonar's work as editor of the Quarterly Journal of Prophecy, begun in 1848, to which he contributed a hymn for each number. We find that the number of hymns contributed thereto is 101. With Dr. Bonar's poetical productions great difficulty has been encountered by the historian and annotator because of his absolute indifference to dates and details. It was enough for him that he had written, and that the Church of Christ approved and gladly used what, out of the fulness of his heart, he had given her. --Excerpt from John Julian, Dictionary of Hymnology, New Supplement (1907)
Horatius Bonar

A. P. Berggreen

1801 - 1880 Person Name: Andreas P. Berggreen Meter: 10.10.10.10 Composer of "EXPECTATION" in Christian Science Hymnal (Rev. and enl.) Andreas Peter Berggreen, born in Copenhagen, March 2, 1801. Instrumental and vocal composer; took up music as a profession after having first been compelled to study law, became organist at Trinity Church, Copenhagen, in 1838, professor of vocal music at the Metropolitan School in 1843, and inspector of the same branch in all public institutions. Works: Collection of songs, with guitar (Copenhagen, 1822-1823); Romances (1823); Ballads and Romances (1824); Variations for guitar (1825); Wedding Cantata (1829); Billedet og bustan (The Portrait and the Bust), comic opera given at Copenhagen, 1832; Songs for the use of schools (1834-39); Popular songs and national and foreign melodies, for pianoforte (1842-47); Twelve Swedish songs (1846); National songs (1848); Songs to poems of Bellmann (1850); Six Swedish songs of Runeberg (1852); Several cantatas. Cyclopedia of Music and Musicians by John Denison Camplin, Jr. and William Foster Apthorp (Charles Scribner’s Sons, 1888) https://archive.org/details/cyclopediaofmusi01cham/mode/2up
A. P. Berggreen

Melchior Vulpius

1570 - 1615 Meter: 10.10.10.10 Composer of "HINUNTER IST DER SONNE" Born into a poor family named Fuchs, Melchior Vulpius (b. Wasungen, Henneberg, Germany, c. 1570; d. Weimar, Germany, 1615) had only limited educational oppor­tunities and did not attend the university. He taught Latin in the school in Schleusingen, where he Latinized his surname, and from 1596 until his death served as a Lutheran cantor and teacher in Weimar. A distinguished composer, Vulpius wrote a St. Matthew Passion (1613), nearly two hundred motets in German and Latin, and over four hundred hymn tunes, many of which became popular in Lutheran churches, and some of which introduced the lively Italian balletto rhythms into the German hymn tunes. His music was published in Cantiones Sacrae (1602, 1604), Kirchengesangund Geistliche Lieder (1604, enlarged as Ein schon geistlich Gesanglmch, 1609), and posthumous­ly in Cantionale Sacrum (1646). Bert Polman
Melchior Vulpius

Ivor Atkins

1869 - 1953 Meter: 10.10.10.10 Composer of "ST. WULSTAN" in The Cyber Hymnal
Ivor Atkins

Charles Willis

Person Name: Charles L. Willis Meter: 10.10.10.10 Arranger of "WOODLANDS" in Psalms, Hymns, and Spiritual Songs
Charles Willis

Michael Perry

1942 - 1996 Person Name: Michael Perry (1942-1996) Meter: 10.10.10.10 Author of "Ring out the bells, and let the people know" in Ancient and Modern Initially studying mathematics and physics at Dulwich College, Michael A. Perry (b. Beckenham, Kent, England, 1942; d. England, 1996) was headed for a career in the sciences. However, after one year of study in physics at the University of London, he transferred to Oak Hill College to study theology. He also studied at Ridley Hall, Cambridge, and received a M.Phil. from the University of Southhampton in 1973. Ordained a priest in the Church of England in 1966, Perry served the parish of St. Helen's in Liverpool as a youth worker and evangelist. From 1972 to 1981 he was the vicar of Bitterne in Southhampton and from 1981 to 1989, rector of Eversley in Hampshire and chaplain at the Police Staff College. He then became vicar of Tonbridge in Kent, where he remained until his death from a brain tumor in 1996. Perry published widely in the areas of Bible study and worship. He edited Jubilate publications such as Hymns far Today's Church (1982), Carols for Today (1986), Come Rejoice! (1989), and Psalms for Today (1990). Composer of the musical drama Coming Home (1987), he also wrote more than two hundred hymns and Bible versifications. Bert Polman
Michael Perry

