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Lewis Hartsough
1828 - 1919 Person Name: Lewis T. Hartsough Meter: 8.7.8.7.8.7 D Author of "The Rifted Rock" in The Cyber Hymnal Hartsough, Lewis, was born at Ithaca, New York, Aug. 31, 1823. Of his hymns the following are in common use:—-
1. I hear Thy welcome voice. The Divine Invitation.
2. In the rifted Rock I'm resting. Safety in Jesus.
3. Lead me to the Rock that's higher. Safety in Jesus.
4. O who'll stand up for Jesus? All for Jesus
Nos. 1-3 are in I. D. Sankey's Sacred Songs & Solos, 1878 (1 and 3 with music by Hartsough).
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
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Hartsough, Lewis, p. 1569, ii. Mr. Hartsough entered the ministry of the Methodist Episcopal Church in 1851, and is now (1905) residing in Mount Vernon, Indiana. He was musical editor of J. Hillman's Revivalist, Troy, 1868, and co-editor of The Sacred Harmonist, Boston, 1864, and Beulah Songs, Phila., 1879. In addition to the hymns named on p. 1569, ii., "Let me go where saints are going" [Heav'n desired] (1861) has come into common use. It appeared in W. B. Bradbury's Clarion, 1867, p. 83. Concerning his hymn, "I hear Thy welcome voice," Mr. Sankey says in his My Life and Sacred Songs, 1906, p. 11(3:—
The words and music of this beautiful hymn were first published in a monthly, entitled, Guide to Holiness, a copy of which was sent to me in England. I immediately adopted it, and had it published in Sacred Songs and Solos. It proved to be one of the most helpful of the revival hymns, and was often used as an invitation hymn in England and America." [Rev. L. F. Benson, D.D.]
--John Julian, Dictionary of Hymnology, New Supplement (1907)
================
Hartsough, Lewis. (August 31, 1823--January 1, 1919). Details of his early life are lacking. After being admitted to the Oneida, New York, Conference of the Methodist Episcopal Church in 1851 and serving several pastorates in that state, his health failed and he went to Utah where he was influential in establishing the Utah Mission, later becoming its superintendent. Upon relinquishing that position he moved to Mt. Vernon, Iowa, where he spent the remainder of his life. Bird's statement that he lived in Indiana is erroneous. He was minister of the South Street Methodist Episcopal Church, Utica, New York, when he first became associated with Joseph Hillman, who chose him to act as musical editor of The Revivalist, a gospel hymn book which went through eleven editions in five years, 1868-1872. This book had a remarkable sale and was doubtless used in more churches during the 1870s than any other of similar character. To it the Reverend Hartsough contributed, in one edition, twelve texts, fourteen tunes, and thirty arrangements of tunes, several of the latter being of the religio-folk variety which had been so popular in the early camp meetings. It is a valuable source work.
"I love to think of the heavenly land" (p.1573) is by Hartsough. "I hear thy welcome voice (p.1569), originally in six four-line stanzas, with Refrain, in full S/1931; with the first three stanzas, slightly emended, Brethren/1951; with stanzas 1, 2, 3, and 5, also emended, in Hymns of the Living Faith, 1951. Writeen in 1872 with musical settings by the author, it is the only one of his many songs which has continued in use.
Source: Metcalf, Frank J. American Writers and Compilers of Sacred Music; several editions of The Revivalist.
--Robert G. McCutchan, DNAH Archives
Lewis Hartsough
Samuel Longfellow
1819 - 1892 Meter: 8.7.8.7.8.7 D Author (attributed to) of "Out Of Every Clime And People" in The Cyber Hymnal Longfellow, Samuel, B. A., brother of the Poet, was born at Portland, Maine, June 18, 1819, and educated at Harvard, where he graduated in Arts in 1839, and in Theology in 1846. On receiving ordination as an Unitarian Minister, he became Pastor at Fall River, Massachusetts, 1848; at Brooklyn, 1853; and at Germantown, Pennsylvania, 1860. In 1846 he edited, with the Rev. S. Johnson (q. v.), A Book of Hymns for Public and Private Devotion. This collection was enlarged and revised in 1848. In 1859 his Vespers was published, and in 1864 the Unitarian Hymns of the Spirit , under the joint editorship of the Rev. S. Johnson and himself. His Life of his brother, the Poet Longfellow, was published in 1886. To the works named he contributed the following hymns:—
i. To A Book of Hymns , revised ed., 1848.
1. Beneath the shadow of the Cross. Love.
2. 0 God, thy children gathered here. Ordination.
ii. To the Vespers 1859.
3. Again as evening's shadow falls. Evening.
4. Now on land and sea descending. Evening.
iii. To the Hymns of the Spirit, 1864.
5. A voice by Jordan's shore. Advent.
6. Father, give Thy benediction. Ordination.
7. Go forth to life, 0 child of earth. Life's Mission.
8. God of ages and of nations. Holy Scriptures.
9. Holy Spirit, Truth divine. The Holy Spirit desired.
10. I look to Thee in every need. Trust in God.
11. In the beginning was the Word. The Word.
12. Love for all, and can it be? Lent. The Prodigal Son.
13. 0 God, in Whom we live and move. God's Law and Love.
14. 0 God, Thou Giver of all good. Prayer for Food.
15. O still in accents sweet and strong. Missions.
16. 0 Thou, Whose liberal sun and rain. Anniversary of Church dedication.
17. One holy Church of God appears. The Church Universal.
18. Out of the dark, the circling sphere. The Outlook.
19. Peace, peace on earth! the heart of man for ever. Peace on Earth.
20. The loving Friend to all who bowed. Jesus of Nazareth.
21. ’Tis winter now, the fallen snow. Winter.
Of these, hymn No. 2 was written for the Ordination of E. E. Hale (q. v.), at Worcester, 1846. Several are included in Martineau's Hymns, 1873.
Died Oct. 3, 1892. [Rev. F. M. Bird, M.A.]
--John Julian, Dictionary of Hymnology (1907), p. 685
===============
Longfellow, S., p. 685, i. Since Mr. Longfellow's death on Oct. 3, 1892, his hymns have been collected by his niece, Miss Alice Longfellow, as Hymns and Verses(Houghton, Mifflin & Co., 1904.) From this work we find many of the hymns signed Anon, in the Index to Longfellow and Johnson's Hymns of the Spirit, 1864, were his; several of these, including E. Osier's "O God unseen, yet ever near," were popular English hymns which he rewrote from his own theological standpoint. These re¬written hymns are very widely used by Unitarians and others. During the last ten years the following additional hymns by S. Long¬fellow have come into common use:—
1. Eternal One, Thou living God. Faith in God.
2. God of the earth, the sky, the sea. God in Nature.
3. God's trumpet wakes the slumbering world. Call to duty.
4. Light of ages and of nations. God in and through all time.
5. Lo, the earth is risen again. Spring. (1876.)
6. Now while we sing our closing psalm. Close of Worship.
7. O Life that maketh all things new. Unity. (1874.)
8. O Thou in Whom we live and move. The Divine Law.
9. The summer days are come again. Summer. From his hymn,"The sweet[bright] June days are come again."
10. Thou Lord of lite, our saving health. In Sickness. (1886.)
Of these hymns Nos. 2, 3 appeared in the Hymns of the Spirit, 1864, and all with the dates appended in Hymns and Verses, 1904.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
==================
http://en.wikipedia.org/wiki/Samuel_Longfellow
Samuel Longfellow
Fanny Crosby
1820 - 1915 Person Name: Frances Jane (Fanny) Crosby Meter: 8.7.8.7.8.7 D Author of "No Book Is Like the Bible" in The Cyber Hymnal Pseudonymns: A.V., Mrs. A. E. Andrews, Mrs. E. A. Andrews, Mrs. E. L. Andrews, James L. Black, Henrietta E. Blair, Charles Bruce, Robert Bruce, Leah Carlton, Eleanor Craddock, Lyman G. Cuyler, D.H.W., Ella Dare, Ellen Dare, Mrs. Ellen Douglass, Lizzie Edwards. Miss Grace Elliot, Grace J. Frances, Victoria Frances, Jennie Garnett, Frank Gould, H. D. K., Frances Hope, Annie L. James, Martha J. Lankton [Langton], Grace Lindsey, Maud Marion, Sallie Martin, Wilson Meade, Alice Monteith, Martha C. Oliver, Mrs. N. D. Plume, Kate Smiley, Sallie Smith, J. L. Sterling, John Sterling, Julia Sterling, Anna C. Storey, Victoria Stuart, Ida Scott Taylor, Mary R. Tilden, Mrs. J. B. Thresher, Hope Tryaway, Grace Tureman, Carrie M. Wilson, W.H.D.
Frances Jane Crosby, the daughter of John and Mercy Crosby, was born in Southeast, Putnam County, N. Y., March 24, 1820. She became blind at the age of six weeks from maltreatment of her eyes during a spell of sickness. When she was eight years old she moved with her parents to Ridgefield, Conn., the family remaining there four years. At the age of fifteen she entered the New York Institution for the Blind, where she received a good education. She became a teacher in the institution in 1847, and continued her work until March 1, 1858. She taught English grammar, rhetoric and American history.
This was the great developing period in her life. During the vacations of 1852 and 1853, spent at North Reading, Mass., she wrote the words to many songs for Dr. Geo. F. Root, then the teacher of music at the blind institution. Among them were, "Hazel Dell,", "The Honeysuckle Glen," "Rosalie, the Prairie Flower," "Music in the Air," "Proud World, Good-bye, I'm Going Home," "All Together", "Never Forget the Dear Ones," and others. Subsequently she wrote the words for the cantatas of The Flower Queen and The Pilgrim Fathers, all of which were very popular in their day, though it was not generally known at the time that she was the author.
While teaching at the institution she met Presidents Van Buren and Tyler, Hon. Henry Clay, Governor Wm. H. Seward, General Winfield Scott, and other distinguished characters of American history. Concerning Mr. Clay, she gives the following: "When Mr. Clay came to the institution during his last visit to New York, I was selected to welcome him with a poem. Six months before he had lost a son at the battle of Monterey, and I had sent him some verses. In my address I carefully avoided any allusion to them, in order not to wound him. When I had finished he drew my arm in his, and, addressing the audience, said through his tears: 'This is not the first poem for which I am indebted to this lady. Six months ago she sent me some lines on the death of my dear son.' Both of us were overcome for a few moments. Soon, by a splendid effort, Mr. Clay recovered himself, but I could not control my tears." In connection with her meeting these notable men, we might add that Miss Fanny Crosby had the honor of being the first woman whose voice was heard publicly in the Senate Chamber at Washington. She read a poem there on one occasion. In addition to the thousands of hymns that she has written (about eight thousand poems in all), many of which have not been set to music, she has published four volumes of verses. The first was issued in 1844 and was entitled The Blind Girl, and Other Poems, a second volume, Monterey, and Other Poems, followed in 1849, and the third, A Wreath of Columbia's Flowers, in 1858. The fourth, Bells at Evening and Other Verses, with a biographical sketch by Rev. Robert Lowry, and a fine half-tone portrait, in 1897, the sales of which have reached a fourth edition. The book is published by The Biglow & Main Co., New York.