J. N. Darby

1800 - 1882 Person Name: John N. Darby Meter: 10.10.10.10 Author of "And Is It So?" in The Cyber Hymnal Darby, John Nelson, M.A., youngest son of John Darby of Leap, King's Co., Ireland, was born at Westminster, Nov. 18, 1800; educated at Trinity College, Dublin, where he graduated in 1819; and in due course was called to the Bar. He subsequently took Holy Orders; but in a short time allied himself with the Plymouth Brethren. In the exercise of his ministry amongst them he visited most parts of the world, and translated the Bible into English, French, and German. His published works, including a Synopsis of the Books of the Bible; Notes on Revelations, &c, are numerous. He died at Bournemouth, April 29, 1882. His hymns in common use are:— 1. Hark, ten thousand voices crying. The Second Advent anticipated. Praise. Appeared in Hymns for the Poor of the Flock, 1837, and repeated in Psalms and Hymns and Sacred Songs, Lend., Walther, 1842, and A Few Hymns, &c, 1856. It is also given in a few collections other than those for use amongst the “Brethren." 2. O Lord, thy love's unbounded, So sweet, &c. God's unchanging Love. Given in A Few Hymns, &c., 1856, No. 82, in 8 stanzas of 4 lines. Another hymn in the same collection, No. 85, begins with the same first line: "O Lord, Thy love's unbounded! So full, so vast, so free!" This is in 2 stanzas of 8 lines, and is attributed in the "S. MSS." to J. N. Darby, in common with the first. 3. Rest of the saints above. Heaven. In A Few Hymns, &c, 1856, No. 79, in 14 stanzas of 4 lines. 4. Rise, my soul, thy God directs thee. Divine Guidance. 1st published in Hymns for the Poor of the Flock, 1837; and again in Psalms and Hymns, 1842 (as above); and A Few Hymns, &c, 1856, in 10 stanzas of 41. It is also in Dr. Walker's Cheltenham Psalms and Hymns, 1855-1831. 5. This world is a wilderness wide. Following Christ. This is No. 139, in 8 stanzas of 4 lines, in A Few Hymns, &c, 1856. 6. Though faint, yet pursuing, we go on our way. Divine Strength and Defence. This hymn was given anonymously in the Baptist Psalms and Hymns, 1858, No. 558, in 5 stanzas of 8 lines. In the 1871 ed. of the same collection, it appeared as by "John N. Darby (?) 1861." Here we have a doubt and an error. The doubt is with respect to the authorship; and the error is in the date. A hymn published in 1858 cannot be accurately dated "1861." The evidence for the J. N. Darby authorship is most unsatisfactory. We can simply name it "Anon." All these hymns were published anonymously; and the ascriptions of authorship of 1-5 are given from the "S. MSS." The same manuscripts say that he edited the work above referred to: A Few Hymns and some Spiritual Songs, Selected, 1856, for the Little Flock. Lond. Groombridge & Sons. -- John Julian, Dictionary of Hymnology (1907) ================== Darby, John N. , p. 279, ii. Respecting the hymn "Though faint, yet pursuing, &c." (No. 6), Miller says in his Singers & Songs of the Church, 1869, p. 587, that Mr. Darby told him that he was not its author. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
J. N. Darby

Alfred B. Smith

1916 - 2001 Person Name: Alfred M. Smith, 1879-1971 Meter: 10.10.10.10 Composer of "SURSUM CORDA" in Evangelical Lutheran Worship Used pseudonym B. C. Laurelton ---------- In 1930, he began playing on radio broadcasts in Jersey City, New Jersey, on "The Old Fashioned Gospel Hour." After meeting Wendell P. Loveless, Alfred enrolled at the Moody Bible Institute in Chicago and became a member of the WMBI staff. During service as Minister of Music at The Church of the Open Door in Philadelphia, he taught at The Philadelphia School of the Bible in the fall of 1938. During that year, he wrote "For God So Loved the World" after visiting the ninety-four year-old hymn writer George C. Stebbins. Smith met Billy Graham when they were both students at Wheaton College. During their long collaboration, they founded Singspiration in 1941. After graduating from Wheaton, Smith, Graham, and George Beverly Shea started "Youth for Christ" in Chicago. --Daniel Mahraun (from livinghymns.org)
Alfred B. Smith

Wayne Andersen

Person Name: R. Wayne Andersen Meter: 10.10.10.10 Translator (st. 4) of "¡Salve, Jesús, Mi Eterno Redentor!" in El Himnario Bautista de la Gracia
Wayne Andersen

Walter Greatorex

1877 - 1949 Meter: 10.10.10.10 Composer of "WOODLANDS" in The Hymnal of the Protestant Episcopal Church in the United States of America 1940 Walter Greatorex (b. Mansfield, Nottinghamshire, England, 1877; d. Bournemouth, Hampshire, England, 1949) was director of music at Gresham's School, Holt, Norfolk, where from 1911-1936. Before that he served as assistant music master at Uppingham School in Rutland (1900-1910). Greatorex's musical education began as a chorister at King's College, Cambridge, England, and he received his university music training at St. John's College, Cambridge. Bert Polman
Walter Greatorex

Marion Franklin Ham

1867 - 1956 Meter: 10.10.10.10 Author of "O Lord of Life" in Representative American Hymns of the Twentieth Century Born: February 18, 1867, Harveysburg, Ohio. Died: July 23, 1956, Arlington, Massachusetts. Buried: Mount Auburn Cemetery, Cambridge, Massachusetts. Ham began his career as a journalist and bank clerk in Chattanooga, Tennessee. Ordained a Unitarian minister in 1898, he pastored in Chattanooga (1898-1904); at the First Church in Dallas, Texas (1904-09); and in Reading (1909-34), Waverly (1934-42), and Gardner, Massachusetts (1943-45). The Meadville Theological School in Chicago, Illinois, awarded him a Doctor of Divinity degree in 1942, the year he retired. Ham’s works include: The Golden Shuttle, 1896 The Kinchin Stories, 1914 Songs of the Spirit, 1932 Songs of Faith and Hope, 1940 O Mother-Heart, 1941 Keeper of the Flame, 1945 Freedom, 1950 Songs at Sunset, 1951 Songs of a Lifetime, 1953 In a Rose Garden, 1954 www.hymntime.com/tch/
Marion Franklin Ham

L. O. Sanderson

1901 - 1992 Person Name: Lloyd O. Sanderson, 1901-1992 Meter: 10.10.10.10 Arranger of "[Were you there when they crucified the Lord?]" in Sacred Songs of the Church See also Vana R. Raye (pseudonym). ================== Lloyd Otis Sanderson was born May 18, 1901 near Jonesboro, Arkansas. His father was a singing teacher. There were a variety of musical instruments in the home, so all of his children learned to sing and play instruments from early in life. He studied and taught music most of early teens and twenties and then began to serve churches for Churches of Christ. Among Churches of Christ, L.O Sanderson is one of a handful of significant individuals who helped to codify the hymnody of this denomination in the early and mid 20th century. Dozens of his songs remain at the core of this group’s hymnody. As Musical Editor for the Gospel Advocate Company of Nashville during the hymnal heyday of the mid 20th century, Sanderson was responsible not only for the editing of a number of important hymnals, but for helping to shape the church’s song. He composed a number under the pen name of Vana Raye in tribute to his wife. As a composer of both lyrics and music, Sanderson collaborated with a number of individuals, the most notable being his friend, Thomas O. Chisholm, with whom he wrote “Be With Me, Lord,” perhaps his most popular hymn. Dianne Shapiro, from Sanderson's autobiography (http://www.therestorationmovement.com/_states/tennessee/sanderson.htm) and D. J. Bulls
L. O. Sanderson