Though these show the poetical bent of her mind, they have little to do with her world-wide fame. It is as a writer of Sunday-school songs and gospel hymns that she is known wherever the English language is spoken, and, in fact, wherever any other language is heard.
Fanny was married March 5, 1858, to Alex. Van Alstyne, who was also a scholar in the same institution in which she was educated.
She began to write Sunday-school hymns for Wm. B. Bradbury in 1864. Her first hymn,
"We are going, we are going
To a home beyond the skies",
was written at the Ponton Hotel on Franklin Street, New York City, on February 5th of that year. This hymn was sung at Mr. Bradbury's funeral in January, 1868. Since 1864 she supported herself by writing hymns. She resided in New York City nearly all her life, where, she says, she is "a member of the Old John Street M. E. Church in good standing." She spent regular hours on certain days at the office of The Biglow & Main Co., the firm for which she did most of her writing, and for whom she has composed over four thousand hymns. Her hymns have been in great demand and have been used by many of our most popular composers, among whom may be mentioned Wm. B. Bradbury, Geo. F. Root, W. H. Doane, Rev. Robert Lowry, Ira D. Sankey, J. R. Sweney, W. J. Kirkpatrick, H. P. Main, H. P. Danks, Philip Phillips, B. G. Unseld, and others. She could compose at any time and did not need to wait for any special inspiration, and her best hymns have come on the spur of the moment. She always composed with an open book in her hand, generally a copy of Golden Hymns, held closely over her eyes, bottom side up. She learned to play on the guitar and piano while at the institution, and has a clear soprano voice. She also received a technical training in music, and for this reason she could, and did, compose airs for some of her hymns. One of these is,
"Jesus, dear, I come to Thee,
Thou hast said I may,"
both words and music of which are wonderfully sweet. "Safe in the arms of Jesus", probably one of her best known hymns, was her own favorite. Fanny loved her work, and was happy in it. She was always ready either to sympathize or join in a mirthful conversation, as the case may be. The secret of this contentment dates from her first composition at the age of eight years. "It has been the motto of my life," she says. It is:
"O what a happy soul am I!
Although I cannot see,
I am resolved that in this world
Contented I will be;"
This has continued to be her philosophy. She says that had it not been for her affliction she might not have so good an education, nor so great an influence, and certainly not so fine a memory. She knows a great many portions of the Bible by heart, and had committed to memory the first four books of the Old Testament, and also the four Gospels before she was ten years of age.
Her scope of subjects is wide, embracing everything from a contemplation of heaven, as in "The Bright Forever" and "The Blessed Homeland", to an appeal to the work of this world, as in "To the Work" and "Rescue the Perishing." The most of Fanny's published hymns have appeared under the name of Fanny J. Crosby or Mrs. Yan Alstyne, but quite a large number have appeared under the nom de plumes of Grace J. Frances, Mrs. C. M. Wilson, Lizzie Edwards, Ella Dale, Henrietta E. Blair, Rose Atherton, Maud Marion, Leah Carlton, nearly two hundred different names.
-Biographies of Gospel Song and Hymn Writers (excerpts)
=======================
Van Alstyne, Frances Jane, née Crosby, a member of the Methodist Episcopal Church, was born at South East, Putnam County, New York, March 24, 1823. When six weeks old she lost her sight. About 1835 she entered the New York City Institution for the Blind. On completing her training she became a teacher therein from 1847 to 1858. In 1858 she was married to Alexander Van Alstyne, a musician, who was also blind. Her first poem was published in 1831; and her first volumes of verse as A Blind Girl, and Other Poems, 1844; Monteresy, and Other Poems, 1849; and A Wreath of Columbia's Flowers, 1858. Her first hymn was "We are going, we are going" (Death and Burial), which was written for Mr. Bradbury and published in the Golden Censer, 1864. From 1853 to 1858 she wrote 20 songs, which were set to music by G. F. Root. Her songs and hymns number some 2,000 or more, and have been published mainly in several of the popular American Sunday school collections, and often under a nom de plume. About 60 have come into common use in Great Britain. The majority of these are taken from the following American collections:—
i. From The Shining Star, 1864.
1. Softly on the breath of evening. Evening.
ii. From Fresh Laurels, 1867.
2. Beautiful Mansions, home of the blest. Heaven.
3. Jesus the Water of Life has given. The Water of Life.
4. Light and Comfort of my soul. In Affliction.
5. There's a cry from Macedonia. Missions.
6. We are marching on with shield and banner bright. Sunday School Anniversary.
iii. From Musical Leaves, 1868.
7. 0 what are you going to do, brother? Youth for God.
iv. From Sabbath Carols, 1868.
8. Dark is the night, and cold the wind is blowing. Affliction anticipated.
9. Lord, at Thy mercy seat, Humbly I fall. Lent.
v. From Silver Spray, 1868.
10. If I come to Jesus, He will make me glad. Peace in Jesus.
11. 'Twill not be long—our journey here. Heaven anticipated.
vi. From Notes of Joy, 1869.
12. Little beams of rosy light. The Divine Father.
13. Press on! press on! a glorious throng. Pressing towards the Prize.
vii. From Bright Jewels, 1869.
14. Christ the Lord is risen today, He is risen indeed. Easter.
15. Holy, holy, holy is the Lord! Sing 0 ye people, &c. Holiness of God.
16. Jesus, keep me near the Cross. Near the Cross of Christ.
17. Saviour, bless a little child. A Child's Prayer. Written Feb. 6, 1869.
viii. From Songs of Devotion, 1870.
18. Pass me not, 0 gentle Saviour. Lent. Written in 1868.
19. Rescue the perishing, care for the dying. Home Missions.
ix. From Pure Gold, 1871.
20. Great is Jehovah. King of kings. Greatness of God.
21. I would be Thy little lamb. The Good Shepherd.
22. Lead me to Jesus, lead me to Jesus. Desiring Jesus.
23. To the work, to the work, we are servants of God. Home Missions.
24. Why labour for treasures that rust and decay? The Fadeless Crown.
x. From the Royal Diadem, 1873.
25. I am Jesus' little friend. For Infant Schools.
26. Jesus I love Thee. Loving Jesus.
27. Mourner, wheresoe'er thou art. To the Sorrowing and Penitent. Written Oct. 3, 1871.
28. Never be faint or weary. Joy in Jesus.
29. Only a step to Jesus. Invitation.
xi. From Winnowed Hymns, 1873-4.
30. Loving Saviour, hear my cry. Lent.
xii. From Echoes of Zion, 1874.
31. Say, where is thy refuge, my brother? Home Missions.
xiii. From Songs of Grace and Glory, 1874.
32. Thou my everlasting Portion. Christ the Portion of His People.
xiv. From Brightest and Best, 1875.
33. All the way my Saviour leads me. Jesus the Guide.
34. I am Thine, O Lord: I have heard Thy voice. Holiness desired.
35. O come to the Saviour, believe in His name. Invitation. Written, Sep. 7, 1874.
36. O how sweet when we mingle. Communion of Saints. Written in 1866.
37. O my Saviour, hear me. Prayer to Jesus for blessing and love.
38. Only Jesus feels and knows. Jesus the Divine Friend.
39. Revive Thy work, O Lord. Home Missions.
40. Saviour, more than life to me. Jesus All and in All.
41. To God be the glory, great things He hath done. Praise for Redemption.
xv. From Calvary Songs, 1875.
42. Come, O come with thy broken heart. Invitation.
xvi. From Gospel Music, 1876.
43. Here from the world we turn. Divine Worship.
44. When Jesus comes to reward His servants. Watching,
xvii. From Welcome Tidings, 1877.
45. O hear my cry, be gracious now to me. For Pardon and Peace.
xviii. From The Fountain of Song, 1877.
46. Lord, my trust I repose on Thee. Trusting in Jesus.
xix. From Good as Gold, 1880.
47. In Thy cleft, O Rock of Ages. Safety in Jesus.
48. Sound the alarm ! let the watchman cry. Home Missions.
49. Tenderly He leads us. Christ the Leader.
50. 'Tis the blessed hour of prayer. The Hour of Prayer.
In addition to these hymns, all of which are in common use in Great Britain (mainly through I. D. Sankey's Sacred Songs and Solos, the Methodist Sunday School Hymn Book, the Silver Street Sunday Scholars Companion, and other collections for Sunday schools), there are also "A blessing for you, will you take it?" (Pardon through Jesus); "My song shall be of Jesus" (Praise of Jesus); “Now, just a word for Jesus"(Home Missions); "Onward, upward, Christian soldier" (Pressing Heavenward); 44 Sinner, how thy heart is troubled" (Invitation); "'Tis a goodly, pleasant land" (Heaven anticipated); and "When the dewy light was fading" (Death anticipated). All of these are in I. D. Sankey's Sacred Songs & Solos. Mrs. Van Alstyne's most popular composition is "Safe in the arms of Jesus" (Safety in Jesus). This was written in 1868, at the request of Mr. W. H. Doane, to his well-known melody with which it is inseparably associated, and published in Bright Jewels, 1869. Mrs. Van Alstyne's hymns have sometimes been published anonymously; but the greater part are signed by a bewildering number of initials.
The combined sales of the volumes of songs and hymns named above have amounted in English-speaking countries to millions of copies. Notwithstanding the immense circulation thus given to Mrs. Van Alstyne's hymns, they are, with few exceptions, very weak and poor, their simplicity and earnestness being their redeeming features. Their popularity is largely due to the melodies to which they are wedded.