John Francis Cunningham

Person Name: Francis Cunningham Meter: 10.10.10.10 Composer of "BIRMINGHAM" in The Cyber Hymnal
John Francis Cunningham

Marty Haugen

b. 1950 Person Name: Marty Haugen, b. 1950 Meter: 10.10.10.10 Composer of "EVERETT" in RitualSong (2nd ed.) Marty Haugen (b. 1950), is a prolific liturgical composer with many songs included in hymnals across the liturgical spectrum of North American hymnals and beyond, with many songs translated into different languages. He was raised in the American Lutheran Church, received a BA in psychology from Luther College, yet found his first position as a church musician in a Roman Catholic parish at a time when the Roman Catholic Church was undergoing profound liturgical and musical changes after Vatican II. Finding a vocation in that parish to provide accessible songs for worship, he continued to compose and to study, receiving an MA in pastoral studies at the University of St. Thomas in St. Paul Minnesota. A number of liturgical settings were prepared for the Evangelical Lutheran Church in America and more than 400 of his compositions are available from several publishers, especially GIA Publications, who also produced some 30 recordings of his songs. He is composer-in-residence at Mayflower Community Congregational Church in Minneapolis and continues to compose and travel to speak and teach at worship events around the world. Emily Brink
Marty Haugen

Tom Fettke

b. 1941 Person Name: Thomas E. Fettke Meter: 10.10.10.10 Arranger of "CHURCHILL" in Psalms, Hymns, and Spiritual Songs Thomas E. Fettke (b. Bronx, New York City, 1941) Educated at Oakland City College and California State University, in Hayward, CA, Fettke has taught in several public and Christian high schools and served as minister of music in various churches, all in California. He has published over eight hundred composi­tions and arrangements (some under the pseudonyms Robert F. Douglas and David J. Allen) and produced a number of recordings. Fettke was the senior editor of The Hymnal for Worship and Celebration (1986). Bert Polman
Tom Fettke

J. E. Seddon

1915 - 1983 Person Name: James Edward Seddon Meter: 10.10.10.10 Author of "Go Forth and Tell! O Church of God" in Baptist Hymnal 1991 James E. Seddon (b. Ormskirk, Lancashire, England, 1915; d. London, England, 1983) received his musical training at the London College of Music and Trinity College in London and his theological training at the Bible Churchmen's Theological College (now Trinity College) in Bristol. He served various Anglican parishes in England from 1939 to 1945 as well as from 1967 to 1980. Seddon was a missionary in Morocco from 1945 to 1955 and the home secretary for the Bible Churchmen's Missionary Society from 1955 to 1967. Many of his thirty hymns are based on mission­ary themes; he wrote some in Arabic while he lived in Morocco. Seddon joined other Jubilate Group participants to produce Psalm Praise (1973) and Hymns for Today's Church (1982). Bert Polman
J. E. Seddon

Eric H. Thiman

1900 - 1975 Meter: 10.10.10.10 Composer of "HOLBORN" in Chalice Hymnal b. 9-12-1900, Ashford, Kent, d. 2-13-75, London; music educator, organist, and composer
Eric H. Thiman

Ally Barrett

b. 1975 Person Name: Ally Barrett (b. 1975) Meter: 10.10.10.10 Author of "Hope of our calling: hope through courage won" in Ancient and Modern
Ally Barrett

John Bacchus Dykes

1823 - 1876 Person Name: John B. Dykes Meter: 10.10.10.10 Harmonizer of "O QUANTA QUALIA" in The Hymnal As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman
John Bacchus Dykes

James Langran

1835 - 1909 Meter: 10.10.10.10 Composer of "LANGRAN" in The Hymnal James Langran (b. St. Pancras, London, England, November 10, 1835; d. Tottenham, London, England, June 8, 1909) studied organ as a youth but did not receive his Bachelor of Music degree from Oxford until he was forty-nine years old. He had several organist positions–the longest was at St. Paul's Church, Tottenham, England, from 1870 to 1909. He also taught music at St. Katherine's Training College for Schoolmistresses (1878-1909). Music editor of theNew Mitre Hymnal　(1875), Langran composed around fifty hymn tunes and contributed several of them to early editions of Hymns Ancient and Modern. Bert Polman
James Langran