Since the above was in type we have found that the following are also in common use in Great Britain:—
51. Suppose the little cowslip. Value of Little Things.
52. Sweet hour of prayer. The Hour of Prayer. These are in Bradbury's Golden Chain, 1861.
53. Never lose the golden rule. Love to our Neighbours. In Bradbury's Golden Censer, 1864.
54. I will not be afraid at night. Trust in God. In Bradbury's Fresh Laurels, 1867.
55. Praise Him, praise Him, Jesus our, &c. Praise of Jesus. In Biglow & Main's Bright Jewels, 1869.
56. More like Jesus would I be. More like Jesus. In Perkins & Taylor's Songs of Salvation, 1870.
57. Behold me standing at the door. Christ at the Door. In Biglow & Main's Christian Songs, 1872.
58. If I come to Jesus. Jesus the Children's Guide.
59. Jesus, Lord, I come to Thee. Trust in Jesus.
60. Let me learn of Jesus. Jesus the Children's Friend.
61. Singing for Jesus, O singing for Jesus. Singing for Jesus.
62. There is a Name divinely sweet Holy Name of Jesus.
Of these hymns Nos. 58-62 we have not been able to trace.
--Excerpts from John Julian, Dictionary of Hymnology (1907
================
Van Alstyne, Frances J., p. 1203, ii. From the American collections of recent date we find that Mrs. Van Alstyne is still actively engaged in hymn-writing. In the Funk and Wagnalls Company Gloria Deo, 1903, there are about 30 of her hymns, most of which are new. They are all signed, and some are dated, but we have not space to quote the first lines and subjects, as this hymnal is not an official collection of any denomination. Another name, "Mrs. S. K. Bourne" is credited in the same hymnal with about 40 new hymns. If this signature is not another pen-name of Mrs. Van Alstyne's (and these pen-names and initials of hers are very numerous), we can only say that she has a very successful understudy in "Mrs. S. K. Bourne."
--John Julian, Dictionary of Hymnology, New Supplement (1907)
Fanny Crosby
George Bennard
1873 - 1958 Meter: 8.7.8.7.8.7 D Author of "Pentecostal Fire Is Falling" in The Cyber Hymnal George Bennard (1873-1958) was born in Youngstown, OH. When he was a child the family moved to Albia, Iowa. He served with the Salvation Army in Iowa for several years before he was ordained in the Methodist Episcopal Church. His hymn "Speak, my Lord" appears in Triumphant Service Songs (Chicago: Rodeheaver Hall-Mack Co., 1934). He wrote words and tune for his best known hymn "The Old Rugged Cross" in 1913.
Mary Louise VanDyke
George Bennard
William B. Bradbury
1816 - 1868 Person Name: William Batchelder Bradbury Meter: 8.7.8.7.8.7 D Composer of "CÓRDOBA" in The Cyber Hymnal William Bachelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life.
John Perry
William B. Bradbury
Asa Hull
1828 - 1907 Meter: 8.7.8.7.8.7 D Composer of "HULL" in The Cyber Hymnal Asa Hull USA 1828-1907. Born in Keene, NY, he became a music publisher in New York City. He married Emma F Atherton, and they had a daughter, Harriett. He wrote many tunes and authored temperance rallying songs. He published 33 works, of which 21 were songbooks, between 1863-1895. He died in Philadelphia, PA.
John Perry
Asa Hull
Lydia Baxter
1809 - 1874 Meter: 8.7.8.7.8.7 D Author of "The Invitation" Baxter, Lydia, an American Baptist, was b. at Petersburg, N. York, Sep. 2, 1800, married to Mr. Baxter, and d. in N. Y. June 22, 1874. In addition to her Gems by the Wayside, 1855, Mrs. Baxter contributed many hymns to collections for Sunday Schools, and Evangelistic Services. Of these, the following are the best known:—
1. Cast thy net again, my brother. Patient toil. Given in the Royal Diadem, N. Y., 1873.
2. Go, work in my vineyard. Duty. Also given in the Royal Diadem, 1873, and Mr. Sankey's S. & Solos, No. 4.
3. I'm kneeling, Lord, at mercy's gate. Lent. In Coronation Hymns, &c, N. Y., 1879.
4. I'm weary, I'm fainting, my day's work is done. Longing for rest. Royal Diadem. 1873.
5. In the fadeless spring-time. Heavenly Reunion. In the Royal Diadem, 1873, I. D. Sankey's S. S. & Solos, No. 256, and others. It was written for Mr. H. P. Main in 1872.
6. One by one we cross the river. Death. In Songs of Salvation, N. Y., 1870, I. D. Sankey's S. S. & Solos, No. 357, &c. It dates cir. 1866.
7. Take the name of Jesus with you. Name of Jesus. Written late in 1870, or early in 1871, for W. H. Doane, and pub. in Pure Gold, 1871. It is No. 148 of I. D. Sankey's S. S. & Solos.
8. The Master is coming. Invitation. In Songs of Salvation, 1870, No. 38.
9. There is a gate that stands ajar. Mercy. In New Hallowed Songs, and also the Gospel Songs of P. Bliss, 1874. It was written for S. J. Vail about 1872. It has attained to some popularity. It is given in Mr. Sankey's S. & Solos, No. 2.
-John Julian, Dictionary of Hymnology (1907)
Lydia Baxter
John Hughes
1873 - 1932 Meter: 8.7.8.7.8.7 D Composer of "CWM RHONDDA" in Trinity Hymnal (Rev. ed.) John Hughes (b. Dowlais, Glamorganshire, Wales, 1873; d. Llantwit Fardre, Wales, 1932) received little formal education; at age twelve he was already working as a doorboy at a local mining company in Llantwit Fardre. He eventually became an official in the traffic department of the Great Western Railway. Much of his energy was devoted to the Salem Baptist Church in Pontypridd, where he served as both deacon and precentor. Hughes composed two anthems, a number of Sunday school marches, and a few hymn tunes, of which CWM RHONDDA is universally known, the tune was composed in 1905 Baptist Cymanfa Ganu (song festival) in Capel Rhondda, Pontypridd, Wales.
Bert Polman
John Hughes
Lizzie De Armond
1847 - 1936 Person Name: Lizzie DeArmond Meter: 8.7.8.7.8.7 D Author of "Welcome, Blessed Jesus" in The Cyber Hymnal Lizzie De Armond was a prolific writer of children's hymns, recitations and exercises. When she was twelve years old her first poem was published in the Germantown, Pa. Telegraph, however, it was not until she was a widow with eight children to support that she started writing in earnest. She wrote articles, librettos, nature stories and other works, as well as hymns.
Dianne Shapiro, from "The Singers and Their Songs: sketches of living gospel hymn writers" by Charles Hutchinson Gabriel (Chicago: The Rodeheaver Company, 1916)
Lizzie De Armond
Ellen Lakshmi Goreh
1853 - 1937 Person Name: Ellen L. Goreh Meter: 8.7.8.7.8.7 D Author of "Beacon-Light" in The Cyber Hymnal Goreh, Ellen Lakshmi, daughter of the Rev. Nehemiah Goreh, a Christian convert, a Brahmin of the highest class, was born. at Benares, Sept. 11, 1853. Her mother died in Dec. the same year, and the child was adopted first by a Mr. Smailes. Through the Mutiny in 1857 Mr. Smailes lost his property, and the child was then taken into the family of the Rev. W. T. Storrs and brought to England, where she was educated, and resided until 1880, when she returned to India to take up mission work with her own countrywomen. Through Miss F. R. Havergal's advice and influence Miss Goreh published From India's Coral Strand: Hymns of Christian Faith [1883]. The best known of these hymns is "In the secret of His Presence" (Jesus all in all).
--John Julian, Dictionary of Hymnology, New Supplement (1907)
Ellen Lakshmi Goreh
W. Warren Bentley
Person Name: William Warren Bentley Meter: 8.7.8.7.8.7 D Composer of "FINISTÈRE" in The Cyber Hymnal
W. Warren Bentley
Robert Lowe Fletcher
Person Name: Robert L. Fletcher Meter: 8.7.8.7.8.7 D Author of "The Angels' Story" in The Cyber Hymnal 19th Century
"Robert Lowe Fletcher, the composer, will be at the South Avenue Congregational Church to-morrow, In the morning he will speak on 'The Conservative Life" and at night he will conduct an old-fashioned gospel singing service, when he will use some of his own compositions. Mr. Fletcher will ask the audience to assist him in the singing. Mr. Fletcher is an interesting person, and it is expected that he will attract a large number of strangers to the South Avenue Church."
--from The Post-Standard, Syracuse, NY, 26 November 1910
Robert Lowe Fletcher
Sue M. O. Hoffman
1844 - 1876 Person Name: Susan M. O. Hoffman Meter: 8.7.8.7.8.7 D Author of "God Is Coming" in The Cyber Hymnal Susan’s husband was song writer Elisha Hoffman. Orwigsburg, Pennsylvania, is named after her family.
Lyrics
God Is Coming
Music: SAN JOSE
--www.hymntime.com/tch
=================
Sister of Aaron W. Orwig.
Sue M. O. Hoffman
James E. Hawes
1862 - 1933 Meter: 8.7.8.7.8.7 D Author of "No Room In the Inn" in The Cyber Hymnal James Edward Hawes was born in Vermillion County, IL, near Danville, on Aug. 18, 1862. While growing up, he was nicknamed “the preacher” because of his exceptional moral life. Evidently he became a well-known song leader among churches of Christ and Christian Churches in the latter part of the nineteenth century and into the early twentieth century, as well as a preacher. Hawes formed an evangelistic team about 1885, after the example of Dwight L. Moody and Ira D. Sankey, with Jacob V. Updike (1850-1907). They met with great success before disbanding to become located ministers. According to The Christian Evangelist of Dec. 16, 1901, Hawes was located as minister with the Church of Christ in Greenwich, OH. Also, Hawes edited a hymnbook entitled The Gospel Invitation: Book of Songs and Hymns which was published in 1892 by Fillmore Brothers of Cincinnati, OH. He composed a 1900 tune for the hymn “Have You Not a Word for Jesus?” written in 1871 by Frances R. Havergal. While travelling to Columbus, OH, he died after being hit by a train near Upper Sandusky, in Wyandot County, OH, on Aug. 23, 1933, at the age of 71, and was buried at Ada in Hardin County, OH, where he had served as minister with the Church of Christ for over twenty years.
http://hymnstudiesblog.wordpress.com
James E. Hawes
Melancthon Woolsey Stryker
1851 - 1929 Person Name: M. Woolsey Stryker Meter: 8.7.8.7.8.7 D Author of "Man The Life-Boat!" in The Cyber Hymnal Stryker, Melancthon Woolsey, D.D., son of the Rev. Isaac Pierson Stryker, was born at Vernon, New York, Jan. 7, 1851, and educated at Hamilton College (1872) and Auburn Theological Seminary (1876). In 1876 he entered the Presbyterian ministry as Pastor at Auburn, New York. In 1878 he removed to Ithaca, N. Y.; in 1883 to Holyoke, Massachusetts, and in 1885 to Chicago, Illinois. He received his degree of D.D. from Hamilton College in 1889. He has edited Christian Chorals, 1885 ; New Alleluia, 1880-86; and Church Song, 1889. He was also joint editor with H. P. Main of The Church Praise Book, 1882. He has also published Hymns and Verses, 1883, and Song of Miriam, and Other Hymns and Verses,
1888. To two of these works which have been designed for daily use in divine worship Dr. Stryker contributed the following original hymns:—
i. The Church Praise Book, 1882.