Ronald F. Krisman

Meter: 10.10.10.10 Arranger of "EVENTIDE" in Oramos Cantando = We Pray In Song
Ronald F. Krisman

St. Ambrose

340 - 397 Person Name: Ambrose of Milan, circa 340-397 Meter: 10.10.10.10 Author of "O Come, Redeemer of Mankind" in The Cyber Hymnal Ambrose (b. Treves, Germany, 340; d. Milan, Italy, 397), one of the great Latin church fathers, is remembered best for his preaching, his struggle against the Arian heresy, and his introduction of metrical and antiphonal singing into the Western church. Ambrose was trained in legal studies and distinguished himself in a civic career, becoming a consul in Northern Italy. When the bishop of Milan, an Arian, died in 374, the people demanded that Ambrose, who was not ordained or even baptized, become the bishop. He was promptly baptized and ordained, and he remained bishop of Milan until his death. Ambrose successfully resisted the Arian heresy and the attempts of the Roman emperors to dominate the church. His most famous convert and disciple was Augustine. Of the many hymns sometimes attributed to Ambrose, only a handful are thought to be authentic. Bert Polman ===================== Ambrosius (St. Ambrose), second son and third child of Ambrosius, Prefect of the Gauls, was born at Lyons, Aries, or Treves--probably the last--in 340 A.D. On the death of his father in 353 his mother removed to Rome with her three children. Ambrose went through the usual course of education, attaining considerable proficiency in Greek; and then entered the profession which his elder brother Satyrus had chosen, that of the law. In this he so distinguished himself that, after practising in the court of Probus, the Praetorian Prefect of Italy, he was, in 374, appointed Consular of Liguria and Aemilia. This office necessitated his residence in Milan. Not many months after, Auxentius, bishop of Milan, who had joined the Arian party, died; and much was felt to depend upon the person appointed as his successor. The church in which the election was held was so filled with excited people that the Consular found it necessary to take steps fur preserving the peace, and himself exhorted them to peace and order: when a voice suddenly exclaimed, "Ambrose is Bishop," and the cry was taken up on all sides. He was compelled to accept the post, though still only a catechumen; was forthwith baptized, and in a week more consecrated Bishop, Dec. 7, 374. The death of the Emperor Valentinian I., in 375, brought him into collision with Justina, Valentinian's second wife, an adherent of the Arian party: Ambrose was supported by Gratian, the elder son of Valentinian, and by Theodosius, whom Gratian in 379 associated with himself in the empire. Gratian was assassinated in 383 by a partisau of Maximus, and Ambrose was sent to treat with the usurper, a piece of diplomacy in which he was fairly successful. He found himself, however, left to carry on the contest with the Arians and the Empress almost alone. He and the faithful gallantly defended the churches which the heretics attempted to seize. Justina was foiled: and the advance of Maximus on Milan led to her flight, and eventually to her death in 388. It was in this year, or more probably the year before (387), that Ambrose received into the Church by baptism his great scholar Augustine, once a Manichaean heretic. Theodosius was now virtually head of the Roman empire, his colleague Valentinian II., Justina's son, being a youth of only 17. In the early part of 390 the news of a riot at Thessalonica, brought to him at Milan, caused him to give a hasty order for a general massacre at that city, and his command was but too faithfully obeyed. On his presenting himself a few days after at the door of the principal church in Milan, he was met by Ambrose, who refused him entrance till he should have done penance for his crime. It was not till Christmas, eight months after, that the