1. Burst forth, 0 Bridegroom, from Thy chamber bright. Second Advent Desired. (1880.)
2. Death cannot make my soul afraid. Death Contemplated. (1881.)
3. Eternal day hath dawned. Heaven. (1881.)
4. Mighty God, Thy Church recover. Missions. (1881.)
5. King again, ye starry chime. Christmas. (1881.)
6. Sing, Israel, for the Lord your strength. Passing the Red Sea. (1878.)
7. The tribes of faith from all the earth. Heaven. (1881.)
8. Thy Kingdom come, 0 blessed Son of God. Second Advent Desired, (1880.) Re-written in Church Song, 1889, as "Thy Kingdom come, 0 everlasting Lord."
9. When the everlasting Lord. Morning. (1880.)
ii. Church Song, 1889.
10. Arouse Thy Church, Almighty God. Missions. (1887.)
11. Father, as here we bow. Holy Trinity. (1886.)
12. Four hundred years their course have sped. American National Hymn. (1888.)
13. God of our Fathers, our God to-day. National Hymn. (1889.)
14. Lo, where that spotless Lamb for sin provided. Passiontide. (1884.)
15. My Maker, at Thy holy throne. Holy Baptism. (1888.)
16. O God, Thy judgments give the King, Thy Son. Missions. (1883.)
17. O Thou, Eternal, Changeless, Infinite. Praise to God. (1882.)
18. 0 Thou, Omnipresent. Omnipresence of the Father. (1885.)
19. O Thou Shepherd of Thine Israel, hear us. Ps. lxxz. (1883.)
20. Our God, and our Redeemer. Opening of a Place of Worship. (1883.)
21. Robbed, bruised, and dying, once I lay. The Good Samaritan. (1886.)
22. Sing, every boy and maiden. Praise to God. (1885.)
23. Thou, Lord of my life, by the words Thou hast said. Lent. (1887.)
24. Thy grace is all of grace. Divine Grace. (1886.)
25. To Thee, our God, these babes we bring. Holy Baptism. (1886.)
26. Tranquilly, slowly, solemnly, lowly. Burial. (1884.)
27. We close Thy blessed Word. Sunday Evening. (1S87.)
28. While all the night-stars fade and wane. Easter. (1884.)
In addition to these original hymns Dr. Stryker has several translations from the German which are in common use. One of his hymns, No. 513, "Now I lay me down to sleep" (Child's Evening hymn), in Church Song, 1889 (dated 1884), begins with a stanza by another hand. In the same work there are also several of his tunes. Dr. Stryker's hymns are massive and rugged, full of dogmatism and fire, but they lack unity and purity of rhythm. In some instances words stand for thoughts, and exclamations for ideas. Nevertheless a few will live.
-- John Julian, Dictionary of Hymnology (1907)
=================
Stryker, M. W., pp. 1098, i.; 1525, ii. 7; 1615, iv. In 1892, Dr. Stryker became Presi¬dent of Hamilton College and also received the LL.D. from Lafayette College. His College Hymnal, 1897, 1904, contains 28 of his hymns, the majority of which date 1890-1894. Of these "From doubt and all its sullen pain" (Faith), written in 1890, is found in other collections. Dr. Stryker d. in 1905. His Dies Irae was published 1892, and his Latermath (verse) 1896.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
Melancthon Woolsey Stryker
A. Byron Condo
1854 - 1941 Person Name: A. Byron Condo Meter: 8.7.8.7.8.7 D Composer of "[O I often sit and ponder] (Armen)" Pseudonym: A. A. Armen, Asa, Alvin, Dr. Arm.
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Adam Byron Condo (also known as Asa Allan Armen) was born November 16, 1854 in Washington County, Indiana to John Condo and Catherine Beaver. Sometime in the 1870's, in his youth, he got into trouble. He was advised by an attorney to legally change his name and move away. He moved away and changed his name to Asa Allan Armen without telling his family. He served as a minister in the United Brethren Church. According to the 1880 census he was living in Hillsdale, Michigan and teaching music. He was then hired as a music teacher at Hartman College in Indiana. He met his wife, Lucretia Shuck, there, and they were married in 1884. His wife was hired as a music teacher at the high school in Columbus, Indiana and Asa continued his ministerial duties. He was promoted as presiding elder of the Indiana Conference of the United Brethren Church. Meanwhile, Rev. A. C. Wilmore, who knew both Armen and his brother Samuel Condo, who was minister of the Congregational Church in Marion, Indiana, recognized Armen from photos shown to him by Samuel Condo. Samuel Condo and two other ministers confronted Armen in 1897 and threatened him with consequences if he did not confess his true identity. Armen then resigned his commission, left his wife (assuming she knew why) and fled to Maine to have his name legally changed back to Adam Byron Condo. He then moved to Texas and taught music. His wife later learned what had happened, tracked him down, and they started corresponding and visiting each other; however, her mother was opposed to them reuniting. In 1904 Condo was recommissioned as a minister in the United Brethren Church, working a circuit headquartered in French Lick, Indiana. He was reunited with his wife in 1906 after his mother-in-law passed away. He wrote several hymns and edited "The Welcome Voice" under the name of Asa Armen. Condo died in Hartsville, Indiana in 1941 at the age of 87.
Dianne Shapiro, from Find A Grave (www.findagrave.com) accessed 8/27/2018
A. Byron Condo
John O. Foster
Meter: 8.7.8.7.8.7 D Author of "We Are Going (Foster)" in The Cyber Hymnal 19th Century
Currently, our only data on Foster is that he was a minister.
--www.hymntime.com/tch/
John O. Foster
Arthur L. Tubbs
1867 - 1946 Meter: 8.7.8.7.8.7 D Author of "It Is Just a Step" in The Cyber Hymnal
Arthur L. Tubbs
Ella M. Bangs
Person Name: E. M. Bangs Meter: 8.7.8.7.8.7 D Author of "O Church of God Triumphant" in The Cyber Hymnal Early 20th Century
Ella M. Bangs
F. M. Atkinson
Meter: 8.7.8.7.8.7 D Author of "He Is Surely Coming" in The Cyber Hymnal Early 20th Century
F. M. Atkinson
Robert Edgar
Meter: 8.7.8.7.8.7 D Author of "Cast Thy Bread Upon the Waters" in The Cyber Hymnal Rv Alexander Robert Edgar United Kingdom 1850-1914. Born in Tipperary, Ireland, his family migrated to Melbourne, Australia, in 1855, where he went to All Saints School. In 1857 the family moved to St. Arnaud, where he attended day school to age 14. He was successively pupil-teacher, gold prospector, tutor, prospector again, and assistant to the district surveyor. Although Anglican, he was influenced to join the Methodist church in 1867. In 1869 he worked with his father at mining. Later, as a lay preacher, he gave his first sermon at Concongella Creek. He attended Wesley College in 1872 and was appointed to Kangaroo Flat in 1874, and in Inglewood in 1876, during which time 17 new churches were built. In 1878 he married Katharine Haslam, and they had eight children. He served several different churches over the next few years and also opened a 'ragged school' in a slum area. He was active in temperance and missions work. He was a good organizer, dynamic preacher and persuasive evangelist. In 1893 he became superintendant of the Central Methodist Mission at Wesley Church. Social issues began the Sunday morning, afternoon, and evening services in a rented theatre in 1900 used as a forum to launch the Forward Social Reform Movement, attacking gambling, liquor, prostitution, corruption, etc. Evening services were evangelistic. As a result, Edgar became chairman of the first Victorian wages board, dealing with several trades. He also served on an unemployment inquiry board in 1899-1900. He was instrumental in establishing various homes for underprivileged and promoting open-air religious meetings. In 1901 he became President of the Wesleyan Methodist Church, joining with the United Free Methodist, Bible Christian, and Primitive Methodist churches the following year. His workload took a toll on his eyes and general health, causing him to return to England for recuperation several times. He traveled there and to the U.S. Between 1906-1912 , preaching when he could. He died of heart disease at Hawthorn, Australia. He was survived by his wife and two daughters.
John Perry
Robert Edgar
Lulu Greene Richards
1849 - 1944 Person Name: Louisa G. Richards Meter: 8.7.8.7.8.7 D Author of "He Is Risen" in The Cyber Hymnal Also known as Louisa L. Greene, Louise L. Greene, Lulu Green, Lula G. Richards. She was born in Kanesville, Iowa, the daughter of Evan M. Greene. She married Levi Willard Richards.
Dianne Shapiro
Lulu Greene Richards
T. J. Price
Person Name: Theodore J. Price Meter: 8.7.8.7.8.7 D Author of "The Christian Graces" in The Cyber Hymnal
T. J. Price
E. C. Huckabee
Person Name: Mrs. E. C. Huckabee Meter: 8.7.8.7.8.7 D Author of "Purple Shadows" in The Cyber Hymnal
E. C. Huckabee
E. J. Foster
Person Name: Mrs. E. J. Foster Meter: 8.7.8.7.8.7 D Author of "Work On" in The Cyber Hymnal
E. J. Foster
Leonard F. Bittle
Meter: 8.7.8.7.8.7 D Author of "Blessed Angels" in The Cyber Hymnal
Leonard F. Bittle
Peter Williams
1723 - 1796 Meter: 8.7.8.7.8.7 D Translator (stanza 1) of "Guide Me, O Thou Great Jehovah" in Trinity Hymnal (Rev. ed.) Peter Williams (b. Llansadurnin, Carmarthanshire, Wales, 1722; d. Llandyfeilog, Wales, 1796) was converted to Christianity by the preaching of George Whitefield and was ordained in the Church of England in 1744. His evangelical convictions soon made him suspect, however, and he left the state church to join the Calvinist Methodists in 1746. He served as an itinerant preacher for many years and was a primary figure in the Welsh revival of the eighteenth century. After being expelled by the Methodists in 1791 on a charge of heresy, he ministered in his own chapel during the last years of his life. He published the first Welsh Bible commentary (1767-1770) and a Bible concordance (1773); he was also one of the annotators for John Canne's Welsh Bible (1790). In addition Williams published a Welsh hymnal, Rhai Hymnau ac Odlau Ysbrydol (1759), as well as Hymns on Various Subjects (1771).