Emperor declared his penitence, and was received into communion again by the Bishop. Valentinian was murdered by Arbogastes, a Frank general, in 392; and the murderer and his puppet emperor Eugenius were defeated by Theodosius in 394. But the fatigues of the campaign told on the Emperor, and he died the following year. Ambrose preached his funeral sermon, as he had done that of Valentinian. The loss of these two friends and supporters was a severe blow to Ambrose; two unquiet years passed, and then, worn with labours and anxieties, he himself rested from his labours on Easter Eve, 397. It was the 4th of April, and on that day the great Bishop of Milan is remembered by the Western Church, but Rome commemorates his consecration only, Dec. 7th. Great he was indeed, as a scholar, an organiser, a statesman; still greater as a theologian, the earnest and brilliant defender of the Catholic faith against the Arians of the West, just as Athanasius (whose name, one cannot but remark, is the same as his in meaning) was its champion against those of the East. We are now mainly concerned with him as musician and poet, "the father of Church song" as he is called by Grimm. He introduced from the East the practice of antiphonal chanting, and began the task, which St. Gregory completed, of systematizing the music of the Church. As a writer of sacred poetry he is remarkable for depth and severity. He does not warm with his subject, like Adam of St. Victor, or St. Bernard. "We feel," says Abp. Trench, "as though there were a certain coldness in his hymns, an aloofness of the author from his subject. "A large number of hymns has been attributed to his pen; Daniel gives no fewer than 92 called Ambrosian. Of these the great majority (including one on himself) cannot possibly be his; there is more or less doubt about the rest. The authorities on the subject are the Benedictine ed. of his works, the Psalterium, or Hymnary, of Cardinal Thomasius, and the Thesaurus Hymnologicus of Daniel. The Benedictine editors give 12 hymns as assignable to him, as follows:—1. Aeterna Christi munera. 2. Aeterne rerum Conditor. 3. Consors Paterni luminii. 4. Deus Creator omnium. 5. Fit porta Christi pervia, 6. Illuminans Altissimus. 7. Jam surgit hora tertia. 8. 0 Lux Beata Trinitas. 9. Orabo mente Dominum. 10. Somno refectis artubus. 11. Splendor Paternae gloriae. 12. Veni Redemptor gentium. Histories of these hymns, together with details of translations into English, are given in this work, and may be found under their respective first lines. The Bollandists and Daniel are inclined to attribute to St. Ambrose a hymn, Grates tibi Jesu novas, on the finding of the relics of SS. Gervasius and Protasius. These, we know, were discovered by him in 386, and it is by no means unlikely that the bishop should have commemorated in verse an event which he announces by letter to his sister Marcellina with so much satisfaction, not to say exultation.A beautiful tradition makes the Te Deum laudamus to have been composed under inspiration, and recited alternately, by SS. Ambrose and Augustine immediately after the baptism of the latter in 387. But the story rests upon a passage which there is every reason to consider spurious, in the Chronicon of Dacius, Bishop of Milan in 550. There is no hint of such an occurrence in the Confessions of St. Augustine, nor in Paulinue's life of St. Ambrose, nor in any authentic writing of St. Ambrose himself. The hymn is essentially a compilation, and there is much reason to believe, with Merati, that it originated in the 5th century, in the monastery of St. Honoratus at Lerins. [Te Deum.] -- John Julian, Dictionary of Hymnology (1907) Also known as: Ambrotio, Ambrosio de Milán Ambrosius Mediolanensis Ambrosius Saint, Bp. of Milan Ambrosius von Mailand Aurelio Ambrogio, Saint, Bishop of Milan Aurelius Ambrosius, Saint, Bishop of Milan Milan, d. 397
St. Ambrose