Bert Polman
Peter Williams
Herbert H. Booth
1862 - 1926 Person Name: Herbert Howard Booth Meter: 8.7.8.7.8.7 D Composer of "LINCOLNSHIRE" in The Cyber Hymnal Herbert Henry Howard Booth (26 August 1862 – 25 September 1926) was the third son of William and Catherine Booth. He oversaw the Limelight Department's development and he was the writer and director for Soldiers of the Cross.
See also in:
Wikipedia
Herbert H. Booth
Eben E. Rexford
1848 - 1916 Meter: 8.7.8.7.8.7 D Author of "Lend A Helping Hand" in The Cyber Hymnal Rexford, Eben Eugene.M (Johnsburg, New York, July 16, 1848--October 16, 1916, Shiocton, Wisconsin). Horticulturalist and editor of a Wisconsin farm journal. Many of his verses were used to fill empty corners of the journal. He also wrote many books on gardening. Lawrence University (Appleton, Wisc.), Litt.D. Twenty-five years, organist at First Congregational Church, Shiocton.
See: Smith, Mary L.P. (1930). Eben E. Rexford; a biographical sketch. Menasha, Wis., George Banta Pub. Co.
--Leonard Ellinwood, DNAH Archives and Gabriel, Charles H. (1916). Singers and Their Songs. Chicago: The Rodeheaver Company.
===============
Rexford, Eben Eugene , an American writer, born July 16, 1848, is the author of Nos. 199, 246, 263, 353, in I. D. Sankey's Sacred Songs and Solos), 1878, No. 5, and 456 in the Methodist Sunday School Hymnbook, 1879.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
================
Rexford, E. E. , p. 1587, ii. Additional hymns by this author in common use include:—
1. He saw the wheat fields waiting. Harvest of the World.
2. O where are the reapers. Missions.
3. Rouse up to work that waits for us. Duty.
4. We are sailing o'er an ocean. Life's Vicissitudes.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
================
Eben E. Rexford
P. P. Bilhorn
1865 - 1936 Person Name: Peter Philip Bilhorn Meter: 8.7.8.7.8.7 D Composer of "CHANGCHUN" in The Cyber Hymnal Pseudonyms: W. Ferris Britcher, Irene Durfee; C. Ferris Holden, P. H. Roblin (a anagram of his name)
================
Peter Philip Bilhorn was born, in Mendota, IL. His father died in the Civil War 3 months before he was born. His early life was not easy. At age 8, he had to leave school to help support the family. At age 15, living in Chicago, he had a great singing voice and sang in German beer gardens there. At this time, he and his brother also formed the Eureka Wagon & Carriage Works in Chicago, IL. At 18 Peter became involved in gospel music, studying under George F. Root and George C. Stebbins. He traveled to the Dakotas and spent some time sharing the gospel with cowboys there. He traveled extensively with D. L. Moody, and was Billy Sunday's song leader on evangelistic endeavors. His evangelistic work took him into all the states of the Union, Great Britain, and other foreign countries. In London he conducted a 4000 voice choir in the Crystal Palace, and Queen Victoria invited him to sing in Buckinghm Palace. He wrote some 2000 gospel songs in his lifetime. He also invented a folding portable telescoping pump organ, weighing 16 lbs. It could be set up in about a minute. He used it at revivals in the late 19th century. He founded the Bilhorn Folding Organ Company in Chicago. IL, and his organ was so popular it was sold all over the world. He edited 10 hymnals and published 11 gospel songbooks. He died in Los Angeles, CA, in 1936.
John Perry
P. P. Bilhorn
Chas. H. Gabriel
1856 - 1932 Person Name: Charles Hutchinson Gabriel Meter: 8.7.8.7.8.7 D Composer of "NIMS LAKE" in The Cyber Hymnal Pseudonyms: C. D. Emerson, Charlotte G. Homer, S. B. Jackson, A. W. Lawrence, Jennie Ree
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For the first seventeen years of his life Charles Hutchinson Gabriel (b. Wilton, IA, 1856; d. Los Angeles, CA, 1932) lived on an Iowa farm, where friends and neighbors often gathered to sing. Gabriel accompanied them on the family reed organ he had taught himself to play. At the age of sixteen he began teaching singing in schools (following in his father's footsteps) and soon was acclaimed as a fine teacher and composer. He moved to California in 1887 and served as Sunday school music director at the Grace Methodist Church in San Francisco. After moving to Chicago in 1892, Gabriel edited numerous collections of anthems, cantatas, and a large number of songbooks for the Homer Rodeheaver, Hope, and E. O. Excell publishing companies. He composed hundreds of tunes and texts, at times using pseudonyms such as Charlotte G. Homer. The total number of his compositions is estimated at about seven thousand. Gabriel's gospel songs became widely circulated through the Billy Sunday-Homer Rodeheaver urban crusades.
Bert Polman
Chas. H. Gabriel
James R. Murray
1841 - 1905 Person Name: James Ramsey Murray Meter: 8.7.8.7.8.7 D Arranger of "TOULOUSE" in The Cyber Hymnal L.P.M. (1905, April 12). Obituary. New Church Messenger, p.209.
Murray.--At Cincinnati, March 10, 1905, James Ramsey Murray. Funeral services in the Church of the New Jersualem, March 13th.
James R. Murray was widely known in the musical world as the author of many songs and song books, and in the New Church in Chicago and Cincinnati as an affectionate, intelligent, and loyal New Churchman.
He was born in Andover (Ballard Vale), Mass., March 17, 1841. In early life he developed musical talent, and composed many minor pieces for local and special occasions. Later at North Reading, Mass., he attended Dr. George F. Root's School of Music, and was associated with William Bradbury and Dr. Lowell Mason. He enlisted in the Fourteenth Regiment of infantry, commonly known as the Essex County Regiment, and afterwards was changed to the First Regiment, Massachusetts Heavy Artillery, which was engaged in most of the battles fought by the Second Army Corps up to the surrender of General Lee.
"Daisy Deane," the first and most popular of his early song successes, was composed in 1863 in Virginia while in camp, words by his cousin, Thomas F. Winthrop. This song is known all over the world, and the Salvation Army is using an arrangement of it for one of their war cry songs.
In 1868 Mr. Murray married Isabella Maria Taylor of Andover; and they removed to Chicago. Here three children were born to them, two passing early to their heavenly home, the youngest, Winthrop Root Murray, is still living. It was during these first years in Chicago that Mr. and Mrs. Murray became interested in the New Church, while he was engaged with Root and Cady as editor of the Long Visitor, afterwards merged with the Musical Visitor. After the great fire of 1871 Mr. and Mrs. Murray returned East, where he was engaged in teaching in Lawrence and Andover, and as organist at the Old South Church in Andover. In 1881 they removed to Cincinnati and Mr. Murray became the editor of the Musical Viistor [sic] and head of the publication department of the John Church Company. Among the most popular of his books are "Pure Diamonds," "Royal Gems," "The Prize" and "Murray's Sacred Songs." The following titles will recall some of his best loved sacred songs: "At Last," "Calm on the Listening Ear of Night," "I Shall Be Satisfied," "There Shall No Evil Befall Thee," "Thine, O Lord, Is the Greatness," "The Way Was Mine," "How Beautiful Upon the Mountains," "Angels from the Realms of Glory."
His last great labor in the publishing department of the John Church Company was the seeing through the press five volumes of Wagner's music dramas, with full score and original German text, and an English translation. The immense and careful labor involved in the preparation of these volumes, with a really smooth and excellent English translation, had perhaps, as it was done under pressure, something to do with Mr. Murray's breakdown. Although for some reason Mr. Murray's name does not appear on the title page of these volumes, his friends knew of the place the work held in his affections and ambition.
Mr. Murray was a member of the Church Council of the Cincinnati Society for the last four years and took a deep interest in the building of the New Church, and in the inauguration of services, with all the changes looking to the improvement of the musical part of the service. The vested choir, organized by Mr. and Mrs. Lawson, which Mr. Murray as councilman had urged from the beginning, in their entrance to the church each Sunday singing the processional hymn participated in the funeral service, with a congregation of brethren and friends, all moved by deep love and profound respect for the consistent life and faith of a worthy Churchman and beloved friend.
--DNAH Archives
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For a discussion of Murray and the tune MUELLER, see: Stulken, M.K. (1981). Hymnal companion to the Lutheran Book of Worship. Philadelphia : Fortress Press, p.170.
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Also available in the DNAH Archives:
1. An excerpt from Christie, George A. (1927). New Free Church. In Music in Andover. Papers read at "Fagot Party" of the Andover Natural History Society.
2. Unsourced essay about Murray written soon after his death, likely from Andover, Mass., perhaps authored by Charlotte Helen Abbott.
James R. Murray
Ira David Sankey
1840 - 1908 Meter: 8.7.8.7.8.7 D Composer of "LOS PADRES" in The Cyber Hymnal Sankey, Ira David, was born in Edinburgh, Pennsylvania, in 1840, of Methodist parents. About 1856 he removed with his parents to New Castle, Pennsylvania, where he became a member of the Methodist Episcopal Church. Four years afterwards he became the Superintendent of a large Sunday School in which he commenced his career of singing sacred songs and solos. Mr. Moody met with him and heard him sing at the International Convention of the Young Men's Christian Association, at Indianapolis, and through Mr. Moody's persuasion he joined him in his work at Chicago. After some two or three years' work in Chicago, they sailed for England on June 7, 1872, and held their first meeting at York a short time afterwards, only eight persons being present. Their subsequent work in Great Britain and America is well known.
Mr. Sankey's special duty was the singing of sacred songs and solos at religious gatherings, a practice which was in use in America for some time before he adopted it. His volume of Sacred Songs and Solos is a compilation from various sources, mainly American and mostly in use before. Although known as Sankey and Moody’s Songs, only one song, "Home at last, thy labour done" is by Mr. Sankey, and not one is by Mr. Moody. Mr. Sankey supplied several of the melodies. The English edition of the Sacred Songs & Solos has had an enormous sale; and the work as a whole is very popular for Home Mission services. The Songs have been translated into several languages.