Alton H. Howard

1925 - 2006 Person Name: Alton Howard Meter: 10.10.10.10 Arranger of "NATIONAL HYMN" in Songs of Faith and Praise
Alton H. Howard

H. C. G. Moule

1841 - 1920 Meter: 10.10.10.10 Author of "Come In, O Come!" in The Church Hymnal Moule, Handley Carr Glyn, M.A., son of the Rev. H. Moule, was born at Fordington, Dec. 23, 1841, and educated at home and at Trinity College, Cambridge, B.A. in first class Classical and Theological honours, 1864-65. He was Carus Prizeman, 1862; Browne's Medallist, 1863; and gained the Seatonian Prize, 1869-73 and 1876. Taking Holy Orders in 1867, he was curate of Fordington, Dorset, 1867-73, and 1877-80; Dean, Trinity College, Cambridge, 1874-77; and Principal of Ridley Hall, Cambridge, 1880. He was Fellow of his College, 1865; Select Preacher at Cambridge, 1880-81, 87; and Chaplain to the Bishop of Liverpool, 1880. His works include:— (1) The Seatonian Prize Poems as above; (2) Poems on the Acts of the Apostles, 1869; (3) Sermons on the Litany, 1870; Dorchester Poems, 1878; (4) Commentaries on the Epistles to the Romans, Ephesians, and Philippians, in the Cambridge Bible for Schools, 1880-89; (5) Christianus and Other Poems 1883; (6) Thoughts on Christian Sanctity, 1885 (with hymns appended); (7) On Union with Christ, 1885 (with hymns appended); On Spiritual Life, 1887 (with hymns appended) ; and others. Mr. Moule was also a contributor to Smith's Dictionary of Christian Biography. Of Mr. Moule's hymns the following appeared in the Appendix to the Fordington Hymn Book, 1878:— 1. Chief Shepherd of Thy people. Missions. 2. Jesus, such His love and power. A present Saviour. 3. Lift heart and voice above. Christmas. In the same Appendix there is a paraphrase of the Benedicite in metre, "Bless the Lord of glory," by H. M. Moule, M.A., of Queen's College, Cambridge, his brother. --John Julian, Dictionary of Hymnology (1907) ================ Moule, Handley C. G., p. 771, ii. In 1899 Dr. Moule resigned his post at Ridley Hall, and became.Norrisian Professor of Divinity at Cambridge. In 1901 he was consecrated as Bishop of Durham. The following additional hymns by Bp. Moule have come into common use:— 1. Come in, O come! the door stands open now. [Seeking after Holiness.] Appeared in the 2nd ed. of Hymns of Consecration and Faith, 1890; and in the author's Songs in the House of the Pilgrimage, 1896. 2. Dear is Thy Presence with Thy friends. [Communion of Saints.] Included in Hymns of Consecration and Faith, 1890. 3. Lord and Saviour, true and kind. [Jesus the Guide of Youth.] Appeared in The Council School Hymn Book, Novello, 1905. 4. Lord, is it I that enter here. [Victory over sin.] First published in the author's Christian's Victory over Sin, 1888. 5. My glorious Victor, Prince Divine. [Consecration of Self to God.] Appeared in the 2nd edition of Hymns of Consecration and Faith, 1890; and again in the author's Songs in the House of the Pilgrimage, 1896. 6. Raise the song, ye loyal voices. [King's Coronation.] Written for Novello's Ten National Hymns and Tunes for children's use on the occasion of the Coronation of King Edward VII., 1902. 7. They watched Him up the silent skies. [Ascension.] Written for Dodderidge's Hymns for Church & Home, 1904. Additional publications by Bp. Moule which include hymns are Songs in the House of the Pilgrimage, 1896; The Christian's Victory over Sin, 1888. Poems on the Acts of the Apostles, &c, 1869; Christianus and other Poems, 1883; At the Holy Communion, 1892; Thoughts on Union with Christ, 1886. --John Julian, Dictionary of Hymnology, New Supplement (1907)
H. C. G. Moule

J. Wakefield MacGill

1829 - 1902 Person Name: J. Wakefield MacGill, 1829-1902 Meter: 10.10.10.10 Author of "Glory to Jesus" in The Cyber Hymnal
J. Wakefield MacGill

May Whittle Moody

1870 - 1963 Person Name: May W. Moody Meter: 10.10.10.10 Composer of "WHITTLE" in The Worshiping Church Mary (May) Jennette Whittle Moody 1870-1963. Born at Chicago, IL, daughter of hymnwriter, Daniel Webster Whittle (El Nathan), and, upon marrying, daughter-in-law to Dwight Lyman Moody, she attended Northfield School in MA (one of two schools founded there by D L Moody), after which she attended Oberlin College, Oberlin, OH. She then attended the Royal Academy of Music in London, England (1890-91). She became a singer, organist, composer, and hymn editor. She assisted her father and Dwight L Moody in their evangelistic work. In 1894 she married William Revell Moody, and they had four children: Irene, Dwight, Beatrice, and Virginia. Only Beatrice lived to adulthood, the others died before age six. She and her husband returned to Northfield, MA, where her husband headed the schools founded by his father. She had an organ in her home, and she collaborated with her father by composing some of the tunes for his hymn lyrics. The last year of his life, her father, Daniel, lived with them (he died in 1901). She died at East Northfield, MA. John Perry
May Whittle Moody

John Goss

1800 - 1880 Meter: 10.10.10.10 Composer of "IN MEMORIAM (Goss)" John Goss (b. Fareham, Hampshire, England, 1800; d. London, England, 1880). As a boy Goss was a chorister at the Chapel Royal and later sang in the opera chorus of the Covent Garden Theater. He was a professor of music at the Royal Academy of Music (1827-1874) and organist of St. Paul Cathedral, London (1838-1872); in both positions he exerted significant influence on the reform of British cathedral music. Goss published Parochial Psalmody (1826) and Chants, Ancient and Modern (1841); he edited William Mercer's Church Psalter and Hymn Book (1854). With James Turle he published a two-volume collection of anthems and Anglican service music (1854). Bert Polman
John Goss

Joseph Parry

1841 - 1903 Meter: 10.10.10.10 Composer of "ST. JOSEPH (Parry)" Joseph Parry (b. Merthyr Tydfil, Glamorganshire, Wales, 1841; d. Penarth, Glamorganshire, 1903) was born into a poor but musical family. Although he showed musical gifts at an early age, he was sent to work in the puddling furnaces of a steel mill at the age of nine. His family immigrated to a Welsh settlement in Danville, Pennsylvania in 1854, where Parry later started a music school. He traveled in the United States and in Wales, performing, studying, and composing music, and he won several Eisteddfodau (singing competition) prizes. Parry studied at the Royal Academy of Music and at Cambridge, where part of his tuition was paid by interested community people who were eager to encourage his talent. From 1873 to 1879 he was professor of music at the Welsh University College in Aberystwyth. After establishing private schools of music in Aberystwyth and in Swan sea, he was lecturer and professor of music at the University College of South Wales in Cardiff (1888-1903). Parry composed oratorios, cantatas, an opera, orchestral and chamber music, as well as some four hundred hymn tunes. Bert Polman
Joseph Parry

Robert Bridges

1844 - 1930 Person Name: Robert Bridges, 1844-1930 Meter: 10.10.10.10 Author of "Love of the Father" in The Book of Praise Robert S. Bridges (b. Walmer, Kent, England, 1844; d. Boar's Hill, Abingdon, Berkshire, England, 1930) In a modern listing of important poets Bridges' name is often omitted, but in his generation he was consid­ered a great poet and fine scholar. He studied medicine and practiced as a physician until 1881, when he moved to the village of Yattendon. He had already written some poetry, but after 1881 his literary career became a full-time occupation, and in 1913 he was awarded the position of poet laureate in England. Bridges published The Yattendon Hymnal (1899), a collection of one hundred hymns (forty-four written or translated by him with settings mainly from the Genevan psalter, arranged for unaccompanied singing. In addition to volumes of poetry, Bridges also published A Practical Discourse on Some Principles of Hymn-Singing (1899) and About Hymns (1911). Bert Polman =================== Bridges, Robert Seymour, M.A., son of J. J. Bridges, of Walmer, Kent, was b. Oct. 23, 1844, and educated at Eton and at Corpus Christi College, Oxford (B.A. 1867, M.A. 1874). He took his M.A. in 1874, but retired from practice in 1882, and now (1906) resides at Yattendon, Berks. He is the author of many poems and plays. He edition and contributed to the Yattendon Hymnal, 1899 (originally printed at the Oxford Univ. Press in parts—Nos. 1-25, 1895; 26-50, 1897; 51-75, 1898; 76-100, 1899). [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology, New Supplement (1907)
Robert Bridges

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