--John Julian, Dictionary of Hymnology (1907)
Pseudonymns:
Harry S. Lower
Rian A. Dykes
====================
Sankey, I. D., p. 994, i. During the past fifteen years Mr. Sankey's Sacred Songs and Solos have had a very large sale, which has justified him in increasing the number of songs and hymns, including " New Hymns and Solos," to 1200. In 1906 he published My Life and Sacred Songs (London : Morgan & Scott). In addition to the "Story of his Own Life," the work contains an account of the most popular of his solos, with interesting reminiscences of the spiritual awakening of many who were influenced through his singing of them in public. In this respect it corresponds in some measure with G. J. Stevenson's Methodist Hymn Book, &c, 1883 (p. 1094, i.). It is an addition to the Sacred Songs and Solos, which will be held in esteem by many. In addition to his hymn, noted on p. 994, ii., Mr. Sankey gives details of the following:—
1. Out of the shadow-land into the sunshine. [Heaven Anticipated.] Mr. Sankey's account of this hymn is:—
"I wrote this hymn specially for the memorial service held for Mr. Moody in Carnegie Hall, where 1 also sang it as a solo. It is the last sacred song of which I wrote both the words and music. The idea was suggested by Mr. Moody's last words, 'Earth recedes; heaven opens before me . . . God is calling me, and I must go.' On account of its peculiar association with my fellow-labourer in the Gospel for so many years, the words are here given in full."
The hymn follows on p. 185, in 3 stanzas of 4 lines and a chorus.
2. Rejoice! Rejoice! our King is coming, [Advent.] Mr. Sankey writes concerning this hymn:—
"During one of my trips to Great Britain on the SS. City of Rome a storm raged on the sea. The wind was howling through the rigging, and waves like mountains of foam were breaking over the bow of the vessel. A great fear had fallen upon the passengers. When the storm was at its worst, we all thought we might soon go to the bottom of the sea. The conviction came to me that the Lord would be with us iu the trying hour, and sitting down in the reading room, I composed this hymn. Before reaching England the tune had formed itself in my mind, and on arriving in London I wrote it out, and had it published in Sacred Songs and Solos, where it is No. 524 in the edition. of 1888.
From Mr. Sankey's autobiographical sketch we gather that he was born at Edinburgh, in Western Pennsylvania, Aug. 28, 1840, joined Mr. Moody in 1871, and visited England for the first time in 1873. The original of the Sacred Songs, &c, of 23 pieces only, was offered as a gift to the London publishers of P. Phillips's Hallowed Song, and declined by them. It was subsequently accepted by Mr. K. O. Morgan, of Morgan & Scott, and is now a volume of 1200 hymns.
From a return kindly sent us by Messrs. Morgan & Scott, we find that the various issues of the Sacred Songs and Solos were:—
In 1873, 24 pp.; 1874, 72 pp. ; 1876, 153 hymns; 1877, 271 hymns; 1881, 441 hymns; 1888, 750 hymns; 1903, 1200 hymns.
In addition, The Christian Choir, which is generally associated with the Sacred Songs and Solos, was issued in 1884 with 75 hymns, and in 1896 with 281. The New Hymns & Solos, by the same firm, were published in 1888.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
Ira David Sankey
Mrs. C. H. Morris
1862 - 1929 Person Name: Lelia Naylor Morris Meter: 8.7.8.7.8.7 D Composer of "SINDH" in The Cyber Hymnal Lelia (Mrs. C.H.) Morris (1862-1929) was born in Pennsville, Morgan County, Ohio. When her family moved to Malta on the Muskingum River she and her sister and mother had a millinery shop in McConnelsville. She and her husband Charles H. Morris were active in the Methodist Episcopal Church and at the camp meetings in Sebring and Mt. Vernon. She wrote hymns as she did her housework. Although she became blind at age 52 she continued to write hymns on a 28-foot long blackboard that her family had built for her. She is said to have written 1000 texts and many tunes including "Sweeter as the years go by."
Mary Louise VanDyke
Mrs. C. H. Morris
William Williams
1717 - 1791 Person Name: William Williams, 1717-1791 Meter: 8.7.8.7.8.7 D Author of "Guide Me, O Thou Great Jehovah" in Trinity Hymnal (Rev. ed.) William Williams, called the "Watts of Wales," was born in 1717, at Cefn-y-coed, near Llandovery, Carmarthenshire. He originally studied medicine, but abandoned it for theology. He was ordained Deacon in the Church of England, but was refused Priest's Orders, and subsequently attached himself to the Calvinistic Methodists. For half a century he travelled in Wales, preaching the Gospel. He died in 1791. Williams composed his hymns chiefly in the Welsh language; they are still largely used by various religious bodies in the principality. Many of his hymns have appeared in English, and have been collected and published by Sedgwick. His two principal poetical works are "Hosannah to the Son of David," and "Gloria in Excelsis."
--Annotations of the Hymnal, Charles Hutchins, M.A. 1872.
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Williams, William, of Pantycelyn, was the Sweet Singer of Wales. He was born at Cefn-y-Coed, in the Parish of Llanfair-y-bryn, near Llandovery, in 1717. He was ordained a deacon of the Established Church in 1740, by Dr. Claget, Bishop of St. Davids, and for three years he served the Curacies of Llan-wrtyd and Llanddewi-Abergwesyn. He never received Priest's Orders. He became early acquainted with the revivalist Daniel Rowlands, and for thirty-five years he preached once a month at Llanllian and Caio and Llansawel, besides the preaching journeys he took in North and South Wales. He was held in great esteem as a preacher. In 1744 his first book of hymns appeared under the title of Halleluiah, and soon ran through three editions. In1762, he published another book under the title of Y Môr o Wydr, which soon went through five editions. His son John published an excellent edition of his hymns in the year 181lines In addition to his Welsh hymns Williams also published several in English as:—
(1.) Hosannah to the Son of David; or, Hymns of Praise to God, For our glorious Redemption by Christ. Some few translated from the Welsh Hymn-Book, but mostly composed on new Subjects. By William Williams. Bristol: Printed by John Grabham, in Narrow-Wine Street, 1759. This contains 51 hymns of which 11 are translated from his Welsh hymns. This little book was reprinted by D. Sedgwick in 1859.
(2.) Gloria in Excelsis: or, Hymns of Praise to God and the Lamb. By W. Williams . . . Carmarthen. Printed for the Author by John Ross, removed to Priory Street, near the Church, M.DCC.LXXI. This contains 70 hymns, not including parts.
From these volumes the following hymns are in common use:—
i. From the Hosannah, 1759:—
1. Jesus, my Saviour is enough. Jesus, All in All.
2. My God, my God, Who art my all. Communion with God desired.
3. The enormous load of human guilt. God's love unspeakable.
ii. From the Gloria in Excelsis, 1772.
4. Awake, my soul, and rise. Passiontide.
5. Beneath Thy Cross I lay me down. Passiontide.
6. Hark! the voice of my Beloved. The Voice of Jesus.
7. Jesus, lead us with Thy power. Divine Guidance Desired. Sometimes given as "Father, lead us with Thy power."
8. Jesus, Whose Almighty sceptre. Jesus as King.
9. Saviour, look on Thy beloved. The Help of Jesus desired.
10. White and ruddy is my Beloved. Beauties of Jesus.
Williams is most widely known through his two hymns, "Guide me, O Thou great Jehovah," and "O'er those gloomy hills of darkness." Williams died at Pantycelyn, Jan. 11, 1791. [Rev. W. Glanffrwd Thomas]
-- John Julian, Dictionary of Hymnology (1907)
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See also in:
Hymn Writers of the Church
William Williams
E. E. Hewitt
1851 - 1920 Person Name: Eliza E. Hewitt Meter: 8.7.8.7.8.7 D Author of "Not One Forgotten" in The Cyber Hymnal Pseudonym: Lidie H. Edmunds.
Eliza Edmunds Hewitt was born in Philadelphia 28 June 1851. She was educated in the public schools and after graduation from high school became a teacher. However, she developed a spinal malady which cut short her career and made her a shut-in for many years. During her convalescence, she studied English literature. She felt a need to be useful to her church and began writing poems for the primary department. she went on to teach Sunday school, take an active part in the Philadelphia Elementary Union and become Superintendent of the primary department of Calvin Presbyterian Church.
Dianne Shapiro, from "The Singers and Their Songs: sketches of living gospel hymn writers" by Charles Hutchinson Gabriel (Chicago: The Rodeheaver Company, 1916)
E. E. Hewitt
Frederick C. Maker
1844 - 1927 Person Name: Frederick Charles Maker Meter: 8.7.8.7.8.7 D Composer of "MORGENLIED" in The Cyber Hymnal Frederick C. Maker (b. Bristol, England, August 6, 1844; d. January 1, 1927) received his early musical training as a chorister at Bristol Cathedral, England. He pursued a career as organist and choirmaster—most of it spent in Methodist and Congregational churches in Bristol. His longest tenure was at Redland Park Congregational Church, where he was organist from 1882-1910. Maker also conducted the Bristol Free Church Choir Association and was a long-time visiting professor of music at Clifton College. He wrote hymn tunes, anthems, and a cantata, Moses in the Bulrushes.
Bert Polman
Frederick C. Maker
Eva Ottarson Brower Gilbert
Person Name: Eva O. B. Gilbert Meter: 8.7.8.7.8.7 D Author of "The Coming King" in The Cyber Hymnal
Eva Ottarson Brower Gilbert
Robert Lowry
1826 - 1899 Meter: 8.7.8.7.8.7 D Composer of "OISE" in The Cyber Hymnal Robert Lowry was born in Philadelphia, March 12, 1826. His fondness for music was exhibited in his earliest years. As a child he amused himself with the various musical instruments that came into his hands. At the age of seventeen he joined the First Baptist Church of Philadelphia, and soon became an active worker in the Sunday-school as teacher and chorister.
At the age of twenty-two he gave himself to the work of the ministry, and entered upon a course of study at the University of Lewisburg, Pa. At the age of twenty-eight he was graduated with the highest honors of his class. In the same year of his graduation, he entered upon the work of the ministry. He served as pastor at West Chester, Pa., 1851-1858; in New York City, 1859-1861; in Brooklyn, 1861-1869; in Lewisburg, Pa., 1869-1875. While pastor at Lewisburg, he was also professor of belles lettres in the University, and received the honorary degree of D. D. in 1875.
He then went to Plainfield, N. J., where he became pastor of Park Avenue Church. In each of these fields his work was crowned with marked success.
Dr. Lowry was a man of rare administrative ability, a most excellent preacher, a thorough Bible student, and whether in the pulpit or upon the platform, always a brilliant and interesting speaker. He was of a genial and pleasing disposition, and a high sense of humor was one of his most striking characteristics. Very few men had greater ability in painting pictures from the imagination. He could thrill an audience with his vivid descriptions, inspiring others with the same thoughts that inspired him.
His melodies are sung in every civilized land, and many of his hymns have been translated into foreign tongues. While preaching the Gospel, in which he found great joy, was his life-work, music and hymnology were favorite studies, but were always a side issue, a recreation.
In the year 1880, he took a rest of four years, visiting Europe. In 1885 he felt that he needed more rest, and resigned his pastorate at Plainfield, and visited in the South and West, also spending some time in Mexico. He returned, much improved in health, and again took up his work in Plainfield.
On the death of Wm. B. Bradbury, Messrs. Biglow & Main, successors to Mr. Bradbury in the publishing business, selected Dr. Lowry for editor of their Sunday-school book, Bright Jewels, which was a great success. Subsequently Dr. W. Doane was associated with him in the issue of the Sunday-school song book, Pure Gold, the sales of which exceeded a million copies. Then came Royal Diadem, Welcome Tidings, Brightest and Best, Glad Refrain, Good as Gold, Joyful Lays, Fountain of Song, Bright Array, Temple Anthems, and numerous other volumes. The good quality of their books did much to stimulate the cause of sacred song in this country.
When he saw that the obligations of musical editorship were laid upon him, he began the study of music in earnest, and sought the best musical text-books and works on the highest forms of musical composition. He possessed one of the finest musical libraries in the country. It abounded in works on the philosophy and science of musical sounds. He also had some musical works in his possession that were over one hundred and fifty years old.
One of his labors of love some years ago was an attempt to reduce music to a mathematical basis. On the established fact that Middle C has two hundred and fifty-six vibrations per second, he prepared a scale and went to work on the rule of three. After infinite calculation and repeated experiments, he carried it far enough to discover that it would not work.
A reporter once asked him what was his method of composition — "Do you write the words to fit the music, or the music to fit the words?" His reply was, "I have no method. Sometimes the music comes and the words follow, fitted insensibly to the melody. I watch my moods, and when anything good strikes me, whether words or music, and no matter where I am, at home or on the street, I jot it down. Often the margin of a newspaper or the back of an envelope serves as a notebook. My brain is a sort of spinning machine, I think, for there is music running through it all the time. I do not pick out my music on the keys of an instrument. The tunes of nearly all the hymns I have written have been completed on paper before I tried them on the organ. Frequently the words of the hymn and the music have been written at the same time."
The Doctor frequently said that he regarded "Weeping Will Not Save Me" as the best and most evangelistic hymn he ever wrote. The following are some of his most popular and sweetest gospel melodies: "Shall We Gather at the River?," "One More Day's Work for Jesus," "Where is My Wandering Boy To-night?," "I Need Thee Every Hour," "The Mistakes of My Life," "How Can I Keep from Singing?," "All the Way My Saviour Leads Me," "Saviour, Thy Dying Love," "We're Marching to Zion," etc. "Shall We Gather at the River?" is perhaps, without question, the most widely popular of all his songs. Of this Mr. Lowry said: "It is brass band music, has a march movement, and for that reason has become popular, though for myself I do not think much of it." Yet he tells us how, on several occasions, he had been deeply moved by the singing of that hymn, "Going from Harrisburg to Lewisburg once I got into a car filled with half-drunken lumbermen. Suddenly one of them struck up, "Shall We Gather at the River?" and they sang it over and over again, repeating the chorus in a wild, boisterous way. I did not think so much of the music then as I listened to those singers, but I did think that perhaps the spirit of the hymn, the words so flippantly uttered, might somehow survive and be carried forward into the lives of those careless men, and ultimately lift them upward to the realization of the hope expressed in my hymn." "A different appreciation of it was evinced during the Robert Raikes' Centennial. I was in London, and had gone to meeting in the Old Bailey to see some of the most famous Sunday-school workers in the world. They were present from Europe, Asia, and America. I sat in a rear seat alone. After there had been a number of addresses delivered in various languages, I was preparing to leave, when the chairman of the meeting announced that the author of "Shall We Gather at the River?" was present, and I was requested by name to come forward. Men applauded and women waved their handkerchiefs as I went to the platform. It was a tribute to the hymn; but I felt, when it was over, that, after all, I had perhaps done some little good in the world, and I felt more than ever content to die when God called." On Children's Day in Brooklyn, in 1865, this song was sung by over forty thousand voices.
While Dr. Lowry said, "I would rather preach a gospel sermon to an appreciative, receptive congregation than write a hymn," yet in spite of his preferences, his hymns have gone on and on, translated into many languages, preaching and comforting thousands upon thousands of souls, furnishing them expression for their deepest feelings of praise and gratitude to God for His goodness to the children of men. What he had thought in his inmost soul has become a part of the emotions of the whole Christian world. We are all his debtors.
Rev. Robert Lowry, D. D., died at his residence in Plainfield, K J., November 25, 1899. Dead, yet he lives and his sermons in gospel song are still heard and are doing good. Dr. Lowry was a great and good man, and his life, well spent, is highly worthy of a place among the world's greatest gospel song and hymn writers.
-- Biography of Gospel Song and Hymn Writers
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Lowry, Robert, D.D., son of Crozier Lowry, was born at Philadelphia, Pennsylvania, March 12, 1826, and educated at Lewisburg University. Having received ordination as a Baptist Minister, his first charge was at West Chester, Pennsylvania. From thence he passed to New York City, and then to Brooklyn, N. Y. In 1876 he was appointed Professor of Rhetoric in his University. On resigning his Professorship he undertook the charge of the 2nd Baptist Church, New Jersey. Dr. Lowry has been associated with some of the most popular Sunday School hymn-books published in the States, including Happy Voices, 1865; Chapel Melodies, 1868; Bright Jewels, 1869; Pure Gold, 1871; Royal Diadem, 1873; Tidal Wave, 1874; Fountain of Song1877; Welcome Tidings, 1877, &c. Of Dr. Lowry's hymns those which have attained the widest circulation are:—
1. Jerusalem, for ever bright. Heaven. Appeared in the American Tract Society's Happy Voices, 1865, with music by the author.
2. Low in the grave He lay. Resurrection of Christ. Written in 1874 and published in Brightest and Best, 1875.
3. Marching on, marching on. Sunday School Battle Song. Appeared, with music by the author, in Happy Voices, 1865.
4. My home is in heaven, my rest is not here. In Happy Voices, 1865, with music by the author.
5. My life flows on in endless song. Joy in God. In Bright Jewels, 1869; the Royal Diadem, 1873, and others in America and Great Britain, with music by the author.
6. One more day's work for Jesus. Work for Christ. Published, with music by the author, in Bright Jewels, 1869.
7. Shall we gather at the river? Mutual recognition in the Hereafter. The origin of this hymn is thus set forth in E. W. Long's Illustrated History of Hymns and their Authors, Philadelphia, 1876, p. 64:—
”On a very hot summer day, in 1864, a pastor was seated in his parlour in Brooklyn, N. Y. It was a time when an epidemic was sweeping through the city, and draping many persons and dwellings in mourning. All around friends and acquaintances were passing away to the spirit land in large numbers. The question began to arise in the heart, with unusual emphasis, ‘Shall we meet again? We are parting at the river of death, shall we meet at the river of life?' ‘Seating myself at the organ,’ says he, ‘simply to give vent to the pent up emotions of the heart, the words and music of the hymn began to flow out, as if by inspiration:—
‘Shall we gather at the river,
Where bright angel feet have trod?’"
In 1865 the hymn and music were given in Happy Voices, No. 220, in 5 stanzas of 4 lines and a chorus. The hymn has since passed into a great number of hymnals in Great Britain and America.
8. Take the wings of the morning; speed quickly thy flight. Exhortation to Repentance. Written for, and published with music by the author in, the Royal Diadem, 1873.
9. Weeping will not save me. Salvation through Faith. Published in the Chapel Melodies, 1868.
10. What can wash away my stain? Precious Blood of Jesus. Given in the Welcome Tidings, 1877, with music by the author.
11. Where is my wandering boy tonight! The absent Child. In the Fountain of Song, 1877, together with music by the author.
Most of these hymns are given in Mr. I. D. Sankey's Sacred Songs & Solos, Pts. i., ii.
--John Julian, Dictionary of Hymnology (1907)
Robert Lowry
John S. B. Monsell
1811 - 1875 Person Name: John S. B. Monsell, 1811-1875 Meter: 8.7.8.7.8.7 D Author of "Christ Is Risen! Alleluia!" in Lutheran Book of Worship John Samuel Bewley Monsell (b. St. Colomb's, Londonderry, Ireland, 1811; d. Guilford, Surrey, England, 1875) was educated at Trinity College in Dublin and served as a chaplain and rector of several churches in Ireland after his ordination in 1835. Transferred to England in 1853, he became rector of Egham in Surrey and was rector of St. Nicholas Church in Guilford from 1870 until his death (caused by a construction accident at his church). A prolific poet, Monsell published his verse in eleven volumes. His three hundred hymns, many celebrating the seasons of the church year, were issued in collections such as Hymns and Miscellaneous Poems (1837), Spiritual Songs (1857), Hymns of Love and Praise (1863), and The Parish Hymnal (1873).
Bert Polman
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Monsell, John Samuel Bewley, L.L.D., son of Thomas Bewley Monsell, Archdeacon of Londonderry, was born at St. Columb's, Londonderry, March 2,1811, and educated at Trinity College, Dublin (B.A. 1832, LL.D. 1856). Taking Holy Orders in 1834, "he was successively Chaplain to Bishop Mant, Chancellor of the diocese of Connor, Rector of Ramoan, Vicar of Egham, diocese Worcester, and Rector of St. Nicholas's, Guildford. He died in consequence of a fall from the roof of his church, which was in the course of rebuilding, April 9, 1875. His prose works include Our New Vicar, 1867; The Winton Church Catechist, &c. His poetical works are:—
(1) Hymns and Miscellaneous Poems, Dublin, W. Curry, Jun., & Co., 1837; (2) Parish Musings, or Devotional Poems, 1850; (3) Spiritual Songs for the Sundays and Holy Days throughout the Year. 1857 (People's Ed., 1875); (4) His Presence, not His Memory, 1855, 1858; (5) Hymns of Love and Praise for the Church's Year, 1863 (2nd ed. 1866); (6) The Passing Bell; Ode to The Nightingales, and Other Poems, 1867; (7) Litany Hymns, 1869; (8) The Parish Hymnal after the Order of The Book of Common Prayer, 1873; (9)Watches by the Cross, 1874; (10) Simon the Cyrenian; and Other Poems; (11) Nursery Carols.
In these works several hymns which appeared in the earlier books are repeated in the later, and thus at first sight his compositions seem to be more in number than they really are. The total amounts to nearly 300, and of these about one-fourth are in common use. The most popular of these are, "God is love; that anthem olden"; "God of that glorious gift of grace"; "Holy offerings, rich and rare"; “Lord of the living harvest"; "Mighty Father, Blessed Son"; and "Sing to the Lord a joyful song." In addition to those which are annotated under their respective first lines, the following are in common use:—
i. Appeared in his Hymns and Miscellaneous Poems, Dublin, 1837.
1. Birds have their quiet nests. Humility of Christ.
2. Dark and dim the day-light rose. Good Friday.
3. Friend of the friendless and the lone. Jesus, the Friend.
4. My God, what wondrous love was Thine. Whitsuntide.
5. O for a heart more fervent. Holiness desired.
6. O for the time when on the world. Missions.
7. The springtide hour brings leaf and flower. Spring.
8. This day the Lord is risen. Easter.
9. When cold our hearts and far from Thee. Teach us to Pray.
10. Why restless, why so weary? Providence.
11. Yes, I do feel, my God, that I am Thine. Assurance.
ii. Appeared in his Parish Musings, 1850.
12. In Thee, my [O] God, will we rejoice. Trust in God.
13. Lord, dependent on Thy promise. Holy Baptism.
14. Members of Christ, Children of God. Confirmation.
15. So teach me, Lord, to number. The Old and New Year.
16. Soon [soon] and for ever. Death anticipated.
17. The broken, contrite heart oppress'd. Promises of God.
18. Thou art near, yes, Lord, I feel it. Divine Support.
19. Would'st thou learn the depths of sin? Passiontide.
iii. Appeared in his Spiritual Songs, 1857.
20. A few bright leaders of her host. All Saints.
21. A happy, happy [merry, merry] Christmas. New Year's Day.
22. Blessed hope, that we the fallen [sinful]. Hope.
23. Heart in heart, and hand in hand. SS. Simon and Jude.
24. Jesus, my loving Lord! I know. Resignation.
25. Last Sunday of the work-day year. Sunday after Christmas Day.
26. Loved by God the Father. Holy Baptism.
27. Mercy, mercy, God the Father. Lent.
28. My head is low, my heart is sad. Confirmation. (Penitential.)
29. Oft doth the Christian's heart inquire. Christian Duty.
30. 0 God, most mighty, listen now. Charities. From "When languid frame or throbbing pulse."
31. 0 holy Sabbath day. Sunday.
32. 0 Lord, what records of Thy love. St. Barnabas. Sometimes, “Lord God, what records of Thy love."
33. 0 love, divine and golden. Holy Matrimony. From this, "Love divine and tender" is taken.
34. One lesson more the Church must learn. Waiting on God. From this, “One lesson Christ His own would teach" is taken.
35. Proudly in his [the] hall of judgment. Tuesday before Easter.
36. Sinful, sighing to be blest. Lent.
37. The Church of God, with equal care. St. James.
38. The journey done; The rest begun. Burial.
39. The simple trust that can confide. Trust.
40. Weary and sad, a wanderer from Thee. Lent.
iv. Appeared, in his Hymns of Love and Praise, 1863, and 2nd ed., 1866.
41. Bounteous blesser of the seedtime. Sexagesima. Seed Time.
42. Brightly hopeful for the future. God's mercy through life.
43. Christ is risen! Alleluia! Easter.
44. Come and deck the grave with flowers. Easter Eve.
45. Fight the good fight with all thy might. Fight of Faith.
46. Holy Spirit, long expected. Whitsuntide.
47. Hours and days and months and years. The Circumcision.
48. I have no comfort but Thy love. The Comfort of Love.
49. I knew Thee in the land of drought. A Song of Love.
60. I think of Thee, my God by night. Evening.
61. Jesu, gentle Sufferer, say. Good Friday.
52. Labouring and heavy-laden. Lent.
53. Light of the world, we hail Thee. Missions.
54. Lord, to whom except to Thee? Holy Communion.
55. My sins, my sins, my Saviour. Ash Wednesday.
56. O'er the distant mountains breaking. Second Advent.
57. Other Name than our dear Lord's. Jesus All and in All.
58. Pity on us, heavenly Father. Litany Hymn for Lent.
59. Praise the Lord, rejoice, ye Gentiles. Advent, or Missions.
60. Rest of the weary, joy of the sad. Jesus, the Saviour and Friend.
61. Shadow of a mighty Rock. Jesus, the Rock of Ages.
62. Sing, 0 heaven; 0 earth rejoice. Ascension.
63. Sweet is the gentle voice of spring. Seed Time.
64. Sweet is Thy mercy, Lord. Divine Mercy.
65. Teach me to do the thing that pleaseth Thee. Divine Teaching.
66. The good old times, how glorious. Advent.
67. The world may in its wealth delight. Rejoicing in the Lord. An altered form of "Let others in their wealth delight."
68. Though Thou slay me, I will trust. Faith.
69. To Christ the Lord! The Incarnate Word. Christmas.
70. When I had wandered from His fold. The Love of God.
v. Appeared in his Litany Hymns, 1869.
71. Lay the precious body, In the quiet grave. Burial.
72. My sins have taken such a hold on me. Litany of Repentance.
vi. Appeared in his Parish Hymnal, 1873.
73. I hunger and I thirst. Septuagesima.
Dr. Monsell’s hymns are as a whole bright, joyous, and musical; but they lack massiveness, concentration of thought, and strong emotion. A few only are of enduring excellence.
--John Julian, Dictionary of Hymnology 1907
=====================
Monsell, J, S. B., p. 762, ii. Additional hymns in common use include:—
1. Blessed Lord, Who, till the morning. Holy Scriptures. From his Spiritual Songs, 1857.
2. Christ incarnate in His poor. Christ in His Poor. From his Hymns of Love and Praise, 1863.
3. We ask for life, and mean thereby. Life and Work. From his Hymns of Love and Praise, 1863.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
====================
Monsell, J. S. B. Since the article on pp. 762-3 was written, copies of the original editions of Dr. Monsell's works have come into our hands, and from them we have to make the following corrections, the numbers following being those given to the first lines of the hymns on pp. 762-3:—
15. So teach me, &c. Hymns and Misc. Poems, 1837, p. 30.
17. The broken, &c. Hymns and Misc. Poems, 1837, p. 49.
18. Thou art near, &c. Hymns and Misc. Poems, 1837, p. 21.
19. Would'st thou, &c. Hymns and Misc. Poems, 1837, p. 14.
26. Loved by God, &c. Parish Hymnal, 1873, No. 181.
27. Mercy, mercy, &c. Prayers and Litanies, 1861,
p. 119.
28. My head is low, &c. Hymns of Love and Praise, 1866,
p. 125.
33. O Love divine, &c. Hymns of Love and Praise, p. 131.
38. The journey done, &c. Hymns of Love and Praise, p. 134.
40. Weary and sad, &c. Parish Hymnal, 1873, No. 209.
41-50. Hymns of Love and Praise, 1863.
51. See "Day of loss," &c, p. 282, i.
52. Labouring, &c. Prayers and Litanies, 1861, p. 116. 53-57. Hymns of Love and Praise, 1863.
58. Pity on us, &c. Prayers and Litanies, 1861, p. 125.
59. Praise the Lord, &c. Hymns of Love and Praise, 1863,
p. 13.
60. 61, 62, 64, 65. Prayers and Litanies, 1861.
63, 66-70. Hymns of Love and Praise, 1863.
72. My sins, &c. Hymns of Love and Praise, 1866, p. 34.
73. I hunger, &c. Hymns of Love and Praise, 1866, p. 128.
It will be seen from this list of additions and corrections that Dr. Monsell multiplied his works by giving much the same material under new titles, and that his Prayers and Litanies of 1861 were unknown to us when the original article was written. "We can sincerely add that few hymn writers are so perplexing to the annotator as Dr. Monsell. [Rev. James Mearns, M.A.]
--John Julian, Dictionary of Hymnology, New Supplement (1907)
John S. B. Monsell
Percy C. Buck
1871 - 1947 Person Name: Percy Carter Buck Meter: 8.7.8.7.8.7 D Composer of "HERGA" in The Cyber Hymnal
Percy C. Buck
J. H. Rosecrans
1845 - 1926 Person Name: James Holmes Rosecrans Meter: 8.7.8.7.8.7 D Composer of "FIUMICINO" in The Cyber Hymnal James Holmes Rosecrans studied at the Baxter University of Music in Friendship, New York. After teaching for two years, he joined the Fillmore Brothers Music House in Cincinnati, Ohio. As of 1880, he was teaching music in Douglas County, Colorado. In 1884, was an evangelist in California, and later was associated with evangelistic efforts in Texas, and taught music and Bible at Carlton College in Bonham, Texas. He published over 20 music collections in his lifetime.
© The Cyber Hymnal™ (www.hymntime.com/tch)
J. H. Rosecrans
H. L. Gilmour
1836 - 1920 Person Name: Henry Lake Gilmour Meter: 8.7.8.7.8.7 D Composer of "THURLAND CASTLE" in The Cyber Hymnal Henry Lake Gilmour United Kingdom 1836-1920. Born at Londonderry, Ireland, he emigrated to America as a teenager, thinking he wanted to learn navigation. When he reached the U.S., he arrived in Philadelphia and decided to seek his fortune in America. He started working as a painter, then served in the American Civil War, where he was captured and spent several months in Libby Prison, Richmond, VA. He married Letitia Pauline Howard in 1858. After the war he trained as a dentist and did that for many years. In 1869 he moved to Wenonah, NJ, and helped found the Methodist church there in 1885. He served as Sunday school superintendent and, for four decades, directed the choir at the Pittman Grove Camp Meeting, also working as song leader at camp meetings in Mountain Lake Park, MD, and Ridgeview Park, PA. He was an editor, author, and composer. He edited and/or published 25 gospel song books, along with John Sweney, J Lincoln Hall, John J Hood, Howard Entwistle, Joshua Gill, E L Hyde, Milton S Rees and William J Kirkpatrick. He died in Delair, NJ, after a buggy accident.
John Perry
H. L. Gilmour
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